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Author: Therese Grisham
Publisher: Rutgers University Press
ISBN: 0813574935
Category : Art
Languages : en
Pages : 265
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Book Description
Dominated by men and bound by the restrictive Hays Code, postwar Hollywood offered little support for a female director who sought to make unique films on controversial subjects. But Ida Lupino bucked the system, writing and directing a string of movies that exposed the dark underside of American society, on topics such as rape, polio, unwed motherhood, bigamy, exploitative sports, and serial murder. The first in-depth study devoted to Lupino’s directorial work, this book makes a strong case for her as a trailblazing feminist auteur, a filmmaker with a clear signature style and an abiding interest in depicting the plights of postwar American women. Ida Lupino, Director not only examines her work as a cinematic auteur, but also offers a serious consideration of her diverse and long-ranging career, getting her start in Hollywood as an actress in her teens and twenties, directing her first films in her early thirties, and later working as an acclaimed director of television westerns, sitcoms, and suspense dramas. It also demonstrates how Lupino fused generic elements of film noir and the social problem film to create a distinctive directorial style that was both highly expressionistic and grittily realistic. Ida Lupino, Director thus shines a long-awaited spotlight on one of our greatest filmmakers.
Author: Therese Grisham
Publisher: Rutgers University Press
ISBN: 0813574935
Category : Art
Languages : en
Pages : 265
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Book Description
Dominated by men and bound by the restrictive Hays Code, postwar Hollywood offered little support for a female director who sought to make unique films on controversial subjects. But Ida Lupino bucked the system, writing and directing a string of movies that exposed the dark underside of American society, on topics such as rape, polio, unwed motherhood, bigamy, exploitative sports, and serial murder. The first in-depth study devoted to Lupino’s directorial work, this book makes a strong case for her as a trailblazing feminist auteur, a filmmaker with a clear signature style and an abiding interest in depicting the plights of postwar American women. Ida Lupino, Director not only examines her work as a cinematic auteur, but also offers a serious consideration of her diverse and long-ranging career, getting her start in Hollywood as an actress in her teens and twenties, directing her first films in her early thirties, and later working as an acclaimed director of television westerns, sitcoms, and suspense dramas. It also demonstrates how Lupino fused generic elements of film noir and the social problem film to create a distinctive directorial style that was both highly expressionistic and grittily realistic. Ida Lupino, Director thus shines a long-awaited spotlight on one of our greatest filmmakers.
Author: William Donati
Publisher: University Press of Kentucky
ISBN: 0813196868
Category : Biography & Autobiography
Languages : en
Pages : 351
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Book Description
British-born actress, singer, director, and producer Ida Lupino (1918-1995) cut one of the most alluring profiles of any Hollywood persona during the forties and fifties. The star of classic films such as They Drive by Night (1940), High Sierra (1941), and Road House (1948), she was a stalwart of the screen throughout her early career and frequently received top billing ahead of stars such as Humphrey Bogart. While her talent was undeniable, her insistence on taking only roles she felt would challenge her professionally often put her at odds with the demands of studio executives. It was in those periods of frustration and suspension as an actor that Lupino fostered a talent for the filmmaking process. In a bold decision for a woman of the era, she founded her own independent production company where she became widely regarded as one of the most prolific filmmakers working at the height of the Hollywood studio system. She has been described by fellow directors such as Martin Scorsese as "resilient, with a remarkable empathy for the fragile and heartbroken." William Donati's Ida Lupino: A Biography chronicles the dramatic life of one of Hollywood's most substantive and innovative artists who lived her life unapologetically both behind and in front of the camera. Now considered a classic biography of an amazing talent, Vanity Fair praised the book as "masterful." Celebrating 27 years in print, this edition has a new cover, all new photographs, and a poignant preface by the author.
Author: Ida Lupino
Publisher:
ISBN: 9781593936723
Category : Biography & Autobiography
Languages : en
Pages : 180
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Book Description
Ida Lupino did not want to be an actress; composing and writing were her major interests. Ida branched out into film directing and producing in 1949, becoming one of two women to enter the male-dominated field. While her feature films were primarily aimed at female audiences, on television Ida Lupino quickly became known for her skill at directing westerns, mysteries and detective dramas - shows aimed at male viewers and many featuring all-male casts. "No one ever asked me to direct a love story," she said. About the Author Mary Ann Anderson has had a varied and extensive career in the world of show business. She was exposed to the entertainment industry early on as the daughter of Emily McLaughlin, who played nurse Jesse Brewer for more than 25 years in ABC's General Hospital. As an author, Mary Ann has published Portrait of a Soap Star: The Emily McLaughlin Story. Mary Ann served as conservator for Ida Lupino, the actress and director, from 1984 to 1995. Many Brentwood residents who lived on Old Oak Lane recall the time Miss Lupino set her mailbox on fire. She also delighted in watering her lawn and the neighbors - not the neighbors' lawns, but the neighbors! Through her association with Miss Lupino, Mary Ann met many other legends of "Old Hollywood," such as Olivia de Havilland, Joan Fontaine, Barbara Hale and Marie Windsor. Mary Ann has been instrumental in bringing the stories of Ida Lupino to A&E's Biography and Jeffrey Hunter to E!'s Mysteries and Scandals, by researching, writing and appearing in them. She also worked on the Ida Lupino Paper Doll Book, released by Paper Studio Press.
Author: Alicia Malone
Publisher: Mango Media Inc.
ISBN: 1633536181
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Backwards and in Heels − women in film and their struggle against bias "After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels" - Ann Richards Women in film since the beginning: Women have been instrumental in the success of American cinema since its very beginning. One of the first people to ever pick up a motion picture camera was a woman; as was the first screenwriter to win two Academy Awards, the inventor of the boom microphone and the first person to be credited with the title Film Editor. Throughout the entire history of Hollywood women have been revolutionizing, innovating, and shaping how we make movies. Yet their stories are rarely shared. The first women directors: This is what film reporter Alicia Malone wants to change. Backwards and in Heels tells the history of women in film in a different way, with stories about incredible ladies who made their mark throughout each era of Hollywood. From the first women directors, to the iconic movie stars, and present day activists. Each of these stories are inspiring accomplishments of women, and they also highlight the specific obstacles women have had to face. Backwards and in Heels combines research and exclusive interviews with influential women and men working in Hollywood today, such as Geena Davis, J.J. Abrams, Ava DuVernay, Octavia Spencer, America Ferrera, Paul Feig and many more, as well as film professors, historians and experts. Time to level the playing field: Think of Backwards and in Heels as a guidebook, your entry into the complex world of women in film. Join Alicia Malone as she champions Hollywood women of the past and present, and looks to the future with the hopes of leveling out the playing field.
Author: Phillip Sipiora
Publisher: Bloomsbury Publishing USA
ISBN: 1501352105
Category : Social Science
Languages : en
Pages : 288
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Book Description
Ida Lupino, Filmmaker begins with an exploration of biographical studies and analytical treatments of Lupino's film and television work as director, moving forward to assess Lupino's career in film and television with particular attention given to Lupino's singular, pioneering achievements and her role(s) within the cultural milieu(s) of her time, particularly the representation of women in cinema. Each chapter includes a close analysis of the film or television work with insights drawn from film history and cultural/gender studies to demonstrate that Lupino was a significant directorial figure in the development of film, especially in the late 1940s and early 1950s-and in television extending well into the 1960s. Lupino left her imprint on filmmaking and her canon of film and television work continue to influence Hollywood movie making. The contributors to this volume assess Lupino's main strengths as a filmmaker-her treatment of narrative movement, plotting, dialogue, gender roles, and uses of tradition representations of men and women in frames of parody and satire. The book collectively examines the successes (and failures) of Lupino's directorial career, including focusing on the reasons why she initially proved to be so strategic to the progress of women behind the camera.
Author: Maya Montañez Smukler
Publisher: Rutgers University Press
ISBN: 0813587476
Category : Business & Economics
Languages : en
Pages : 364
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Book Description
Feminist reform comes to Hollywood -- 1970s cultures of production: studio, art house, and exploitation -- New women: women directors and the 1970s new woman film -- Radicalizing the directors guild of america -- Desperately seeking the eighties: 1970s perseverance turns to 1980s progress
Author: Annette Kuhn
Publisher:
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages : 224
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Book Description
Author: Annette Kuhn
Publisher: Praeger
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 220
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Book Description
Although Ida Lupino is best known as a leading actress in many Hollywood B movies, her work as a filmmaker has been neglected by critics, historians, and audiences. In the late 1940s, Lupino turned writer, producer, and director in her own independent production company. The films she made, beginning with Not Wanted in 1949, were low-budget pictures taking an uncompromising approach to controversial subject matter — unmarried motherhood, disability, rape, bigamy. Lupino is exceptional as the only woman to have directed a visible body of films in the male-dominated Hollywood of the 1950s. The continuation of that directorial career in television throughout the 1960s strengthens the claim that Lupino is the most prolific and creatively powerful woman director ever to have worked in the moving image industry. This book is the first extensive critical study of Ida Lupino's work as a director in both film and television. It features in-depth essays on each of the films she directed and on her work in television (including such popular series as The Fugitive and The Twilight Zone), with the most complete credit listing yet published of her television work. Viewing Lupino's oeuvre in historical, social, industrial, and aesthetic contexts, all the contributors demonstrate that the work repays informed and sensitive readings and many consider it in light of contemporary feminist debates on cinema. Queen of the `B's is a long overdue reassessment of an important and pioneering director.
Author: Shelley Stamp
Publisher: University of California Press
ISBN: 0520284461
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
Among early Hollywood’s most renowned filmmakers, Lois Weber was considered one of the era’s “three great minds” alongside D. W. Griffith and Cecil B. DeMille. Despite her accomplishments, Weber has been marginalized in relation to her contemporaries, who have long been recognized as fathers of American cinema. Drawing on a range of materials untapped by previous historians, Shelley Stamp offers the first comprehensive study of Weber’s remarkable career as director, screenwriter, and actress. Lois Weber in Early Hollywood provides compelling evidence of the extraordinary role that women played in shaping American movie culture. Weber made films on capital punishment, contraception, poverty, and addiction, establishing cinema’s power to engage topical issues for popular audiences. Her work grappled with the profound changes in women’s lives that unsettled Americans at the beginning of the twentieth century, and her later films include sharp critiques of heterosexual marriage and consumer capitalism. Mentor to many women in the industry, Weber demanded a place at the table in early professional guilds, decrying the limited roles available for women on-screen and in the 1920s protesting the growing climate of hostility toward female directors. Stamp demonstrates how female filmmakers who had played a part in early Hollywood’s bid for respectability were in the end written out of that industry’s history. Lois Weber in Early Hollywood is an essential addition to histories of silent cinema, early filmmaking in Los Angeles, and women’s contributions to American culture.
Author: Julie Grossman
Publisher: Rutgers University Press
ISBN: 0813598249
Category : Art
Languages : en
Pages : 175
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Book Description
"The femme Fatale takes a long view on the figure of the femme fatale, exploring her style, language, and stories from silent cinema to contemporary television. Author Julie Grossman provides a history of some of this dynamic figure's eruptions in film, TV, and culture generally, exploring the notions of female ambition, frustration, and intelligence that undergird the power and fascination of the femme fatale across time and media. We see how the fatal woman often mediates contradictory views on women's lives and their desire to gain fulfillment in a hostile or otherwise challenging environment. Embodied by some of the most charismatic female performers in Hollywood history, from Theda Bara and Barbara Stanwyck to Hedy Lamarr, Reese Witherspoon, and Jodie Comer and Sandra Oh, the femme fatale remains an active source of pleasure and subversion. Femmes Fatales pays particular attention to performance not only as a prominent feature of these works' production-established in part through references to studio press books and popular reviews--but also as a theme within the narrative (in, for example, the idea of the deceitful, untrustworthy, or "performing" woman). Focusing on expressive moments and scenes in texts that are celebrated and also those that are lesser known, this volume attends to the variety, trauma, wit, and transgressions of the femme fatale, emphasizing how this figure continually provokes us to reflect on rigid conventions and social roles. Femmes Fatales generates questions and analysis that speak to why stories about gender and criminality featuring tough and smart women are so endlessly thrilling"--
