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Author: Jeton KELMENDI
Publisher: Lulu.com
ISBN: 1471669327
Category :
Languages : de
Pages : 87
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Book Description
Author: Jeton KELMENDI
Publisher: Lulu.com
ISBN: 1471669327
Category :
Languages : de
Pages : 87
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Book Description
Author: Sarah Colvin
Publisher: Camden House
ISBN: 9781571132741
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
If all the world's a stage, playwrights can theoretically be seen as in control of the world they create; this book asks to what extent women dramatists manage to use the space of the drama to reflect the world that they experience."--BOOK JACKET.
Author: Willy Bang
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 468
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Book Description
Author: John J. White
Publisher: Camden House
ISBN: 1571133739
Category : Drama
Languages : en
Pages : 276
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Book Description
First thorough treatment in English of one of Brecht's most important antifascist works.
Author: Arthur Hobson Quinn
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 414
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Book Description
Author: Günter Ahrends
Publisher: Gunter Narr Verlag
ISBN: 9783823340263
Category : Drama
Languages : en
Pages : 196
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Book Description
Author: K. Scott Baker
Publisher: Peter Lang
ISBN: 9783039110957
Category : Liberalism in literature
Languages : en
Pages : 196
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Book Description
This monograph details Gutzkow's recurring use of performance-within-the-play as a means of encouraging an active, political response by the audience. He incorporates an internal audience viewing a performance on stage in order to model an ideal of dramatic reception for the audiences of his own play. Gutzkow structures the narrative contextualization of these performances as reflections of specific issues in the German states of the Vormärz. Beginning with an overview of theoretical and literary texts from the 1830s, this study traces Gutzkow's transferral of self-reflexive structures from his novels of this decade into his first staged play, Richard Savage (1839), and on through Das Urbild des Tartüffe (1844) and Uriel Acosta (1845). It concludes by portraying Der Königsleutnant (1849) as a transitional work that shows Gutzkow's decision to return to the novel as a consequence of the failure of his plays to attain the reception he intended. By using the coherency of the communicated message instead of fealty to aesthetic norms as the evaluative criteria for discussing Gutzkow's plays, the book exposes an innovative mode of specifically literary social criticism in these works that complements their traditional assessment as documentation of the cultural history of Liberalism in this period.
Author:
Publisher:
ISBN:
Category : Austrian literature
Languages : en
Pages : 802
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Book Description
Includes the index to the Journal of the International Arthur Schnitzler Research Association, 1961-67.
Author: John Osborne
Publisher: Routledge
ISBN: 1135293600
Category : Performing Arts
Languages : en
Pages : 232
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Book Description
What was German Naturalism? What were its achievements? How does it compare with its counterparts in other European countries? These are some of the difficult questions addressed by John Osborne in Gerhart Hauptmann and the Naturalist Drama, a revised and updated version of his The Naturalist Drama in Germany, now widely acknowledged as the standard introduction to the subject. The debates to which he contributed, and in some cases initiated, on Naturalism in the German theatre, Naturalist theory in Germany, and the development of the Naturalist movement to the contemporary Social Democrat movement, have remained central issues. This revised edition preserves the structure and approach of the original, including its emphasis on the early dramas of Hauptmann, while taking full account of subsequent scholarship which provides the context in which this Naturalist playwright's work can be placed.
Author: ans-Michael Bock,,
Publisher: Berghahn Books
ISBN: 9780857455659
Category : Performing Arts
Languages : en
Pages : 596
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Book Description
This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.
