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Author: Charles Patterson
Publisher: Christian Faith Publishing, Inc.
ISBN: 1642992623
Category : Fiction
Languages : en
Pages : 675
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Book Description
This modern divine comedy, based on the original Divine Comedy that Dante wrote 700 years ago, tells the story of Tom Reed and how his early interest in Dante inspired him to make his own viaggio (journey) to the Underworld. After describing Tom's church upbringing and his joining, then leaving the church, the story continues in the Underworld (a.k.a. Hell) with a cast of characters Dante never could have imagined: Tanya, the CEO; Umberto, the Guest Master; Rachel, a young Dante scholar from Berkeley; visitors from China, India, Kenya, and Germany; and famous people in history woken up from the Big Nap for a "Great Minds and Personalities" conference attended by such greats as Socrates, Alexander the Great, Joan of Arc, Einstein, Isaac Bashevis Singer, and Groucho Marx. Tom also visits his father who's in a "Purgatory precinct" and talks to Hashem, his "wife" Naomi, and somebody called Satan who wears a cowboy hat and walks with a swagger. The climax of Tom's viaggio is his visit to the Crusaders who used to be in charge because he wants to include them in the book he plans to write that could make him the next Dante. However, because the Crusaders disapprove of his being a "defrocked priest," when he arrives, they withdraw their invitation and put him on trial. After he survives his ordeal with the help of Wanda (an ex-nun), members of GETA (Ghosts for the Ethical Treatment of Animals), and Dante himself, Tom is taken to the exit and resurfaces in New Jersey where Beatrice, his college girlfriend with whom he's back in contact, is waiting for him. Dante had his Beatrice (one of the great love stories of world literature), so why shouldn't Tom have his?
Author: Charles Patterson
Publisher: Christian Faith Publishing, Inc.
ISBN: 1642992623
Category : Fiction
Languages : en
Pages : 675
Get Book
Book Description
This modern divine comedy, based on the original Divine Comedy that Dante wrote 700 years ago, tells the story of Tom Reed and how his early interest in Dante inspired him to make his own viaggio (journey) to the Underworld. After describing Tom's church upbringing and his joining, then leaving the church, the story continues in the Underworld (a.k.a. Hell) with a cast of characters Dante never could have imagined: Tanya, the CEO; Umberto, the Guest Master; Rachel, a young Dante scholar from Berkeley; visitors from China, India, Kenya, and Germany; and famous people in history woken up from the Big Nap for a "Great Minds and Personalities" conference attended by such greats as Socrates, Alexander the Great, Joan of Arc, Einstein, Isaac Bashevis Singer, and Groucho Marx. Tom also visits his father who's in a "Purgatory precinct" and talks to Hashem, his "wife" Naomi, and somebody called Satan who wears a cowboy hat and walks with a swagger. The climax of Tom's viaggio is his visit to the Crusaders who used to be in charge because he wants to include them in the book he plans to write that could make him the next Dante. However, because the Crusaders disapprove of his being a "defrocked priest," when he arrives, they withdraw their invitation and put him on trial. After he survives his ordeal with the help of Wanda (an ex-nun), members of GETA (Ghosts for the Ethical Treatment of Animals), and Dante himself, Tom is taken to the exit and resurfaces in New Jersey where Beatrice, his college girlfriend with whom he's back in contact, is waiting for him. Dante had his Beatrice (one of the great love stories of world literature), so why shouldn't Tom have his?
Author: Guy P. Raffa
Publisher: Harvard University Press
ISBN: 0674980832
Category : Biography & Autobiography
Languages : en
Pages : 385
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Book Description
A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.
Author: Evan Schmid
Publisher: Pickle Partners Publishing
ISBN: 1789125952
Category : Religion
Languages : en
Pages : 119
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Book Description
Dante Alighieri was born in Florence, Italy in 1261. As a brilliant and well-respected Florentine, he entered politics. In 1301, after a political upheaval in Florence, Dante was unjustly banished from the city of his birth. Exiled for the rest of his life, Dante turned his poetic genius to writing a masterpiece of Italian poetry, The Divine Comedy. The Divine Comedy endures as a great Christian drama about sin, redemption, and salvation. Reading this story can encourage us to follow in the footsteps of Dante, who responded to physical adversity by focusing his energy on the spiritual world and remaining true to the Faith.
Author: Teresa Bartolomei
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311079604X
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Dante, the pilgrim, is the image of an author who stubbornly looks ahead, seeking and building the "Great Beyond" (Manguel). Following in his footsteps is therefore not a return to the past, going à rebours, but a commitment to the future, to exploring the potential of humanity to "transhumanise". This dynamic of self-transcendence in Dante’s humanism (Ossola), which claims for European civilisation a vocation for universalism (Ferroni), is analysed in the volume at three crucial moments: Firstly, the establishment of an emancipatory relationship between author and reader (Ascoli), in which authorship is authority and not power; secondly, the conception of vision as a learning process and horizon of eschatological overcoming (Mendonça); finally, the relationship with the past, which is never purely monumental, but ethically and intertextually dynamic, in an original rewriting of the original scriptural, medieval, and classical culture (Nasti, Bolzoni, Bartolomei). A second group of contributions is dedicated to the reconstruction of Dante’s presence in Portuguese literature (Almeida, Espírito Santo, Figueiredo, Marnoto, Vaz de Carvalho): they attest to the innovative impact of Dante’s work even in literary traditions more distant from it.
Author: Manuele Gragnolati
Publisher: Oxford University Press
ISBN: 0198820747
Category : Literary Criticism
Languages : en
Pages : 778
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Book Description
The Oxford Handbook of Dante contains forty-four specially written chapters that provide a thorough and creative reading of Dante's oeuvre. It gathers an intergenerational and international team of scholars encompassing diverse approaches from the fields of Anglo-American, Italian, and continental scholarship and spanning several disciplines: philology, material culture, history, religion, art history, visual studies, theory from the classical to the contemporary, queer, post- and de-colonial, and feminist studies. The volume combines a rigorous reassessment of Dante's formation, themes, and sources, with a theoretically up-to-date focus on textuality, thereby offering a new critical Dante. The volume is divided into seven sections: 'Texts and Textuality'; 'Dialogues'; 'Transforming Knowledge'; Space(s) and Places'; 'A Passionate Selfhood'; 'A Non-linear Dante'; and 'Nachleben'. It seeks to challenge the Commedia-centric approach (the conviction that notwithstanding its many contradictions, Dante's works move towards the great reservoir of poetry and ideas that is the Commedia), in order to bring to light a non-teleological way in which these works relate amongst themselves. Plurality and the openness of interpretation appear as Dante's very mark, coexisting with the attempt to create an all-encompassing mastership. The Handbook suggests what is exciting about Dante now and indicate where Dante scholarship is going, or can go, in a global context.
Author: Teodolinda Barolini
Publisher: University of Notre Dame Pess
ISBN: 0268202923
Category : Religion
Languages : en
Pages : 508
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Book Description
A critical addition to Dante studies that illuminates the poet’s disruptive impact within Italian culture and foregrounds Barolini’s marked contribution to the field. In Dante’s Multitudes, the newest addition to the renowned William and Katherine Devers Series in Dante and Medieval Italian Literature, Teodolinda Barolini gathers sixteen of her essays exploring the revolutionary character of Dante’s work. Embracing the Vita Nuova, De vulgari eloquentia, Convivio, Epistles, Monarchia, and Rime, and of course the Divine Comedy, these essays together feature the many facets of the poet’s enduring legacy. Dante’s Multitudes showcases the poet’s embrace of multiplicity, difference, and disruption in five parts, each with its own general focus. It begins with an introductory essay on method and the use of history in order to set the stage for the expert analyses that follow. Barolini treats various topics in Dante studies, including sexualized and racialized others in the Comedy, Dante’s unorthodox conception of limbo, his celebration of metaphysical difference within the paradoxical unity of the Paradiso, and his use of Aristotle to think disruptively about wealth and society, on the one hand, and about love and compulsion, on the other. The volume closes with a final meditation on method and “critical philology,” highlighting the ways in which philology has been used uncritically to bolster fallacious hermeneutical narratives about one of the West’s most celebrated and influential poets. Barolini once again opens avenues for further research in this compelling collection of essays. This volume will be of interest to scholars in Dante studies, Italian studies, and medieval and Renaissance literature more broadly.
Author: Teodolinda Barolini
Publisher: University of Toronto Press
ISBN: 1442626194
Category : History
Languages : en
Pages : 344
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Book Description
The first comprehensive English translation and commentary on Dante's early verse to be published in almost fifty years, Dante's Lyric Poetry includes all the poems written by the young Dante Aligheri between c. 1283 and c. 1292. Essays by Teodolinda Barolini guide the reader through the new verse translations by Richard Lansing, illuminating Dante's transformation from a young courtly poet into the writer of the vast and visionary Commedia. Barolini's commentary exposes Dante's lyric poems as early articulations of many of the ideas in the Commedia, including the philosophy and psychology of desire and its role as motor of all human activity, the quest for vision and transcendence, the frustrating search for justice on earth, and the transgression of boundaries in society and poetry. A wide-ranging and intelligent examination of one of the most important poets in the Western tradition, this book will be of interest to scholars and poetry-lovers alike.
Author: Teodolinda Barolini
Publisher: Fordham Univ Press
ISBN: 0823227057
Category : Literary Criticism
Languages : en
Pages : 496
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Book Description
In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its “three crowns”: Dante, Petrarch, and Boccaccio. Barolini views the origins of Italian literary culture through four prisms: the ideological/philosophical, the intertextual/multicultural, the structural/formal, and the social. The essays in the first section treat the ideology of love and desire from the early lyric tradition to the Inferno and its antecedents in philosophy and theology. In the second, Barolini focuses on Dante as heir to both the Christian visionary and the classical pagan traditions (with emphasis on Vergil and Ovid). The essays in the third part analyze the narrative character of Dante’s Vita nuova, Petrarch’s lyric sequence, and Boccaccio’s Decameron. Barolini also looks at the cultural implications of the editorial history of Dante’s rime and at what sparso versus organico spells in the Italian imaginary. In the section on gender, she argues that the didactic texts intended for women’s use and instruction, as explored by Guittone, Dante, and Boccaccio—but not by Petrarch—were more progressive than the courtly style for which the Italian tradition is celebrated. Moving from the lyric origins of the Divine Comedy in “Dante and the Lyric Past” to Petrarch’s regressive stance on gender in “Notes toward a Gendered History of Italian Literature”—and encompassing, among others, Giacomo da Lentini, Guido Cavalcanti, and Guittone d’Arezzo—these sixteen essays by one of our leading critics frame the literary culture of thirteenth-and fourteenth-century Italy in fresh, illuminating ways that will prove useful and instructive to students and scholars alike.
Author: Dante Alighieri
Publisher: Indiana University Press
ISBN: 9780253316196
Category : Literary Collections
Languages : en
Pages : 420
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Book Description
The Paradise, which Dante called the sublime canticle, is perhaps the most ambitious book of The Divine Comedy. In this climactic segment, Dante's pilgrim reaches Paradise and encounters the Divine Will. The poet's mystical interpretation of the religious life is a complex and exquisite conclusion to his magnificent trilogy. Mark Musa's powerful and sensitive translation preserves the intricacy of the work while rendering it in clear, rhythmic English. His extensive notes and introductions to each canto make accessible to all readers the diverse and often abstruse ingredients of Dante's unparalleled vision of the Absolute: elements of Ptolemaic astronomy, medieval astrology and science, theological dogma, and the poet's own personal experiences.
Author: Dante Alighieri
Publisher:
ISBN:
Category : Poetry
Languages : it
Pages : 516
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Book Description
