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Author: Agata Jakubowska
Publisher: Routledge
ISBN: 1000608549
Category : Art
Languages : en
Pages : 306
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Book Description
This book is devoted to the concept of horizontal art history—a proposal of a paradigm shift formulated by the Polish art historian Piotr Piotrowski (1952–2015)—that aims at undermining the hegemony of the discourse of art history created in the Western world. The concept of horizontal art history is one of many ideas on how to conduct nonhierarchical art historical analysis that have been developed in different geopolitical locations since at least the 1970s, parallel to the ongoing process of decolonization. This book is a critical examination of horizontal art history which provokes a discussion on the original concept of horizontal art history and possible methods to extend it. This is an edited volume written by international scholars who acknowledge the importance of the concept, share its basic assumptions and are aware both of its advantages and limitations. The book will be of interest to scholars working in art history, art historiography and postcolonial studies.
Author: Agata Jakubowska
Publisher: Routledge
ISBN: 1000608549
Category : Art
Languages : en
Pages : 306
Get Book
Book Description
This book is devoted to the concept of horizontal art history—a proposal of a paradigm shift formulated by the Polish art historian Piotr Piotrowski (1952–2015)—that aims at undermining the hegemony of the discourse of art history created in the Western world. The concept of horizontal art history is one of many ideas on how to conduct nonhierarchical art historical analysis that have been developed in different geopolitical locations since at least the 1970s, parallel to the ongoing process of decolonization. This book is a critical examination of horizontal art history which provokes a discussion on the original concept of horizontal art history and possible methods to extend it. This is an edited volume written by international scholars who acknowledge the importance of the concept, share its basic assumptions and are aware both of its advantages and limitations. The book will be of interest to scholars working in art history, art historiography and postcolonial studies.
Author: Cindy Persinger
Publisher: Springer Nature
ISBN: 3030436098
Category : Art
Languages : en
Pages : 283
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Book Description
What is socially engaged art history? Art history is typically understood as a discipline in which academics produce scholarship for consumption by other academics. Today however, an increasing number of art historians are seeking to broaden their understanding of art historical praxis and look beyond the academy and towards socially engaged art history. This is the first book-length study to focus on these growing and significant trends. It presents various arguments for the social, pedagogical, and scholarly benefits of alternative, community-engaged, public-facing, applied, and socially engaged art history. The international line up of contributors includes academics, museum and gallery curators as well as arts workers. The first two sections of the book look at socially engaged art history from theoretical, pedagogical, and contextual perspectives. The concluding part offers a range of provocative case studies that highlight the varied and rigorous work that is being done in this area and provide a variety of inspiring models. Taken together the chapters in this book provide much-needed disciplinary recognition to socially engaged art history, while also serving as a springboard to further theoretical and practical work.
Author: James King
Publisher: Peter Lang
ISBN: 9783034303170
Category : Art and society
Languages : en
Pages : 250
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Book Description
The Japanese landscape print has had a tremendous influence on Western art of the nineteenth and twentieth centuries. In Japan and in the West it is often seen as the dominant form in Ukiyo-e, pictures from the floating world. And yet for all its importance, it is a genre whose history has never been written. Beyond The Great Wave is a survey or overview for all those interested in discovering the inner dynamics of one of art history's most remarkable achievements. However, it is also a quest narrative, in which landscapes and notions of Japan as a homeland are intertwined and interconnected. Although there has never been a book-length study of the Japanese landscape print in either Japanese or English, a great deal has been written about the two giants of the genre, Hokusai and Hiroshige. From what traditions did these two nineteenth-century artists emerge? Who were their predecessors? What influence, if any, did they have on other Ukiyo-e artists? Can their influence be seen in the shin-hanga and sôsaku-hanga artists of the twentieth century? This book addresses these issues, but it also looks at a number of other factors, such as the growth of tourism in nineteenth-century Japan, necessary for understanding this genre.
Author: James Elkins
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311072247X
Category : Art
Languages : en
Pages : 221
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Book Description
The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.
Author: Arthur C. Danto
Publisher: Univ of California Press
ISBN: 9780520216747
Category : Art
Languages : en
Pages : 292
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Book Description
This essays explore how conceptions of art -and resulting historical narrativesdiffer according to culture.
Author: Michaela Watrelot
Publisher: Taylor & Francis
ISBN: 1003825400
Category : Art
Languages : en
Pages : 338
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Book Description
Based on an extensive and very meticulous study of different archives and the evaluation of original, previously unpublished, archival material, this book highlights the key aspects and trends of the European and American art markets in the late nineteenth and early twentieth centuries. In particular, the book focuses on how these markets influenced each other from the viewpoint of one of the most prominent museum directors of this period, Wilhelm von Bode (1845–1929). Given the complexity of the topic, the book is structured into two parts. The first part focuses on Bode’s interactions with the German banker and dedicated art collector based in Paris, Rudolphe Kann (1845–1905). The second part follows the sale of the Kann Collection to the dealer Joseph Duveen and follows on the relationship between Bode, Duveen and the American collectors. The book will be of interest to scholars working in art history, museum studies, and the art market.
Author: Wojciech Bałus
Publisher: Taylor & Francis
ISBN: 1040023371
Category : Art
Languages : en
Pages : 253
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Book Description
This volume explores a basic question in the historiography of art: the extent to which iconology was a homogenous research method in its own immutable right. By contributing to the rejection of the universalizing narrative, these case studies argue that there were many strands of iconology. Methods that differed from the ‘canonised’ approach of Panofsky were proposed by Godefridus Johannes Hoogewerff and Hans Sedlmayr. Researchers affiliated with the Warburg Institute in London also chose to distance themselves from Panofsky’s work. Poland, in turn, was the breeding ground for yet another distinct variety of iconology. In Communist Czechoslovakia there were attempts to develop a ‘Marxist iconology’. This book, written by recognized experts in the field, examines these and other major strands of iconology, telling the tale of iconology’s reception in the countries formerly behind the Iron Curtain. Attitudes there ranged from enthusiastic acceptance in Poland, to critical reception in the Soviet Union, to reinterpretation in Czechoslovakia and the German Democratic Republic, and, finally, to outright rejection in Romania. The book will be of interest to scholars working in art history, visual studies, and historiography.
Author: Bruce Altshuler
Publisher: Phaidon Press
ISBN: 9780714864952
Category : Art
Languages : en
Pages : 402
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Book Description
Documents significant and pioneering exhibitions that took place between 1962 and 2002.
Author: Finbarr Barry Flood
Publisher: Princeton University Press
ISBN: 0691215154
Category : Art
Languages : en
Pages : 304
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Book Description
"How can we understand the past in the absence of written records? Pre-modern histories of cross-cultural exchange pose a particular problem for medieval historians. They are marked by the long-distance mobility of concepts, individuals, and materials, and many of them cannot be reconstructed from the standard source texts on which historians usually depend. They exist without named makers, both outside and beyond official documents and court chronicles. The same is true of artisans responsible for crafting objects whose circulation and reception defined aesthetic, economic, and technological networks that may not have conformed to political or sectarian boundaries. Authored by two leading medieval historians of the Middle East, Africa, and Europe, Object Lessons addresses the gaps in medieval sources and modern scholarship, arguing for the archival value of objects, images, and monuments. Flood and Fricke examine six case studies that focus on the twelfth and thirteenth centuries. From the stone carvings at the churches of Lalibela, Ethiopia, which have no textual documentation, to medicinal bowls from Iraq for which some data can be gathered from unassociated but contemporary sources, these studies show how imagery and objects traveled across continents. The authors connect the histories of medieval Europe, Africa, and west Asia, and raise significant questions about "out of place" objects and how, in the absence of substantial archival material, we might write their histories. While there have been many publications on the histories of global circulation, most of them focus on the early modern period in Europe. By moving away from histories with abundant written archival material, Object Lessons ventures far beyond the narratives of Europe and into complex, cross-cultural and intercontinental histories of objects and images"--
Author: Jennifer Buckley
Publisher:
ISBN: 0472074253
Category : Experimental theater
Languages : en
Pages : 293
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Book Description
Illuminates the historical and aesthetic relationship of print to avant-garde performance
