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Author: Alex Potts
Publisher: Yale University Press
ISBN: 9780300088014
Category : Art
Languages : en
Pages : 442
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Book Description
Potts also offers a detailed view of selected iconic works by sculptors ranging from Antonio Canova and Auguste Rodin to Constantin Brancusi, David Smith, Carl Andre, Eva Hesse and Louise Bourgeois - key players in modern thinking about the sculptural. The impact of minimalism features prominently in this discussion, for it disrupted accepted understanding of how a viewer interacts with a work of art, thereby placing the phenomenology of viewing three-dimensional objects for the first time at the center of debate about modern visual art."--Jacket.
Author: Alex Potts
Publisher: Yale University Press
ISBN: 9780300088014
Category : Art
Languages : en
Pages : 442
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Book Description
Potts also offers a detailed view of selected iconic works by sculptors ranging from Antonio Canova and Auguste Rodin to Constantin Brancusi, David Smith, Carl Andre, Eva Hesse and Louise Bourgeois - key players in modern thinking about the sculptural. The impact of minimalism features prominently in this discussion, for it disrupted accepted understanding of how a viewer interacts with a work of art, thereby placing the phenomenology of viewing three-dimensional objects for the first time at the center of debate about modern visual art."--Jacket.
Author: Colin Renfrew
Publisher: McDonald Institute Monographs
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
The dawn of art is sometimes equated with the birth of the human spirit. But when and how did figuration - sculpture, painting, drawing - actually begin? And did these first figurative creations coincide with the emergence of our own species, Homo sapiens ? Is figuration a general and fundamental feature of the human condition? In this challenging volume leading experts review the evidence now available from the worldwide practice of prehistoric archaeology, and go on to formulate some important conclusions. The scope of this work is global. It sets out to explore the first stirrings of artistic endeavour and of figurative imagery on each continent, and to consider the social context in which they arose. It will be a fundamental resource for all those seeking to understand the origins of art and the beginnings of human spirituality.
Author: John McGreal
Publisher: Troubador Publishing Ltd
ISBN: 1788036433
Category : Art
Languages : en
Pages : 284
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Book Description
John McGreal's three new books – It’s Abstraction, Concretely, It’s Figuration, Groundly and It’s Representation, Really – continue the ‘It’ Series published by Matador since 2010. They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. Emerging out of the first books on the Bibliograph published in 2016, initiated with It’s Nothing, Seriously, these new texts retain some of the same structural features. The Bibliographs contain the same focus on repetition and variation in meaning of their dominant motifs of representation, abstraction and figuration which have framed philosophical discourse on epistemology and ontology in aesthetics; their chance placement in each Bibliograph interspersed with one another displaying and enhancing similarities and differences. At the same time these works constitute a development in the aesthetic form of the Bibliograph. In earlier works on Nothing, Absence and Silence, it was just a question of finding and transferring given textual references from their source to construct their Bibliographs, with the focus being on the strategic position of the latter within each book. In these new works, the concern has been with working on the line and shape of the references themselves, with their enhanced spacial form as well as that of each Bibliograph as a whole. In shaping and spacing the referential images, the place of words and letters became as important as their semantic & syntactical role. Expansion and contraction of whole words was used to enhance this process. Under such detailed attention their breakdown into particles of language, into part-words and single letters was a result. The recombination of elements produced new words in a process of restrangement with new sequences of letters having visual rather than semantic value. The play on prefixes of dominant motifs yielded new words as did tmesis. This concern with the form of referential images does not preclude an equal commitment to their content. The aleatory character of textual entries in each Bibliograph encourage the reader to let his or her mind go; to read in a new way on diverse contemporary issues across conventional boundaries in the arts and sciences at several levels of physical, psychical and social reproduction.
Author: Corrinne Harol
Publisher: Cambridge University Press
ISBN: 1009273485
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Corrinne Harol reveals how secularization catalysed conservative writers to respond and thereby contribute impactfully to literary history.
Author: Julia Guernsey
Publisher: Cambridge University Press
ISBN: 1108478999
Category : Art
Languages : en
Pages : 285
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Book Description
Explores the social significance of representation of the human body in Preclassic Mesoamerica.
Author: John Barrell
Publisher:
ISBN: 9780198112921
Category : Art
Languages : en
Pages : 860
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Book Description
It is high treason in British law to imagine the king's death. But after the execution of Louis XVI in 1793, everyone in Britain must have found themselves imagining that the same fate might befall George III. How easy was it to distinguish between fantasising about the death of George and imagining it, in the legal sense of intending or designing? John Barrell examines this question in the context of the political trials of the mid-1790s and the controversies they generated. He shows how the law of treason was adapted in the years following Louis's death to punish what was acknowledged to be a "modern" form of treason unheard of when the law had been framed. The result, he argues, was the invention of a new and imaginary reading, a "figurative" treason, by which the question of who was imagining the king's death, the supposed traitors or those who charged them with treason, became inseparable.
Author: Franco Cirulli
Publisher: Routledge
ISBN: 1135499926
Category : Philosophy
Languages : en
Pages : 183
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Book Description
This volume shows how The Doctrine of Essence intersects with perennial philosophical questions including above all, the relationship between freedom and determinism. The Doctrine of Essence is of central importance, since it is a critical description of traditional categories which also functions as the justification of Hegel's speculative understanding of essence. This study takes an historical approach to build upon Hegel's abstract argument, viewing it as a confrontation with his predecessors, inparticular - Fichte and Schelling.
Author: K.N. Jha
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120826694
Category :
Languages : en
Pages : 240
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Book Description
This book is an attempt at resolving an important tangle, that of the utility of Figurative Poetry in Sanskrit Literature. In the shape of Sabdacitra and Ubhayacitra, connoting verbal juggleries and intellectual riddles this literature amuses vast shades of people, even today. Arthacitra is the real imagist poetry. Even old Sanskrit rhetoricians, Ananda, Abhinava and Panditaraja had a flash of its imagist appeal. The book is divided into seven chapters. Ch. I is introductory. It re-defines poetry and assesses the place of figurative poetry in that context. Ch. II deals with the historicity of different divisions and subdivisions of this branch of poetry as also with some new concepts either co-ordinate with them or contributory to their development. Chs. III & IV discuss the various divisions of Sabdacitra and Ubhayacitra with apt illustrations from copious sources. Chs. V & VI deal with Arthacitra and the development of Citrakavya right from the Vedic age. Ch. VII affirms and establishes the conviction of the concept treated in the previous chapters. The book is documented with Preface, Abbreviations, Appendices, Bibliography and Index.
Author: Richard P. Honeck
Publisher: Routledge
ISBN: 0429780273
Category : Psychology
Languages : en
Pages : 446
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Book Description
Originally published in 1980, this is a book about the psychology of figurative language. It is however, eclectic and therefore should be of interest to professionals and students in education, linguistics, philosophy, sociolinguistics, and other concerned with meaning and cognition. The editors felt there was a pressing need to bring together the growing empirical efforts of this topic. In a sense, recognition of the theoretical importance of figurative language symbolized the transition from the psycholinguistics of the 1960s to that of the late 1970s, that is from a linguistic semantics to a more comprehensive psychological semantics with a healthy respect for context, inference, world knowledge, and above all creative imagination. The organization of the volume reflects the more basic, general concerns with cognition – from historical and philosophical background, through problems of mental representation and semantic theory, to developmental trends, and to applications in problem solving.
Author: Derek Matravers
Publisher: Routledge
ISBN: 1317591321
Category : Philosophy
Languages : en
Pages : 213
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Book Description
In 1797 Friedrich Schlegel wrote that "philosophy of art usually lacks one of two things: either the philosophy, or the art." This collection of essays contains both the philosophy and the art. It brings together an international team of leading philosophers to address diverse philosophical issues raised by recent works of art. Each essay engages with a specific artwork and explores the connection between the image and the philosophical content. Thirteen contemporary philosophers demonstrate how philosophy can aid interpretation of the work of ten contemporary artists, including: Jesse Prinz on John Currin Barry C. Smith and Edward Winters on Dexter Dalwood Lydia Goehr and Sam Rose on Tom de Freston Raymond Geuss on Adrian Ghenie and Chantal Joffe Hallvard Lillehammer on Paul Noble M. M. McCabe and Alexis Papazoglou on Ged Quinn Noël Carroll on Paula Rego Simon Blackburn and Jerrold Levinson on George Shaw Sondra Bacharach on Yue Minjun. The discussion ranges over ethical, political, psychological and religious concepts, such as irony, disgust, apathy, inequality, physiognomy and wonder, to historical experiences of war, Marx-inspired political movements and Thatcherism, and standard problems in the philosophy of art, such as expression, style, depiction and ontology of art, as well as major topics in art history, such as vanitas painting, photography, pornography, and Dadaism. Many of the contributors are distinguished in areas of philosophy other than aesthetics and are writing about art for the first time. All show how productive the engagement can be between philosophy, more generally, and art.
