German Expressionism in the Audiovisual Culture / Der deutsche Expressionismus in den Audiovisuellen Medien PDF Download
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Author: Paloma Ortiz-de-Urbina
Publisher: Narr Francke Attempto Verlag
ISBN: 3823303988
Category : Literary Criticism
Languages : en
Pages : 444
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Book Description
Zu Beginn des 20. Jahrhunderts machte zeitgleich mit dem Expressionismus eine neue Kunstform ihre ersten Schritte, die Bild, Sprache und Musik in sich vereinte: der Kinofilm. In Deutschland hatte die expressionistische Ästhetik einen enormen Einfluss auf dieses neue Medium, der sich in Filmen wie Das Cabinet des Dr. Caligari (1920), Der Golem (1920), Nosferatu (1922) oder Metropolis (1927) zeigt und bis heute seine Spuren hinterlassen hat. Dieser Band analysiert, wie Themen, Motive, Mythen und Ästhetik des expressionistischen Kinos der 1920er Jahre in den audiovisuellen Medien bis ins 21. Jahrhundert fortwirken und welchen Einfluss sie auf Myth Criticism oder auf populäre Gattungen wie Fantasy, Horror oder Science Fiction nach wie vor ausüben.
Author: Paloma Ortiz-de-Urbina
Publisher: Narr Francke Attempto Verlag
ISBN: 3823303988
Category : Literary Criticism
Languages : en
Pages : 444
Get Book
Book Description
Zu Beginn des 20. Jahrhunderts machte zeitgleich mit dem Expressionismus eine neue Kunstform ihre ersten Schritte, die Bild, Sprache und Musik in sich vereinte: der Kinofilm. In Deutschland hatte die expressionistische Ästhetik einen enormen Einfluss auf dieses neue Medium, der sich in Filmen wie Das Cabinet des Dr. Caligari (1920), Der Golem (1920), Nosferatu (1922) oder Metropolis (1927) zeigt und bis heute seine Spuren hinterlassen hat. Dieser Band analysiert, wie Themen, Motive, Mythen und Ästhetik des expressionistischen Kinos der 1920er Jahre in den audiovisuellen Medien bis ins 21. Jahrhundert fortwirken und welchen Einfluss sie auf Myth Criticism oder auf populäre Gattungen wie Fantasy, Horror oder Science Fiction nach wie vor ausüben.
Author: Paloma Ortiz-de-Urbina
Publisher: Narr Francke Attempto Verlag
ISBN: 3823395459
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
Zu Beginn des 20. Jahrhunderts machte zeitgleich mit dem Expressionismus eine neue Kunstform ihre ersten Schritte, die Bild, Sprache und Musik in sich vereinte: der Kinofilm. In Deutschland hatte die expressionistische Ästhetik einen enormen Einfluss auf dieses neue Medium, der sich in Filmen wie Das Cabinet des Dr. Caligari (1920), Der Golem (1920), Nosferatu (1922) oder Metropolis (1927) zeigt und bis heute seine Spuren hinterlassen hat. Dieser Band analysiert, wie Themen, Motive, Mythen und Ästhetik des expressionistischen Kinos der 1920er Jahre in den audiovisuellen Medien bis ins 21. Jahrhundert fortwirken und welchen Einfluss sie auf Myth Criticism oder auf populäre Gattungen wie Fantasy, Horror oder Science Fiction nach wie vor ausüben.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Thomas H. Lee
Publisher: Cambridge University Press
ISBN: 9780521835398
Category : Technology & Engineering
Languages : en
Pages : 232
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Book Description
This book, first published in 2004, is an expanded and revised edition of Tom Lee's acclaimed RFIC text.
Author: Gerfried Stocker
Publisher:
ISBN:
Category : Art
Languages : de
Pages : 452
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Book Description
Edited by Gerfried Stocker and Christine Schepf. Essays by Peter J. Bentley, Erkki Huhtamo, Friedrich Kittler and Pierre Levy.
Author: Ian Roberts
Publisher: Columbia University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 152
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Book Description
Covering classic films such as 'The Cabinet of Doctor Caligari' and 'Nosferatu' as well as under-appreciated examples such as 'Asphalt', this volume forms an essential introduction to one of cinema's most historically important movements.
Author: Rudolf Kurtz
Publisher: Indiana University Press
ISBN: 0861969227
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
Expressionism and Film, originally published in German in 1926, is not only a classic of film history, but also an important work from the early phase of modern media history. Written with analytical brilliance and historical vision by a well-known contemporary of the expressionist movement, it captures Expressionism at the time of its impending conclusion—as an intersection of world view, resoluteness of form, and medial transition. Though one of the most frequently-cited works of Weimar culture, Kurtz’s groundbreaking work, which is on a par with Siegfried Kracauer’s From Caligari to Hitler and Lotte Eisner’s The Haunted Screen, has never been published in English. Its relevance and historical contexts are analyzed in a concise afterword by the Swiss scholars Christian Kiening and Ulrich Johannes Beil.
Author: Anne Tallentire
Publisher:
ISBN: 9780955379277
Category : Artists' books
Languages : en
Pages : 96
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Book Description
Oscillating between depiction and description, Object of A Life addresses Georges Perec's question: How are we to speak of common things? Making an inventory of things that come to hand in the course of daily life, playing with ideas of contradiction, categorisation, improbability and speculation, this book offers an articulation of the space produced between language and drawing.
Author: Johnson Cheu
Publisher: McFarland
ISBN: 0786498005
Category : Performing Arts
Languages : en
Pages : 254
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Book Description
Since his early days at Disney, Tim Burton has shown a unique talent and vision. His writing and directing credits range from big-budget features such as Batman (1989) and Batman Returns (1992), to the comically grisly The Nightmare Before Christmas (1993) and Corpse Bride (2005), to the twisted fairy tale Edward Scissorhands (1990), to literary adaptations like Big Fish (2003), Charlie and the Chocolate Factory (2005) and Sweeney Todd (2007). Though his name has become synonymous with the macabre and the odd, Burton's films often reveal and champion the flawed human in us all. This collection of new essays brings together scholarship on many of his popular films, adaptations, and innovations in stop-motion animation and his collaborative relationship with actor Johnny Depp, providing an in-depth exploration of one of the most prominent figures on the pop culture landscape in recent decades.
Author: Jem Lester
Publisher: Abrams
ISBN: 1468314718
Category : Fiction
Languages : en
Pages : 229
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Book Description
A man shares a house with his autistic son and cranky elderly father in this “moving, darkly funny novel” (The Washington Post). Ben Jewell has hit a breaking point. His profoundly autistic ten-year-old son, Jonah, has never spoken, and Ben and his wife Emma are struggling to cope. When Ben and Emma fake a separation—a strategic yet ill-advised decision to further Jonah’s case in an upcoming tribunal to determine the future of his education—father and son are forced to move in with Georg, Ben’s elderly and cantankerous father. In a small house in north London, three generations of men—one who can’t talk; two who won’t—are thrown together. As Ben confronts single fatherhood, he must battle a string of well-meaning social workers and his own demons to advocate for his son, learning some harsh lessons about accountability from his father along the way. As the tribunal draws near, Jonah, blissful in his innocence, becomes the prism through which all the complicated strands of personal identity, family history, and misunderstanding are untangled, in this “funny yet heartbreaking” prize-winning debut (The Independent). “Whether you think Shtum is a novel about autism or about marriage (it’s both, by the way), you will agree that it is, in the end, a love story infused with wit, charm, and a deep appreciation for the complex beauty of damaged souls.” —Jonathan Tropper, New York Times-bestselling author of This is Where I Leave You “This is the literary territory of Tony Parsons and Nick Hornby, infused with the Jewish humor of Howard Jacobson and Shalom Auslander . . . an exhilarating roller coaster ride between pathos, comedy and anger.” —The Guardian “A remarkable book, at once hilarious, horrifying, and heartbreaking, written with the glum humor only Brits can carry off.” —The Toronto Star
