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Author: Caroline Potter
Publisher: Routledge
ISBN: 1351566466
Category : Music
Languages : en
Pages : 467
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Book Description
French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an
Author: Caroline Potter
Publisher: Routledge
ISBN: 1351566466
Category : Music
Languages : en
Pages : 467
Get Book
Book Description
French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an
Author: Caroline Potter
Publisher: Routledge
ISBN: 1351566474
Category : Music
Languages : en
Pages : 388
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Book Description
French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an
Author: Martin Cooper
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 368
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Book Description
This book presents a collection of the writings of Martin Cooper, chief music critic of the Daily Telegraph from 1954-1976, a well-known broadcaster on the BBC, and author of several books and translations. Topics discussed include nineteenth- and twentieth-century music, opera, literature, philosophy, religion, and the nature of criticism.
Author: Frits Noske
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 0
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Book Description
Author: Frits Noske
Publisher: Courier Corporation
ISBN: 0486255549
Category : Music
Languages : en
Pages : 513
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Book Description
Devoted to French art songs of the 19th century, this volume explores the melodies of Berlioz, Liszt, Bizet, Saint-Saëns, Franck, Fauré, and many others. Sensitive evaluations include more than 250 musical examples.
Author: Philip Hale
Publisher: Courier Corporation
ISBN: 0486236803
Category : Music
Languages : en
Pages : 193
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Book Description
The lyric art song, in which the piano plays as large a part as the vocal melody, is one of the characteristic products of the 19th century. This collection of 39 songs from the romantic period spotlights 18 composers: Berlioz, Chausson, Debussy (6 songs), Gounod, Massenet, Thomas, and more. For high voice. French text, English singing translations.
Author: Martin Cooper
Publisher: London : Oxford University Press
ISBN:
Category : Music
Languages : en
Pages : 268
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Book Description
The French composers who flourished between 1869 and 1924 include Gounod, Saint-Saens, Bizet, Massenet, Franck, Chabrier, Faure, d'Indy, Debussy, Ravel, Satie, Schmitt, Roussel, Milhaud, and Poulenc. One at least of these was a great composer; several were composers of important and enduring works; and all had individual contributions to make to French music--and indeed to European music as a whole. In this classic study, Martin Cooper provides an entertaining yet sensitive account of a most fruitful half-century of music.--Back cover.
Author: Martin Cooper
Publisher: London, Oxford U. P
ISBN: 9780758172853
Category : Music France History and criticism
Languages : en
Pages : 239
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Book Description
Author: Kerry Murphy
Publisher: Routledge
ISBN: 1351574183
Category : Music
Languages : en
Pages : 236
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Book Description
This collection of essays by scholars of nineteenth- and early twentieth-century French music has been assembled in homage to the influential and inspirational French musicologist Frans Lesure who died in 2001. Lesure's immense erudition was legendary and spanned music from the sixteenth to the twentieth century. Two French composers who were particular foci in his scholarship were Berlioz and Debussy and this collection is based on scholarship around these two composers and the sources, contexts and legacies relating to their work.
Author: Georges Jean-Aubry
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 304
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Book Description
