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Author: Richard Koszarski
Publisher: Rutgers University Press
ISBN: 9780813542935
Category : Motion picture industry
Languages : en
Pages : 592
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Book Description
Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.
Author: Richard Koszarski
Publisher: Rutgers University Press
ISBN: 9780813542935
Category : Motion picture industry
Languages : en
Pages : 592
Get Book
Book Description
Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D. W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers-Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others-quietly created a studio system without back-lots, long-term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle-American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories-and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema.
Author: Hudson Talbott
Publisher: StarWalk Kids Media
ISBN: 1623340098
Category : Juvenile Fiction
Languages : en
Pages : 32
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Book Description
Rex, one of a group of dinosaurs living at the Museum of Natural History, loses his place as the center of attention when a film director invites them all to sunny California. Lively narration by Fred Berman (The Lion King on Broadway)
Author: Cari Beauchamp
Publisher:
ISBN:
Category :
Languages : en
Pages : 577
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Book Description
"Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D.W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In this book, the author rewrites an important part of the history of American cinema. During the 1920s and 1930s, film industry executives had centralized the mass production of feature pictures in a series of gigantic film factories scattered across Southern California, while maintaining New York as the economic and administrative center. But as Koszarski reveals, many writers, producers, and directors also continued to work here, especially if their independent vision was too big for the Hollywood production line. East Coast filmmakers Oscar Micheaux, Rudolph Valentino, Ben Hecht, Charles MacArthur, Paul Robeson, Gloria Swanson, Max Fleischer, and others quietly created a studio system without back lots, long term contracts or seasonal production slates. They substituted "newsreel photography" for Hollywood glamour, targeted niche audiences instead of middle American families, ignored accepted dramatic conventions, and pushed the boundaries of motion picture censorship. Rebellious and unconventional, they saw the New York studios as laboratories, not factories. and used them to pioneer the development of new technologies (from talkies to television), new genres, new talent, and ultimately, an entirely new vision of commercial cinema"--Del editor.
Author: Mark Griffin
Publisher: HarperCollins
ISBN: 0062408879
Category : Biography & Autobiography
Languages : en
Pages : 662
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Book Description
The inspiration for the HBO® Original Documentary, Rock Hudson: All that Heaven Allowed, airing June 28! The definitive biography of the deeply complex and widely misunderstood matinee idol of Hollywood’s Golden Age. “Mark Griffin paints a vivid portrait of a man who lived a double life in order to maintain his status as a movie star. Griffin’s sources are candid but credible, which makes the book a real page-turner. I came away admiring Hudson all the more, and feeling sad for the secret existence that Hollywood demanded of its leading men in the 1950s and 60s.” — Leonard Maltin, author of Hooked on Hollywood: Discoveries from a Lifetime of Film Fandom Devastatingly handsome, broad-shouldered and clean-cut, Rock Hudson was the ultimate movie star. The embodiment of romantic masculinity in American film throughout the ‘50s and ‘60s, he reigned supreme as the king of Hollywood. As an Oscar-nominated leading man, Hudson won acclaim for his performances in glossy melodramas (Magnificent Obsession), western epics (Giant) and blockbuster bedroom farces (Pillow Talk). In the ‘70s and ‘80s, Hudson successfully transitioned to television; his long-running series McMillan & Wife and a recurring role on Dynasty introduced him to a whole new generation of fans. The icon worshipped by moviegoers and beloved by his colleagues appeared to have it all. Yet beneath the suave and commanding star persona, there was an insecure, deeply conflicted, and all too vulnerable human being. Growing up poor in Winnetka, Illinois, Hudson was abandoned by his biological father, abused by an alcoholic stepfather, and controlled by his domineering mother. Despite seemingly insurmountable obstacles, Hudson was determined to become an actor at all costs. After signing with the powerful but predatory agent Henry Willson, the young hopeful was transformed from a clumsy, tongue-tied truck driver into Universal Studio’s resident Adonis. In a more conservative era, Hudson’s wholesome, straight arrow screen image was at odds with his closeted homosexuality. As a result of his gay relationships and clandestine affairs, Hudson was continually threatened with public exposure, not only by scandal sheets like Confidential but by a number of his own partners. For years, Hudson dodged questions concerning his private life, but in 1985 the public learned that the actor was battling AIDS. The disclosure that such a revered public figure had contracted the illness focused worldwide attention on the epidemic. Drawing on more than 100 interviews with co-stars, family members and former companions, All That Heaven Allows delivers a complete and nuanced portrait of one of the most fascinating stars in cinema history. Griffin provides new details concerning Hudson’s troubled relationships with wife Phyllis Gates and boyfriend Marc Christian. And here, for the first time, is an in-depth exploration of Hudson’s classic films, including Written on the Wind, A Farewell to Arms, and the cult favorite Seconds. With unprecedented access to private journals, personal correspondence, and production files, Griffin pays homage to the idol whose life and death had a lasting impact on American culture.
Author: Karen E. Hudson
Publisher: Rizzoli Publications
ISBN: 0847838471
Category : House & Home
Languages : en
Pages : 242
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Book Description
Over a career spanning six decades, architect Paul Revere Williams came to define what gracious living looked like for the Hollywood elite. Williams mastered an array of architectural idioms—including American Colonial, Spanish Mediterranean, English Tudor, French Normandy, Art Deco, and, of course, the California ranch style—to create the sophisticated yet understated showplaces that are featured here in all new full-color photography. Among the most celebrated architects of his generation, Williams was also the first African-American member of the American Institute of Architects, and he was deeply involved in the black community in Los Angeles and in African-American affairs nationally. Williams moved among many worlds, and with celebrity clients such as Frank Sinatra, Lucille Ball and Desi Arnaz, Tyrone Power, and Barbara Stanwyck, as well as clients who made Hollywood run behind the scenes, not to mention members of Los Angeles high society, Williams left his mark in the city’s most glamorous and exclusive enclaves—Beverly Hills, Brentwood, Bel Air, and the Hollywood Hills. Paul R. Williams: Classic Hollywood Style is a dazzling tour of this prolific architect’s most spectacular houses, by his granddaughter Karen Hudson, with a special focus on their roles not only as places for high living but also as venues for world-class entertaining.
Author: John Carlyle
Publisher: Da Capo Press
ISBN: 9780786720347
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Actor John Carlyle got his big break in 1954. New to Hollywood, the twenty-three-year-old Carlyle was cast as the assistant director of the movie-within-a movie in George Cukor's A Star is Born. Although Carlyle's scene was later cut from the film — and his star status subsequently never materialized — the job brought him in touch with Judy Garland, who up until her death fifteen years later was Carlyle's friend and sometime lover. Under the Rainbow tells the story of this rocky but beloved relationship. No longer the great star who first enthralled Carlyle as an adolescent, Garland — like many former headliners in the 1960s — lived an often desperate, hand-to-mouth existence that was eased only by pills and liquor. She turned to Carlyle for support, even with the hope of marrying the openly gay actor. He politely declined the opportunity of matrimony, but remained constant in his adoration of the star for the rest of his life. The author takes us on a rare, behind-the-scenes tour of gay Hollywood, with an intimate, often hilarious, star-studded memoir of the decline and end of old Hollywood.
Author: John Parker
Publisher: Secaucus, NJ : Carol Publishing Group
ISBN: 9780818405396
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
An insightful look into the lives of five Hollywood legends--Elizabeth Taylor, Montgomery Clift, Rock Hudson, Natalie Wood, and James Dean--traces their remarkable careers
Author: Robert Hofler
Publisher: Da Capo Press
ISBN: 9780786718023
Category : Biography & Autobiography
Languages : en
Pages : 480
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Book Description
Henry Willson started off as a talent scout under Gone with the Wind's powerhouse mogul, David O. Selznick. The starmaker-to-be was on the lookout for promising newcomers when he received an unsolicited photograph from a movie star hopeful named Roy Fitzgerald. The photograph of the handsome young man with bad teeth not only had a career defining impact for Willson but, more importantly, it redefined Hollywood's concept of the male heartthrob. Roy Fitzgerald became Rock Hudson and, for the next twenty-five years, Henry Willson became the man behind movie "beefcake." The Man Who Invented Rock Hudson delves into Willson's life in explicit, unsparing detail. Variety reporter Robert Hofler deftly chronicles Willson's maneuvers to sidestep the FBI's investigation into Hudson's sex life; the agent's use of off-duty L.A.P.D. cops and Mob ties to scare off Hudson's blackmailers; Hudson's "arranged" marriage to Willson's secretary, Phyllis Gates; as well as Hudson's affair with a Universal Pictures vice-president to help secure starring roles. Additionally, the book discusses Willson's other star clients, including Robert Wagner, Troy Donahue, Tab Hunter, John Derek, James Darren, Chad Everett, Mike Connors, and many others.
Author: Dale Hudson
Publisher: Edinburgh University Press
ISBN: 1474423108
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
The figure of the vampire serves as both object and mode of analysis for more than a century of Hollywood filmmaking. Never dying, shifting shape and moving at unnatural speed, as the vampire renews itself by drinking victims' blood, so too does Hollywood renew itself by consuming foreign styles and talent, moving to overseas locations, and proliferating in new guises. In Vampires, Race, and Transnational Hollywoods, Dale Hudson explores the movement of transnational Hollywood's vampires, between low-budget quickies and high-budget franchises, as it appropriates visual styles from German, Mexican and Hong Kong cinemas and off-shores to Canada, Philippines, and South Africa. As the vampire's popularity has swelled, vampire film and television has engaged with changing discourses around race and identity not always addressed in realist modes. Here, teen vampires comfort misunderstood youth, chador-wearing skateboarder vampires promote transnational feminism, African American and Mexican American vampires recover their repressed histories. Looking at contemporary hits like True Blood, Twilight, Underworld and The Strain, classics such as Universal's Dracula and Dracula, and miscegenation melodramas like The Cheat and The Sheik, the book reconfigures Hollywood historiography and tradition as fundamentally transnational, offering fresh interpretations of vampire media as trans-genre sites for political contestation.
Author: Lynda Obst
Publisher: Simon and Schuster
ISBN: 1476727767
Category : Business & Economics
Languages : en
Pages : 304
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Book Description
The veteran producer and author of the bestseller Hello, He Lied takes a witty and critical look at the new Hollywood. Over the past decade, producer Lynda Obst gradually realized she was working in a Hollywood that was undergoing a drastic transformation. The industry where everything had once been familiar to her was suddenly disturbingly strange. Combining her own industry experience and interviews with the brightest minds in the business, Obst explains what has stalled the vast moviemaking machine. The calamitous DVD collapse helped usher in what she calls the New Abnormal (because Hollywood was never normal to begin with), where studios are now heavily dependent on foreign markets for profit, a situation which directly impacts the kind of entertainment we get to see. Can comedy survive if they don’t get our jokes in Seoul or allow them in China? Why are studios making fewer movies than ever—and why are they bigger, more expensive and nearly always sequels or recycled ideas? Obst writes with affection, regret, humor and hope, and her behind-the-scenes vantage point allows her to explore what has changed in Hollywood like no one else has. This candid, insightful account explains what has happened to the movie business and explores whether it’ll ever return to making the movies we love—the classics that make us laugh or cry, or that we just can’t stop talking about.
