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Author: Jana L. Argersinger
Publisher: University of Georgia Press
ISBN: 9780820327518
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
Herman Melville and Nathaniel Hawthorne met in 1850 and enjoyed for sixteen months an intense but brief friendship. Taking advantage of new interpretive tools such as queer theory, globalist studies, political and social ideology, marketplace analysis, psychoanalytical and philosophical applications to literature, masculinist theory, and critical studies of race, the twelve essays in this book focus on a number of provocative personal, professional, and literary ambiguities existing between the two writers. Jana L. Argersinger and Leland S. Person introduce the volume with a lively summary of the known biographical facts of the two writers’ relationship and an overview of the relevant scholarship to date. Some of the essays that follow broach the possibility of sexual dimensions to the relationship, a question that “looms like a grand hooded phantom” over the field of Melville-Hawthorne studies. Questions of influence--Hawthorne’s on Moby-Dick and Pierre and Melville’s on The Blithedale Romance, to mention only the most obvious instances--are also discussed. Other topics covered include professional competitiveness; Melville’s search for a father figure; masculine ambivalence in the marketplace; and political-literary aspects of nationalism, transcendentalism, race, and other defining issues of Hawthorne and Melville’s times. Roughly half of the essays focus on biographical issues; the others take literary perspectives. The essays are informed by a variety of critical approaches, as well as by new historical insights and new understandings of the possibilities that existed for male friendships in nineteenth-century American culture.
Author: Jana L. Argersinger
Publisher: University of Georgia Press
ISBN: 9780820327518
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
Herman Melville and Nathaniel Hawthorne met in 1850 and enjoyed for sixteen months an intense but brief friendship. Taking advantage of new interpretive tools such as queer theory, globalist studies, political and social ideology, marketplace analysis, psychoanalytical and philosophical applications to literature, masculinist theory, and critical studies of race, the twelve essays in this book focus on a number of provocative personal, professional, and literary ambiguities existing between the two writers. Jana L. Argersinger and Leland S. Person introduce the volume with a lively summary of the known biographical facts of the two writers’ relationship and an overview of the relevant scholarship to date. Some of the essays that follow broach the possibility of sexual dimensions to the relationship, a question that “looms like a grand hooded phantom” over the field of Melville-Hawthorne studies. Questions of influence--Hawthorne’s on Moby-Dick and Pierre and Melville’s on The Blithedale Romance, to mention only the most obvious instances--are also discussed. Other topics covered include professional competitiveness; Melville’s search for a father figure; masculine ambivalence in the marketplace; and political-literary aspects of nationalism, transcendentalism, race, and other defining issues of Hawthorne and Melville’s times. Roughly half of the essays focus on biographical issues; the others take literary perspectives. The essays are informed by a variety of critical approaches, as well as by new historical insights and new understandings of the possibilities that existed for male friendships in nineteenth-century American culture.
Author: Herman Melville
Publisher:
ISBN: 9780990691754
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
These letters are full of passion, humor, doubt, and spiritual yearning, and offer an intimate view of Melville's personality. Lyrical and effusive, they are literary works in themselves. This correspondence has been out of print for decades, and even when it was in print it appeared in scholarly volumes of Melville's complete correspondence, aimed at the academy. The Divine Magnet will provide the general literary public as well as the college classroom with a reliable and beautifully produced volume of Melville's letters to Hawthorne, along with supplemental material, highlighting the relationship between these luminaries of American letters.
Author: Mark Beauregard
Publisher: Penguin
ISBN: 0399562346
Category : Fiction
Languages : en
Pages : 288
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Book Description
A rich and captivating novel set amid the witty, high-spirited literary society of 1850s New England, offering a new window on Herman Melville’s emotionally charged relationship with Nathaniel Hawthorne and how it transformed his masterpiece, Moby-Dick In the summer of 1850, Herman Melville finds himself hounded by creditors and afraid his writing career might be coming to an end—his last three novels have been commercial failures and the critics have turned against him. In despair, Melville takes his family for a vacation to his cousin’s farm in the Berkshires, where he meets Nathaniel Hawthorne at a picnic—and his life turns upside down. The Whale chronicles the fervent love affair that grows out of that serendipitous afternoon. Already in debt, Melville recklessly borrows money to purchase a local farm in order to remain near Hawthorne, his newfound muse. The two develop a deep connection marked by tensions and estrangements, and feelings both shared and suppressed. Melville dedicated Moby-Dick to Hawthorne, and Mark Beauregard’s novel fills in the story behind that dedication with historical accuracy and exquisite emotional precision, reflecting his nuanced reading of the real letters and journals of Melville, Hawthorne, Oliver Wendell Holmes, and others. An exuberant tale of longing and passion, The Whale captures not only a transformative relationship—long the subject of speculation—between two of our most enduring authors, but also their exhilarating moment in history, when a community of high-spirited and ambitious writers was creating truly American literature for the first time.
Author: Sharon Cameron
Publisher: Columbia University Press
ISBN: 9780231075695
Category : Literary Criticism
Languages : en
Pages : 188
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Book Description
The Corporeal Self argues that questions about identity, conceived in bodily terms, are not only relevant for Melville and Hawthorne, the two nineteenth-century authors whose works are positioned at opposite extremes of the consideration of human identity, but lie at the heart of the American literary tradition, and have, in that tradition, their own revisionary status.
Author: Richard H. Brodhead
Publisher:
ISBN: 9780608206103
Category :
Languages : en
Pages : 224
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Book Description
Author: S. Halliday
Publisher: Springer
ISBN: 0230605095
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
This book reveals the full extent of electricity's significance in Nineteenth and early Twentieth Century literature and culture. It provides in-depth coverage of a wide range of canonical American authors from the American Renaissance onwards. As well as many fascinating hitherto under-studied writers.
Author: Herman Melville
Publisher: Createspace Independent Publishing Platform
ISBN: 9781505687668
Category : Electronic book
Languages : en
Pages : 40
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Book Description
"Hawthorne and His Mosses" (1850) is an essay and critical review by Herman Melville of the short story collection Mosses from an Old Manse written by Nathaniel Hawthorne in 1846. Published anonymously by "a Virginian spending July in Vermont," it appeared in the New York Literary World magazine in two issues: August 17 and August 24, 1850. An early, literary expression of the mid-nineteenth century Young America movement, the work has been cited as an important commentary on, and analysis of, the emerging "New American Literature." Melville met the author Nathaniel Hawthorne at a picnic and an ensuing hike up Monument Mountain in the Berkshires of western Massachusetts on August 5, 1850. Also among the hikers were James Thomas Fields, Cornelius Mathews, and Oliver Wendell Holmes, Sr. Melville and Hawthorne established an immediate and intense connection. As a local journalist would later write: "the two were compelled to take shelter in a narrow recess of the rocks... Two hours of enforced intercourse settled the matter. They learned so much of each other's character, and found that they held so much of thought, feeling and opinion in common, that the most intimate friendship for the future was inevitable." Melville had previously been given a copy of Mosses from an Old Manse as a gift but had not read it. It is unclear if he began writing the review of the book before or after meeting Hawthorne. He was, however, certainly impressed by Hawthorne and, though the book had been published four years previously, he completed his review. Another of the hikers, Evert Augustus Duyckinck, publisher of the periodical New York Literary World, offered to delay his departure for New York city until the manuscript was ready. As publisher of Hawthorne and friend of Melville, he saw its appearance in his magazine as a win-win situation. Before learning the identity of the then anonymous author, Hawthorne's wife Sophia declared the essay to be written by "the first person who has ever, in print apprehended Mr. Hawthorne." When she discovered it was Melville, she called him "an invaluable person, full of daring & questions, & with all momentous considerations afloat in the crucible of his mind." Herman Melville (August 1, 1819 - September 28, 1891) was an American novelist, writer of short stories, and poet from the American Renaissance period. The bulk of his writings was published between 1846 and 1857. Best known for his whaling novel Moby-Dick (1851), he is also legendary for having been forgotten during the last thirty years of his life. Melville's writing is characteristic for its allusivity. "In Melville's manipulation of his reading," scholar Stanley T. Williams wrote, "was a transforming power comparable to Shakespeare's." Born in New York City, he was the third child of a merchant in French dry-goods, with Revolutionary War heroes for grandfathers. Not long after the death of his father in 1832, his schooling stopped abruptly. After having been a schoolteacher for a short time, he signed up for a merchant voyage to Liverpool in 1839. A year and a half into his first whaling voyage, in 1842 he jumped ship in the Marquesas Islands, where he lived among the natives for a month. His first book, Typee (1846), became a huge best-seller, which called for a sequel, Omoo (1847). The same year Melville married Elizabeth Knapp Shaw; their four children were all born between 1849 and 1855.
Author: Paul Negri
Publisher: Courier Corporation
ISBN: 0486114678
Category : Fiction
Languages : en
Pages : 258
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Book Description
Features 19 gems in the American short-story tradition, including "The Tell-Tale Heart" by Edgar Allan Poe, "Bartleby" by Herman Melville, "To Build a Fire" by Jack London, plus stories by Hemingway, Fitzgerald, Hawthorne, Twain, others.
Author: Brenda Wineapple
Publisher: Random House
ISBN: 0307808661
Category : Biography & Autobiography
Languages : en
Pages : 528
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Book Description
Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.
Author: Peter West
Publisher:
ISBN:
Category : Journalism
Languages : en
Pages : 256
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Book Description
The Arbiters of Reality: Hawthorne, Melville, and the Rise of Mass Information Culture disrupts our critical sense of nineteenth-century American literature by examining the storytelling strategies of both Nathaniel Hawthorne and Herman Melville in light of an emerging information industry. Peter West reveals how these writers invoked telegraphic and penny press journalism, daguerreotypy, and moving panoramas in their fiction to claim for themselves a privileged access to a reality beyond the reach of a burgeoning mass audience. Locating Hawthorne and Melville in vivid and overlooked contexts--the Salem Murder scandal of 1830, which transformed Hawthorne's quiet city into a media-manufactured spectacle, and Melville's New York City of 1846-47, where the American Telegraph was powerfully articulating a nation at war--West portrays the romance as a reactive, deeply rhetorical literary form and a rich historical artifact. In the early twenty-first century, it has become a postmodern cliché to place the word "reality" in scare quotes. The Arbiters of Reality suggests that attending to the construction of the real in public life is more than simply a language of critique: it must also be understood as a specific kind of romantic self-invention.
