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Author: Anne-Marie Scholz
Publisher: Berghahn Books
ISBN: 0857457322
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and The Portrait of a Lady (1997), and the classics The Third Man (1949) and The Bridge on the River Kwai (1957)-the author demonstrates the ways adapted literary works function as social and cultural events in history and how these become important sites of cultural negotiation and struggle.
Author: Anne-Marie Scholz
Publisher: Berghahn Books
ISBN: 0857457322
Category : Performing Arts
Languages : en
Pages : 252
Get Book
Book Description
Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and The Portrait of a Lady (1997), and the classics The Third Man (1949) and The Bridge on the River Kwai (1957)-the author demonstrates the ways adapted literary works function as social and cultural events in history and how these become important sites of cultural negotiation and struggle.
Author: Mrs. Cameron (Lucy Lyttelton)
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author: Maki Fukuoka
Publisher: Stanford University Press
ISBN: 0804784620
Category : Art
Languages : en
Pages : 301
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Book Description
The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of "the real" in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars—from physicians to farmers to bureaucrats—known as Shōhyaku-sha. In their archival materials, these scholars used the term shashin (which would, years later, come to signify "photography" in Japanese) in a wide variety of medical, botanical, and pictorial practices. These scholars pursued questions of the relationship between what they observed and what they believed they knew, in the process investigating scientific ideas and practices by obsessively naming and classifying, and then rendering through highly accurate illustration, the objects of their study. This book is an exploration of the process by which the Shōhyaku-sha shaped the concept of shashin. As such, it disrupts the dominant narratives of photography, art, and science in Japan, providing a prehistory of Japanese photography that requires the accepted history of the discipline to be rewritten.
Author: Stephen Spicer
Publisher: Audio Amateur Publications
ISBN: 9781882580316
Category : Science
Languages : en
Pages : 269
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Book Description
Author: Diana B. Henriques
Publisher: Touchstone Books
ISBN:
Category : Business & Economics
Languages : en
Pages : 444
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Book Description
Called "trail-blazing and hard-hitting" ("Christian Science Monitor"), this in-depth portrait of an investment empire reveals Fidelity's dramatic impact on America's corporations and individual investors. of photos.
![The History of Fidelity and Profession. By the Author of 'The Raven and the Dove' [i.e. Lucy L. Cameron], Etc PDF](https://books.google.com/books/content/images/frontcover/pBFhAAAAcAAJ?fife=w80-h100)
Author: Mrs. Cameron (Lucy Lyttelton)
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
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Book Description
Author: Cameron (Lucy Lyttelton)
Publisher: Palala Press
ISBN: 9781356576050
Category :
Languages : en
Pages : 70
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Simone Murray
Publisher: Routledge
ISBN: 1136660240
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Adaptation constitutes the driving force of contemporary culture, with stories adapted across an array of media formats. However, adaptation studies has been concerned almost exclusively with textual analysis, in particular with compare-and-contrast studies of individual novel and film pairings. This has left almost completely unexamined crucial questions of how adaptations come to be made, what are the industries with the greatest stake in making them, and who the decision-makers are in the adaptation process. The Adaptation Industry re-imagines adaptation not as an abstract process, but as a material industry. It presents the adaptation industry as a cultural economy of six interlocking institutions, stakeholders and decision-makers all engaged in the actual business of adapting texts: authors; agents; publishers; book prize committees; scriptwriters; and screen producers and distributors. Through trading in intellectual property rights to cultural works, these six nodal points in the adaptation network are tightly interlinked, with success for one party potentially auguring for success in other spheres. But marked rivalries between these institutional forces also exist, with competition characterizing every aspect of the adaptation process. This book constructs an overdue sociology of contemporary literary adaptation, never losing sight of the material and institutional dimensions of this powerful process.
Author: Lucy Lyttelton Cameron
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Colin MacCabe
Publisher: Oxford University Press
ISBN: 0199792615
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Fifty percent of Hollywood productions each year are adaptations--films that use an already published book, dramatic work, or comic as their source material. If the original is well known, then for most spectators the question of whether these adaptations are "true to the spirit" of the original is central. The recent wave of adaptation studies dismisses the question of fidelity as irrelevant, mistaken, or an affront to the unstable nature of meaning itself. The essays gathered here, mixing the field's top authorities (Andrew, Gunning, Jameson, Mulvey, and Naremore) with fresh new voices, take the question of correspondence between source and adaptation as seriously as do producers and audiences. Spanning examples from Shakespeare to Ghost World, and addressing such notable directors as Welles, Kubrick, Hawks, Tarkovsky, and Ophuls, the contributors write against the grain of recent adaption studies by investigating the question of what fidelity might mean in its broadest and truest sense, what it might reveal of the adaptive process, and why it is still one of the richest veins of investigation in the study of cinema.
