Author: Sean Williams
Publisher: Clarion Books
ISBN: 054481620X
Category : JUVENILE FICTION
Languages : en
Pages : 323
Book Description
In a class for the newly deaf, former musician Simon meets G and his quest to create an entirely new form of music helps him better understand her, himself, and his relationship to the hearing world.
Impossible Music
Author: Sean Williams
Publisher: Clarion Books
ISBN: 054481620X
Category : JUVENILE FICTION
Languages : en
Pages : 323
Book Description
In a class for the newly deaf, former musician Simon meets G and his quest to create an entirely new form of music helps him better understand her, himself, and his relationship to the hearing world.
Publisher: Clarion Books
ISBN: 054481620X
Category : JUVENILE FICTION
Languages : en
Pages : 323
Book Description
In a class for the newly deaf, former musician Simon meets G and his quest to create an entirely new form of music helps him better understand her, himself, and his relationship to the hearing world.
Failure to Fracture
Author: Anthony Garone
Publisher: Stairway Press
ISBN: 9781949267457
Category :
Languages : en
Pages : 322
Book Description
When progressive rock band King Crimson released Starless and Bible Black in 1974, very few recognized the astonishing virtuosity captured in the album's 11-minute instrumental capstone, "Fracture." Three minutes into the piece, guitarist Robert Fripp begins playing a quiet, non-stop barrage of notes called a "moto perpetuo," an Italian term for "perpetual motion." Fripp's moto perpetuo requires intense right-hand string-skipping, and picking capabilities only a handful of guitarists around the world possess. Musician Anthony Garone was challenged by his father to learn Fracture in 1998. As a 16-year-old who practiced six or more hours every day, he could not understand why he could play other technical pieces of music, but not Fracture. Over the years, he published blog posts and videos about his efforts. Garone kept working in isolated frustration until he enrolled in a week-long guitar instruction course led by Fripp in rural Mexico in 2015. That week was transformative. It was in Mexico that Garone learned the mechanics of Fripp's very unique right-hand technique. To properly play Fracture, Garone had to re-learn how to play guitar, sit, stand, and breathe. It would also require meditation and a new way of using his body. Following many months of remedial guitar practice, Garone re-trained himself to play guitar. In 2016, he was finally able to play small pieces of Fracture without any pain or frustration. He documented his progress, work, and learnings on his Make Weird Music YouTube channel in a series called Failure to Fracture. The videos garnered hundreds of thousands of views and praise from Fripp himself, who wrote "Fracture is impossible to play, cf. Anthony Garone." Failure to Fracture (the book) captures Garone's transformative 22-year journey. The story begins with his time as a teenager developing a friendship with guitar hero Steve Vai in 1996. It ends with video performances of both Fracture and the even more difficult "sequel" composition, FraKctured, written and performed in Fripp's own New Standard Tuning. It is a book about achieving the impossible, overcoming one's limitations, and retraining the mind and body.
Publisher: Stairway Press
ISBN: 9781949267457
Category :
Languages : en
Pages : 322
Book Description
When progressive rock band King Crimson released Starless and Bible Black in 1974, very few recognized the astonishing virtuosity captured in the album's 11-minute instrumental capstone, "Fracture." Three minutes into the piece, guitarist Robert Fripp begins playing a quiet, non-stop barrage of notes called a "moto perpetuo," an Italian term for "perpetual motion." Fripp's moto perpetuo requires intense right-hand string-skipping, and picking capabilities only a handful of guitarists around the world possess. Musician Anthony Garone was challenged by his father to learn Fracture in 1998. As a 16-year-old who practiced six or more hours every day, he could not understand why he could play other technical pieces of music, but not Fracture. Over the years, he published blog posts and videos about his efforts. Garone kept working in isolated frustration until he enrolled in a week-long guitar instruction course led by Fripp in rural Mexico in 2015. That week was transformative. It was in Mexico that Garone learned the mechanics of Fripp's very unique right-hand technique. To properly play Fracture, Garone had to re-learn how to play guitar, sit, stand, and breathe. It would also require meditation and a new way of using his body. Following many months of remedial guitar practice, Garone re-trained himself to play guitar. In 2016, he was finally able to play small pieces of Fracture without any pain or frustration. He documented his progress, work, and learnings on his Make Weird Music YouTube channel in a series called Failure to Fracture. The videos garnered hundreds of thousands of views and praise from Fripp himself, who wrote "Fracture is impossible to play, cf. Anthony Garone." Failure to Fracture (the book) captures Garone's transformative 22-year journey. The story begins with his time as a teenager developing a friendship with guitar hero Steve Vai in 1996. It ends with video performances of both Fracture and the even more difficult "sequel" composition, FraKctured, written and performed in Fripp's own New Standard Tuning. It is a book about achieving the impossible, overcoming one's limitations, and retraining the mind and body.
School Music
Music in The Girl's Own Paper: An Annotated Catalogue, 1880-1910
Author: Judith Barger
Publisher: Routledge
ISBN: 1315534916
Category : Music
Languages : en
Pages : 352
Book Description
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.
Publisher: Routledge
ISBN: 1315534916
Category : Music
Languages : en
Pages : 352
Book Description
Nineteenth-century British periodicals for girls and women offer a wealth of material to understand how girls and women fit into their social and cultural worlds, of which music making was an important part. The Girl's Own Paper, first published in 1880, stands out because of its rich musical content. Keeping practical usefulness as a research tool and as a guide to further reading in mind, Judith Barger has catalogued the musical content found in the weekly and later monthly issues during the magazine's first thirty years, in music scores, instalments of serialized fiction about musicians, music-related nonfiction, poetry with a musical title or theme, illustrations depicting music making and replies to musical correspondents. The book's introductory chapter reveals how content in The Girl's Own Paper changed over time to reflect a shift in women's music making from a female accomplishment to an increasingly professional role within the discipline, using 'the piano girl' as a case study. A comparison with musical content found in The Boy's Own Paper over the same time span offers additional insight into musical content chosen for the girls' magazine. A user's guide precedes the chronological annotated catalogue; the indexes that follow reveal the magazine's diversity of approach to the subject of music.
Journal of Proceedings and Addresses of the Annual Meeting
Author: National Education Association of the United States
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 1270
Book Description
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 1270
Book Description
Addresses and Proceedings - National Education Association of the United States
Author: National Education Association of the United States
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 984
Book Description
Vols. for 1866-70 include Proceedings of the American Normal School Association; 1866-69 include Proceedings of the National Association of School Superintendents; 1870 includes Addresses and journal of proceedings of the Central College Association.
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 984
Book Description
Vols. for 1866-70 include Proceedings of the American Normal School Association; 1866-69 include Proceedings of the National Association of School Superintendents; 1870 includes Addresses and journal of proceedings of the Central College Association.
Musical Advance
The New Princeton Review
Author:
Publisher:
ISBN:
Category : Christianity
Languages : en
Pages : 476
Book Description
Includes index.
Publisher:
ISBN:
Category : Christianity
Languages : en
Pages : 476
Book Description
Includes index.
The Oxford Handbook of Critical Improvisation Studies
Author: George Lewis
Publisher: Oxford University Press
ISBN: 019989292X
Category : Music
Languages : en
Pages : 601
Book Description
V. 1. Cognitions -- v. 2. Critical theories
Publisher: Oxford University Press
ISBN: 019989292X
Category : Music
Languages : en
Pages : 601
Book Description
V. 1. Cognitions -- v. 2. Critical theories