Impressionist Subjects PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Impressionist Subjects PDF full book. Access full book title Impressionist Subjects by Tamar Katz. Download full books in PDF and EPUB format.
Author: Tamar Katz
Publisher: University of Illinois Press
ISBN: 0252054261
Category : Literary Criticism
Languages : en
Pages : 264
Get Book
Book Description
Exploring the intersection of ideas about woman, subjectivity, and literary authority, Impressionist Subjects reveals the female subject as crucial in framing contradictions central to modernism, particularly the tension between modernism's claim to timeless art and its critique of historical conditions. Against the backdrop of the New Woman movement of the 1890s, Tamar Katz establishes literary impressionism as integral to modernist form and to the modernist project of investigating the nature and function of subjectivity. Focusing on a duality common to impressionism and contemporary ideas of feminine subjectivity, Katz shows how the New Woman reconciled the paradox of a subject at once immersed in the world and securely enclosed in a mysterious interiority. Book chapters feature discussion of modernists including Walter Pater, George Egerton, Sarah Grand, Henry James, Joseph Conrad, Ford Madox Ford, Dorothy Richardson, and Virginia Woolf. Sophisticated and tightly argued, Impressionist Subjects is a substantial contribution to the reassessment and expansion of the modernist fiction canon.
Author: Tamar Katz
Publisher: University of Illinois Press
ISBN: 0252054261
Category : Literary Criticism
Languages : en
Pages : 264
Get Book
Book Description
Exploring the intersection of ideas about woman, subjectivity, and literary authority, Impressionist Subjects reveals the female subject as crucial in framing contradictions central to modernism, particularly the tension between modernism's claim to timeless art and its critique of historical conditions. Against the backdrop of the New Woman movement of the 1890s, Tamar Katz establishes literary impressionism as integral to modernist form and to the modernist project of investigating the nature and function of subjectivity. Focusing on a duality common to impressionism and contemporary ideas of feminine subjectivity, Katz shows how the New Woman reconciled the paradox of a subject at once immersed in the world and securely enclosed in a mysterious interiority. Book chapters feature discussion of modernists including Walter Pater, George Egerton, Sarah Grand, Henry James, Joseph Conrad, Ford Madox Ford, Dorothy Richardson, and Virginia Woolf. Sophisticated and tightly argued, Impressionist Subjects is a substantial contribution to the reassessment and expansion of the modernist fiction canon.
Author: Robert L. Herbert
Publisher: Yale University Press
ISBN: 0300050836
Category : Art
Languages : en
Pages : 348
Get Book
Book Description
Examines the use of cafes, opera houses, dance halls, theaters, racetracks, and the seaside in impressionist French paintings
Author: Jane Bingham
Publisher: Heinemann-Raintree Library
ISBN: 9781432913717
Category : Juvenile Nonfiction
Languages : en
Pages : 56
Get Book
Book Description
How did the Impressionists get their name? Who were the most famous Impressionists? Did the Impressionist style have a lasting impact? 'Impressionism' answers all these questions. It also discusses how and why the Impressionist movement began, looks at how the Impressionists captured the changing effects of light and color in nature, and examines the different subjects Impressionist artists chose for their paintings. 'Art on the Wall' is an exciting and informative series that explores a range of art movements and styles. Each title in the series looks at the history behind the movement and discusses the techniques used by its artists. The text is supported with stunning paintings and other artworks that illustrate each art style. The titles also include biographies of well-known artists and try-it-yourself activities that encourage readers to create their works of art using the techniques of the movement.
Author: Janice Anderson (Writer on art)
Publisher: Smithmark Publishers
ISBN: 9780765196385
Category : Art
Languages : en
Pages : 88
Get Book
Book Description
The Life and Works art series collects the world's greatest artists and art movements into a handsome set of monographs Each book features a biography of an artist or an explanation of the movement, followed by 50 magnificent, individually commentated reproductions Each is an affordable treasure, sure to please every seasoned critic and newcomer to the beauty of great art.
Author: Jane Block
Publisher: Yale University Press
ISBN: 0300190840
Category : Art
Languages : en
Pages : 257
Get Book
Book Description
"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."
Author: Rebecca Bowler
Publisher: Bloomsbury Publishing
ISBN: 1474269079
Category : Literary Criticism
Languages : en
Pages : 272
Get Book
Book Description
With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known. Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair used new concepts of memory in order to bridge the gap between perception and representation. Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it.
Author: Véronique Bouruet Aubertot
Publisher: Rizzoli Publications
ISBN: 2080203207
Category : Art
Languages : en
Pages : 0
Get Book
Book Description
A comprehensive, accessible, and richly illustrated guide to impressionism—the perennially popular artistic movement that led to the radical renewal of Western art. Monet, Renoir, Degas, Rodin, Cezanne, Van Gogh, and the other Impressionist artists burst onto the art scene in the second half of the nineteenth century, creating shock waves with their rebellious rejection of the academy’s strict rules dictating subject matter, style, and even color. Their art, labeled impressionism, coincided with the Industrial Revolution, when the world was suddenly jettisoned into modernity. The young artists who gave rise to the movement confronted public disdain and oppression in Europe, but were applauded overseas for their radically contemporary aesthetic. This complete and accessible guide renews and refreshes conventional views on impressionism by placing this seminal moment in art in its historical context. Emblematic masterpieces are examined with a focus on each detail, allowing a deeper understanding and appreciation of the artworks. Biographies of all the major artists of the movement provide insight about their life and significant works, and period photographs illustrate this incredibly rich and exciting time in art history. Organized thematically, the guide includes chapters on photography, fashion, female impressionists, exhibitions, galleries and dealers, writers, the movement’s influence on later artists, and recurrent impressionist themes including leisure activities, the garden, the city, and industry. Replete with illustrations and numerous firsthand accounts and quotations, this book recounts a story of emancipation.
Author: Max Saunders
Publisher: OUP Oxford
ISBN: 0191614734
Category : Literary Criticism
Languages : en
Pages : 608
Get Book
Book Description
I am aware that, once my pen intervenes, I can make whatever I like out of what I was.' Paul Valéry, Moi. Modernism is often characterized as a movement of impersonality; a rejection of auto/biography. But most of the major works of European modernism and postmodernism engage in very profound and central ways with questions about life-writing. Max Saunders explores the ways in which modern writers from the 1870s to the 1930s experimented with forms of life-writing - biography, autobiography, memoir, diary, journal - increasingly for the purposes of fiction. He identifies a wave of new hybrid forms from the late nineteenth century and uses the term 'autobiografiction' - discovered in a surprisingly early essay of 1906 - to provide a fresh perspective on turn-of-the-century literature, and to propose a radically new literary history of Modernism. Saunders offers a taxonomy of the extraordinary variety of experiments with life-writing, demonstrating how they arose in the nineteenth century as the pressures of secularization and psychological theory disturbed the categories of biography and autobiography, in works by authors such as Pater, Ruskin, Proust, 'Mark Rutherford', George Gissing, and A. C. Benson. He goes on to look at writers experimenting further with autobiografiction as Impressionism turns into Modernism, juxtaposing detailed and vivacious readings of key Modernist texts by Joyce, Stein, Pound, and Woolf, with explorations of the work of other authors - including H. G. Wells, Henry James, Joseph Conrad, Ford Madox Ford, and Wyndham Lewis - whose experiments with life-writing forms are no less striking. The book concludes with a consideration of the afterlife of these fascinating experiments in the postmodern literature of Nabokov, Lessing, and Byatt. Self Impression sheds light on a number of significant but under-theorized issues; the meanings of 'autobiographical', the generic implications of literary autobiography, and the intriguing relation between autobiography and fiction in the period.
Author: Anthea Callen
Publisher: Yale University Press
ISBN: 0300084021
Category : Art
Languages : en
Pages : 270
Get Book
Book Description
"Drawing on scientific studies of pigments and materials, artists' treatises, colourmen's archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real 'modernity' of the Impressionist enterprise lies in the painters' material practices."--BOOK JACKET.
Author: Caroline Shields
Publisher: National Geographic Books
ISBN: 3791358456
Category : Art
Languages : en
Pages : 0
Get Book
Book Description
This generously illustrated book examines the relationship between 19th-century Impressionism and industry in Europe. The late-19th century was a time of new technology, industry, and modernity. People were enthralled with their changing world and artists were not an exception. Fascinated by progress in every form, artists depicted factories, trains, and construction sites. Artists such as Claude Monet, Edgar Degas, Vincent van Gogh, and Camille Pissarro began to paint the world around them, from laundresses in the basements of Paris to rural laborers in fields. This book focuses on how Impressionist artists engaged and treated the topic of industry in their art. Chapters discuss how Paris was transformed into a bustling, modern city, the role of women in labor, and the demographic shift from rural to urban centers. Paintings, drawings, and prints, along with archival photographs help to illustrate this rich and complicated moment in art history. Copublished by the Art Gallery of Ontario and DelMonico Books
