Horror Culture in the New Millennium PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Horror Culture in the New Millennium PDF full book. Access full book title Horror Culture in the New Millennium by Daniel W. Powell. Download full books in PDF and EPUB format.
Author: Daniel W. Powell
Publisher: Rowman & Littlefield
ISBN: 1498587453
Category : Language Arts & Disciplines
Languages : en
Pages : 190
Get Book
Book Description
Horror Culture in the New Millienium surveys horror culture in the first two decades of the new millennium through a series of critical essays on the changing character of dark storytelling. It is a journey both into the complexity of the evolution of communication and the stories we tell about what it means to be human.
Author: Daniel W. Powell
Publisher: Rowman & Littlefield
ISBN: 1498587453
Category : Language Arts & Disciplines
Languages : en
Pages : 190
Get Book
Book Description
Horror Culture in the New Millienium surveys horror culture in the first two decades of the new millennium through a series of critical essays on the changing character of dark storytelling. It is a journey both into the complexity of the evolution of communication and the stories we tell about what it means to be human.
Author: Steffen Hantke
Publisher: Univ. Press of Mississippi
ISBN: 9781604734546
Category : Performing Arts
Languages : en
Pages : 275
Get Book
Book Description
Creatively spent and politically irrelevant, the American horror film is a mere ghost of its former self-or so goes the old saw from fans and scholars alike. Taking on this undeserved reputation, the contributors to this collection provide a comprehensive look at a decade of cinematic production, covering a wide variety of material from the last ten years with a clear critical eye. Individual essays profile the work of up-and-coming director Alexandre Aja and reassess William Malone's muchmaligned Feardotcom in the light of the torture debate at the end of President George W. Bush's administration. Other essays look at the economic, social, and formal aspects of the genre; the globalization of the U.S. film industry; the alleged escalation of cinematic violence; and the massive commercial popularity of the remake. Some essays examine specific subgenres-from the teenage horror flick to the serial killer film and the spiritual horror film-as well as the continuing relevance of classic directors such as George A. Romero, David Cronenberg, John Landis, and Stuart Gordon. Essays deliberate on the marketing of nostalgia and its concomitant aesthetic, and the curiously schizophrenic perspective of fans who happen to be scholars as well. Taken together, the contributors to this collection make a compelling case that American horror cinema is as vital, creative, and thought-provoking as it ever was.
Author: Lee Carruthers
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228014921
Category : Performing Arts
Languages : en
Pages : 431
Get Book
Book Description
At the turn of the millennium Canadian cinema appeared to have reached an apex of aesthetic and commercial transformation. Domestic filmmaking has since declined in visibility: the sense of celebrity once associated with independent directors has diminished, projects garner less critical attention, and concepts that made late-twentieth-century Canadian film legible have been reconsidered or displaced. Canadian Cinema in the New Millennium examines this dramatic transformation and revitalizes our engagement with Canadian cinema in the contemporary moment, presenting focused case studies of films and filmmakers and contextual studies of Canadian film policy, labour, and film festivals. Contributors trace key developments since 2000, including the renouveau or Quebec New Wave, Indigenous filmmaking, i-docs, and diasporic experimental filmmaking. Reflecting the way film in Canada mediates multiple cultures, forging new affinities among anglophone, francophone, and Indigenous-language examples, this book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.
Author: Adrian Yuen Beng Lee
Publisher: Hong Kong University Press
ISBN: 9888528521
Category : History
Languages : en
Pages : 289
Get Book
Book Description
Malaysian Cinema in the New Millennium offers a new approach to the study of multiculturalism in cinema by analysing how a new wave of filmmakers champion cultural diversity using cosmopolitan themes. Adrian Lee offers a new inquiry of Malaysian cinema that examines how the ‘Malaysian Digital Indies’ (MDI) have in recent years repositioned Malaysian cinema within the global arena. The book shines a new light on how politics and socioeconomics have influenced new forms and genres of the post-2000s generation of filmmakers, and provides a clear picture of the interactions between commercial cinema and politics and socioeconomics in the first two decades of the new millennium. It also assesses how the MDI movement was successful in creating a transnational cinema by displacing and deterritorialising itself from the context of the national, and illustrates how MDI functions as a site for questioning and proposing a new national identity in the era of advanced global capitalism and new Islamisation. Covering all these interrelated topics, Lee’s book is a pioneering and comprehensive work in the study of Malaysian cinema in the recent decades. ‘Lee is well versed in theories of transnational and postcolonial studies and provides detailed and knowledgeable information about this period of filmmaking in Malaysia. I believe this book will make a valuable contribution to the studies of film in Southeast Asia.’ —Olivia Khoo, Monash University, Australia ‘The author comprehensively discusses the rise of Malaysian Digital Indies (MDI) in post-2000 Malaysia, the revival of form and aesthetics in comparison to mainstream films, the MDI’s emergence in the Malaysian context, and finally the MDI’s incorporation into the mainstream films.’ —Nunna Prasad, Abu Dhabi University, United Arab Emirates
Author: Axelle Carolyn
Publisher: Telos Publishing Limited
ISBN: 9781845831325
Category :
Languages : en
Pages : 192
Get Book
Book Description
A comprehensive analysis and overview of the state of horror cinema at the start of the 21st Century. Axelle Carolyn discusses and dissects films from the Asian remake trend of The Ring and The Grudge to the so-called torture porn of the Saw and Hostel series, taking in independents and foreign productions as well as the blockbusters. Illustrated in full colour, with numerous photos from the films discussed, It Lives Again! is your definitive guide to modern cinematic horror. Foreword by Neil Marshall and Introduction by Mick Garris. Winner of the Silver Award for Best Performing Arts book in ForeWord Magazine's Book Of The Year Awards 2009.
Author: Kevin Corstorphine
Publisher: Springer
ISBN: 3319974068
Category : Literary Criticism
Languages : en
Pages : 534
Get Book
Book Description
This handbook examines the use of horror in storytelling, from oral traditions through folklore and fairy tales to contemporary horror fiction. Divided into sections that explore the origins and evolution of horror fiction, the recurrent themes that can be seen in horror, and ways of understanding horror through literary and cultural theory, the text analyses why horror is so compelling, and how we should interpret its presence in literature. Chapters explore historical horror aspects including ancient mythology, medieval writing, drama, chapbooks, the Gothic novel, and literary Modernism and trace themes such as vampires, children and animals in horror, deep dark forests, labyrinths, disability, and imperialism. Considering horror via postmodern theory, evolutionary psychology, postcolonial theory, and New Materialism, this handbook investigates issues of gender and sexuality, race, censorship and morality, environmental studies, and literary versus popular fiction.
Author: Brad Weismann
Publisher: Univ. Press of Mississippi
ISBN: 1496833236
Category : Performing Arts
Languages : en
Pages : 252
Get Book
Book Description
Two horror films were nominated for the Academy Award for Best Picture in 2018, and one of them—The Shape of Water—won. Since 1990, the production of horror films has risen exponentially worldwide, and in 2013, horror films earned an estimated $400 million in ticket sales. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. Lost in the Dark: A World History of Horror Film is a straightforward history written for the general reader and student that can serve as a comprehensive reference work. The volume provides a general introduction to the genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories. Starting with silent-era horror films and ending with 2020’s The Invisible Man, Lost in the Dark looks at decades of horror movies. Author Brad Weismann covers such topics as the roots of horror in literature and art, monster movies, B-movies, the destruction of the American censorship system, international horror, torture porn, zombies, horror comedies, horror in the new millennium, and critical reception of modern horror. A sweeping survey that doesn’t scrimp on details, Lost in the Dark is sure to satisfy both the curious and the completist.
Author: Yiu-Wai Chu
Publisher: Springer
ISBN: 9811036683
Category : Social Science
Languages : en
Pages : 219
Get Book
Book Description
This book discusses the notion of “Hong Kong as Method” as it relates to the rise of China in the context of Asianization. It explores new Hong Kong imaginaries with regard to the complex relationship between the local, the national and the global. The major theoretical thrust of the book is to address the reconfiguration of Hong Kong’s culture and society in an age of global modernity from the standpoints of different disciplines, exploring the possibilities of approaching Hong Kong as a method. Through critical inquiries into different fields related to Hong Kong’s culture and society, including gender, resistance and minorities, various perspectives on the country’s culture and society can be re-assessed. New directions and guidelines related to Hong Kong are also presented, offering a unique resource for researchers and students in the fields of cultural studies, media studies, postcolonial studies, globalization and Asian studies.
Author: Despoina N. Feleki
Publisher: Cambridge Scholars Publishing
ISBN: 1527512258
Category : Social Science
Languages : en
Pages : 255
Get Book
Book Description
This exciting exploration of Stephen King’s digital writing maneuvers and electronic ventures on online platforms and e-readers unravels the author’s latest writing techniques and justifies his unprecedented success in the new millennium. It investigates the latest additions to the Master of Horror’s “toolbox” by studying King’s media presence and writing oeuvre in the twenty-first century through online projects, such as his videogame Discordia. The book closely traces King’s shifts from print to the digital as he crafts his stories to share with his constant readers. Its examination of King’s re-vitalized Gothic sheds light on his shift towards new realizations that take into consideration the needs and tastes of the contemporary consuming public in a constant dialogue with their contemporary fears and anxieties. While exploring King’s literary generic and technological crossovers, the book stresses the need for an encompassing theory that takes into account literary tradition, norms, and motifs adjusted according to the materialities and technological specificities of each medium in specific socio-cultural and economic contexts.
Author: Natalie Wilson
Publisher: McFarland
ISBN: 1476637261
Category : Social Science
Languages : en
Pages : 286
Get Book
Book Description
Taking in a wide range of film, television, and literature, this volume explores 21st century horror and its monsters from an intersectional perspective with a marked emphasis on gender and race. The analysis, which covers over 70 narratives, is organized around four primary monstrous figures--zombies, vampires, witches and monstrous women. Arguing that the current horror renaissance is populated with willful monsters that subvert prevailing cultural norms and systems of power, the discussion reads horror in relation to topics of particular import in the contemporary moment--rampant sexual violence, unbridled capitalist greed, brutality against people of color, militarism, and the patriarchy's refusal to die. Examining ground-breaking films and television shows such as Get Out, Us, The Babadook, A Quiet Place, Stranger Things, Penny Dreadful, and The Passage, as well as works by key authors like Justin Cronin, Carmen Maria Machado, Helen Oyeyemi, Margo Lanagan, and Jeanette Winterson, this monograph offers a thorough account of the horror landscape and what it says about the 21st century world.
