Handbook of the Colour Print in China, 1600-1800 PDF Download
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Author: Anne Farrer
Publisher:
ISBN: 9789004471894
Category : Art
Languages : en
Pages : 0
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Book Description
Handbook of the Colour Print in China 1600-1800' is a ground-breaking volume of collected research into colour woodblock printed imagery produced in early modern China. The emergence and development of colour woodblock imagery occurred first in book illustrations and then in single-sheet prints. 0Leading scholars of Chinese print culture trace the emergence of a sophisticated and fully developed colour woodblock print technology between the late Ming and mid-Qing. This volume examines the impact of colour prints on Qing visual culture through interdisciplinary studies investigating literary and artistic contexts, social and economic histories, and dating through European inventoried collections. 0Richly illustrated with full-colour reproductions, this volume is an essential contribution to the future study of Chinese print and book culture.
Author: Anne Farrer
Publisher:
ISBN: 9789004471894
Category : Art
Languages : en
Pages : 0
Get Book
Book Description
Handbook of the Colour Print in China 1600-1800' is a ground-breaking volume of collected research into colour woodblock printed imagery produced in early modern China. The emergence and development of colour woodblock imagery occurred first in book illustrations and then in single-sheet prints. 0Leading scholars of Chinese print culture trace the emergence of a sophisticated and fully developed colour woodblock print technology between the late Ming and mid-Qing. This volume examines the impact of colour prints on Qing visual culture through interdisciplinary studies investigating literary and artistic contexts, social and economic histories, and dating through European inventoried collections. 0Richly illustrated with full-colour reproductions, this volume is an essential contribution to the future study of Chinese print and book culture.
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Category : American literature
Languages : en
Pages : 1680
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Category : Art
Languages : en
Pages : 920
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Category : English newspapers
Languages : en
Pages : 1364
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Category :
Languages : en
Pages : 258
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Popular Science gives our readers the information and tools to improve their technology and their world. The core belief that Popular Science and our readers share: The future is going to be better, and science and technology are the driving forces that will help make it better.
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Category : Great Britain
Languages : en
Pages : 1974
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Category : Bibliography, National
Languages : en
Pages : 3116
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Author: Bowker Editorial Staff
Publisher: R. R. Bowker
ISBN: 9780835238007
Category : Reference
Languages : en
Pages : 2776
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Category : Microcards
Languages : en
Pages : 1416
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Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
