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Languages : en
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Harper's Bazaar [83].
![Harper's Bazaar [83]. PDF](https://books.google.com/books/content/images/frontcover/4uTmmQEACAAJ?fife=w80-h100)
Author: Harper's Bazaar
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ISBN:
Category : Celebrities
Languages : en
Pages : 664
Book Description
Leslie Gill, a Classical Approach to Photography, 1938-1958
Author: Leslie GillPublisher:
ISBN:
Category : Photography
Languages : en
Pages : 76
Book Description
A Fantastic Journey
Author: Paul MurrayPublisher: Psychology Press
ISBN: 1873410239
Category : Americans
Languages : en
Pages : 410
Book Description
Lafcadio Hearn (1850-1904) has long been marginalised as a failed Victorian Romantic whose writings on Japan were poetic but inconsequential; as a person, he emerges as a one-dimensional neurotic. In this new study, based on a wealth of hitherto unpublished sources, as well as a fresh reading of Hearn's writings, Paul Murray reveals a multi-faceted character of considerable depth, intelligence and literary skill. This is a book, therefore, that will appeal on many levels. The story of Hearn's life makes fascinating reading; his fantastic journey took him from conception outside marriage on a Greek island to a protected upbringing in Dublin; from a Gothic education in England to Cincinnati in the United States where, as Paddy Hearn, he established himself as a journalist of the macabre par excellence. In New Orleans, in the 1860s, he transformed himself into Lafcadio Hearn, litterateur and a man of the South. Finally after two years in the West Indies, he spent the last fourteen years of his life in Japan - arriving in 'the land of the gods' in the spring of 1890. Although it was always to be an ambiguous relationship with his adopted country, Hearn gave to the world some of the most valuable and enduring insights into Japanese society and culture that continue to stand the test of time. For students of the Anglo-Irish tradition, a little explored strand of Hearn's heritage, this book is also essential reading, providing substantial insights into Hearn's mastery of the literary horror genre. Equally, students of Japan will want to understand, for the first time, the make-up and motivation of one of its greatest ever Western interpreters.
Conversations with Wright Morris
Author: Robert E. KnollPublisher: U of Nebraska Press
ISBN: 9780803258549
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
This book is an attempt to approach the work of a leading American novelist from both sides of the looking-glass?from the opposite, but not necessarily opposing, points of view of the writer/creator and the reader/critic. In 1975, while the author was visiting professor of English at the University of Nebraska-Lincoln, several scholar-critics (among them John W. Aldridge, Wayne C. Booth, and David Madden) were invited to speak about his craft and artistic aims and principles and to record conversations with him about issues growing from their addresses. Since Morris is also an important photographer, facets of his achievement in this field were considered by Peter C. Bunnell. In addition to four conversations, three lectures, and a portfolio of twelve photographs, this volume includes an essay by Wright Morris and a bibliography compiled by Robert L. Boyce.
The Writer in America
Author: Wallace StegnerPublisher: Ardent Media
ISBN:
Category : American literature
Languages : en
Pages : 144
Book Description
A Short History of Cultural Studies
Author: John HartleyPublisher: SAGE
ISBN: 9780761950288
Category : Social Science
Languages : en
Pages : 204
Book Description
Hartley sheds new light on neglected pioneers, and also examines a host of themes in the subject, including literary criticism, mass society, political economy, art history, teaching and feminism, anthropology and sociology.
Modern Look
Author: Mason KleinPublisher: Yale University Press
ISBN: 0300247192
Category : Photography
Languages : en
Pages : 193
Book Description
A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European émigrés, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper’s Bazaar and Vogue—whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers—emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, Modern Look considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media.
We Are Made of Stories
Author: Leslie UmbergerPublisher: Princeton University Press
ISBN: 0691243840
Category : Art
Languages : en
Pages : 288
Book Description
A richly illustrated history of self-taught artists and how they changed American art Artists without formal training, who learned from family, community, and personal journeys, have long been a presence in American art. But it wasn’t until the 1980s, with the help of trailblazing advocates, that the collective force of their creative vision and bold self-definition permanently changed the mainstream art world. In We Are Made of Stories, Leslie Umberger traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, they redefined who could be rightfully seen as an artist and revealed a much more diverse community of American makers. Lavishly illustrated throughout, We Are Made of Stories features more than one hundred drawings, paintings, and sculptures, ranging from the narrative to the abstract, by forty-three artists—including James Castle, Thornton Dial, William Edmondson, Howard Finster, Bessie Harvey, Dan Miller, Sister Gertrude Morgan, the Philadelphia Wireman, Nellie Mae Rowe, Judith Scott, and Bill Traylor. The book centralizes the personal stories behind the art, and explores enduring themes, including self-definition, cultural heritage, struggle and joy, and inequity and achievement. At the same time, it offers a sweeping history of self-taught artists, the critical debates surrounding their art, and how museums have gradually diversified their collections across lines of race, gender, class, and ability. Recasting American art history to embrace artists who have been excluded for too long, We Are Made of Stories vividly captures the power of art to show us the world through the eyes of another. Published in association with the Smithsonian American Art Museum Exhibition Schedule Smithsonian American Art Museum, Washington, DC July 1, 2022–March 26, 2023
Letters of William Gaddis
Author: William GaddisPublisher: Deep Vellum Publishing
ISBN: 1564788377
Category : Literary Criticism
Languages : en
Pages : 463
Book Description
Now recognized as one of the giants of postwar American fiction, William Gaddis (1922–98) shunned the spotlight during his life, which makes this collection of his letters a revelation. Beginning in 1930 when Gaddis was at boarding-school and ending in September 1998, a few months before his death, these letters function as a kind of autobiography, and are all the more valuable because Gaddis was not an autobiographical writer. Here we see him forging his first novel The Recognitions (1955) while living in Mexico, fighting in a revolution in Costa Rica, and working in Spain, France, and North Africa. Over the next twenty years he struggles to find time to write the National Book Award-winning J R (1975) amid the complications of work and family; deals with divorce and disillusionment before reviving his career with Carpenter's Gothic (1985); then teaches himself enough about the law to indite A Frolic of His Own (1994), which earned him another NBA. Returning to a topic he first wrote about in the 1940s, he finishes his last novel Agape Agape as he lay dying.
