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Author: Maria DiBattista
Publisher: Yale University Press
ISBN: 030013388X
Category : Performing Arts
Languages : en
Pages : 381
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Book Description
"There is nothing like a dame", proclaims the song from South Pacific. Certainly there is nothing like the fast-talking dame of screen comedies in the 1930s and '40s. In this engaging book, film scholar and movie buff Maria DiBattista celebrates the fast-talking dame as an American original. Coming of age during the Depression, the dame -- a woman of lively wit and brash speech -- epitomized a new style of self-reliant, articulate womanhood. Dames were quick on the uptake and hardly ever downbeat. They seemed to know what to say and when to say it. In their fast and breezy talk seemed to lie the secret of happiness, but also the key to reality. DiBattista offers vivid portraits of the grandest dames of the era, including Katharine Hepburn, Irene Dunne, Rosalind Russell, Barbara Stanwyck, and others, and discusses the great films that showcased their compelling way with words -- and with men. With their snappy repartee and vivid colloquialisms, these fast-talkers were verbal muses at a time when Americans were reinventing both language and the political institutions of democratic culture. As they taught their laconic male counterparts (most notably those appealing but tongue-tied American icons, Gary Cooper, Henry Fonda, and James Stewart) the power and pleasures of speech, they also reimagined the relationship between the sexes. In such films as Bringing Up Baby, The Awful Truth, and The Lady Eve, the fast-talking dame captivated moviegoers of her time. For audiences today, DiBattista observes, the sassy heroine still has much to say.
Author: Maria DiBattista
Publisher: Yale University Press
ISBN: 030013388X
Category : Performing Arts
Languages : en
Pages : 381
Get Book
Book Description
"There is nothing like a dame", proclaims the song from South Pacific. Certainly there is nothing like the fast-talking dame of screen comedies in the 1930s and '40s. In this engaging book, film scholar and movie buff Maria DiBattista celebrates the fast-talking dame as an American original. Coming of age during the Depression, the dame -- a woman of lively wit and brash speech -- epitomized a new style of self-reliant, articulate womanhood. Dames were quick on the uptake and hardly ever downbeat. They seemed to know what to say and when to say it. In their fast and breezy talk seemed to lie the secret of happiness, but also the key to reality. DiBattista offers vivid portraits of the grandest dames of the era, including Katharine Hepburn, Irene Dunne, Rosalind Russell, Barbara Stanwyck, and others, and discusses the great films that showcased their compelling way with words -- and with men. With their snappy repartee and vivid colloquialisms, these fast-talkers were verbal muses at a time when Americans were reinventing both language and the political institutions of democratic culture. As they taught their laconic male counterparts (most notably those appealing but tongue-tied American icons, Gary Cooper, Henry Fonda, and James Stewart) the power and pleasures of speech, they also reimagined the relationship between the sexes. In such films as Bringing Up Baby, The Awful Truth, and The Lady Eve, the fast-talking dame captivated moviegoers of her time. For audiences today, DiBattista observes, the sassy heroine still has much to say.
Author: Heidi Wilkins
Publisher: Edinburgh University Press
ISBN: 1474406904
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
The representation of gender in film remains an intensely debated topic, particularly in academic considerations of US mainstream cinema where it is often perceived as perpetuating rigid, binary views of gender, and reinforcing patriarchal, dominant notions of masculinity and femininity. While previous scholarly discussion has focused on visual or narrative portrayals of gender, this book considers the ways that film sound "e; music, voice, sound effects and silence "e; is used to represent gender. Taking a socio-historical approach, Heidi Wilkins investigates a range of popular US genres including screwball comedy, the road movie and chick flicks to explore the ways that film sound can reinforce traditional assumptions about masculinity and femininity, impart ambivalent meanings to them, or even challenge and subvert the notion of gender itself. Case studies include His Girl Friday, Easy Rider and Bridesmaids.
Author: Maria DiBattista
Publisher: Princeton University Press
ISBN: 0691138125
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
Answers the question, 'how does one read an author', by undertaking an experiment in critical biography. This book provides an original way of reading, one that captures with variety and subtlety the personality that exists only in Woolf's works and in the minds of her readers
Author: Maria DiBattista
Publisher: John Wiley & Sons
ISBN: 1444351559
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
Novel Characters offers a fascinating and in-depth history of the novelistic character from the “birth of the novel” in Don Quixote, through the great canonical works of the nineteenth and twentieth centuries, to the most influential international novels of the present day An original study which offers a unique approach to thinking about and discussing character Makes extensive reference to both traditional and more recent and specialized academic studies of the novel Provides a critical vocabulary for understanding how the novelistic conception of character has changed over time. Examines a broad range of novels, cultures, and periods Promotes discussion of how different cultures and times think about human identity, and how the concept of what a character is has changed over time
Author: Sandra Scoppettone
Publisher: Ballantine Books
ISBN: 0345484584
Category : Fiction
Languages : en
Pages : 284
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Book Description
"I didn’t start out to be a private eye. I thought I was gonna be a secretary–get my boss his java in the morning, take letters, and so on. Hell, I didn’t get my degree in steno to put my life on the line. It was true I wanted an interesting job, but that I’d end up a PI myself . . . it never entered my mind." New York, 1943. Almost anything in pants has gone to serve Uncle Sam in the war–including Woody Mason, the head of a detective agency in midtown Manhattan. Left to run the show is his secretary, Faye Quick, who signed on to be a steno, not a shamus. At twenty-six and five foot four, there’s not much to Faye, but she’s got moxie–which she’ll need when she stumbles over a dead girl in the street and takes on her first murder case. This victim wasn’t any ordinary girl. Claudette West was a student at NYU and the daughter of a Park Avenue family. Faye, who lives in bohemian Greenwich Village–where no one cares how you look–ventures uptown, where people care enough about money to kill for it. Claudette’s father is convinced greed was the motive, and that Claudette’s working-class boyfriend, Richard Cotten, killed the girl because she threw him off the gravy train. Faye, however, isn’t so sure, not when she learns about all the other men Claudette was secretly seeing–from her lecherous literature professor to an apparent con artist. For Faye, there are more shocking surprises in store than turns and dips in the Coney Island Cyclone. Going after the bad guys and fighting a good fight on the home front, Faye is as scrappy and endearing as any character Sandra Scoppettone has ever created, and This Dame for Hire’s period setting is rendered so real you can hear the big band music, see the nylons and fedoras, and feel the rumble of the Third Avenue El. When it comes to an irresistible detective and a riveting new series, you must remember this: Here’s looking at Faye Quick.
Author: Christina Rice
Publisher: University Press of Kentucky
ISBN: 0813144396
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
The forgotten screen legend who made Hollywood history by challenging the all-powerful studio system is revealed in this first full-length biography. Seemingly destined for A-list fame, Ann Dvorak was touted as “Hollywood’s New Cinderella” after film mogul Howard Hughes cast her in the 1932 gangster film Scarface. But Dvorak’s journey to superstardom was derailed when she walked out on her contractual obligations to Warner Bros. for an extended honeymoon. Ann Dvorak: Hollywood’s Forgotten Rebel explores the life and career of one of the first individuals who dared to challenge the studio system. Dvorak reached her pinnacle during the early 1930s, when the film industry was relatively uncensored and free to produce movies with more daring storylines. She played several female leads in films including The Strange Love of Molly Louvain, Three on a Match, and Heat Lightning, but after her walk-out, Warner Bros retaliated by casting her in less significant roles. Following the casting conflicts and illness, Dvorak filed a lawsuit against the Warner Bros. studio, setting a precedent for other stars who eventually followed suit. In this insightful memoir, Christina Rice explores the spirited rebellion of a talented actress whose promising career fell victim to the studio empire.
Author: Catherine Keyser
Publisher: Rutgers University Press
ISBN: 0813547865
Category : Language Arts & Disciplines
Languages : en
Pages : 241
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Book Description
"With a sense of humor and style, and a smartness of her own, Keyser takes up the cause and the career of a `smart' set of women writers who made a distinct mark on modern American culture."---Maria DiBattista, author of Fast-Talking Dames --
Author: Sloan De Forest
Publisher: Running Press Adult
ISBN: 0762465506
Category : Social Science
Languages : en
Pages : 248
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Book Description
Celebrate 50 of the most empowering and unforgettable female characters ever to grace the screen, as well as the artists who brought them to vibrant life! From Scarlett O'Hara to Thelma and Louise to Wonder Woman, strong women have not only lit up the screen, they've inspired and fired our imaginations. Some dynamic women are naughty and some are nice, but all of them buck the narrow confines of their expected gender role -- whether by taking small steps or revolutionary strides. Through engaging profiles and more than 100 photographs, Dynamic Dames looks at fifty of the most inspiring female roles in film from the 1920s to today. The characters are discussed along with the exciting off-screen personalities and achievements of the actresses and, on occasion, female writers and directors, who brought them to life. Among the stars profiled in their most revolutionary roles are Bette Davis, Mae West, Barbara Stanwyck, Josephine Baker, Greta Garbo, Audrey Hepburn, Natalie Wood, Barbra Streisand, Julia Roberts, Meryl Streep, Joan Crawford, Vivien Leigh, Elizabeth Taylor, Dorothy Dandridge, Katharine Hepburn, Pam Grier, Jane Fonda, Gal Gadot, Emma Watson, Zhang Ziyi, Uma Thurman, Jennifer Lawrence, and many more.
Author: Faith Baldwin
Publisher: The Feminist Press at CUNY
ISBN: 1558617876
Category : Fiction
Languages : en
Pages : 292
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Book Description
Lynn is an ambitious young woman who loves her job in the gleaming new Manhattan skyscraper. Soon, Lynn also loves Tom, the young clerk down the hall. They are so in love that if they don’t get married, something improper is bound to happen. But her company has a strict new policy: Any woman who marries will be immediately fired. First published in 1931—the same year the Empire State Building opened its doors—Skyscraper marks the advent of a new kind of romance plot, and Lynn a new kind of heroine. Lynn is facing choices that will determine the course of the rest of her life, but rather than just choose between suitors, Lynn and other working girls like her must decide whether to abandon their careers—or abandon their men. They can’t have both—or can they? Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. Enjoy the series: Bedelia; Bunny Lake Is Missing; By Cecile; The G-String Murders; The Girls in 3-B; Laura; The Man Who Loved His Wife; Mother Finds a Body; Now, Voyager; Return to Lesbos; Skyscraper; Stranger on Lesbos; Stella Dallas; Women's Barracks.
Author: Clive James
Publisher: Yale University Press
ISBN: 0300216394
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
“[A] collection of Clive James’s essays on a variety of literary topics . . . This is sanity, humor and acuity in the face of death” (The Wall Street Journal). In 2010, Clive James was diagnosed with terminal leukemia. Deciding that “if you don’t know the exact moment when the lights will go out, you might as well read until they do,” James moved his library to his Cambridge house, where he would “live, read, and perhaps even write.” James is the award-winning author of dozens of works of literary criticism, poetry, and history, and this volume contains his reflections on what may well be his last reading list. A look at some of James’s old favorites as well as some of his recent discoveries, this book also offers a revealing look at the author himself, sharing his evocative musings on literature and family, and on living and dying. As thoughtful and erudite as the works of Alberto Manguel, and as moving and inspiring as Randy Pausch’s The Last Lecture and Will Schwalbe’s The End of Your Life Book Club, this valediction to James’s lifelong engagement with the written word is a captivating valentine from one of the great literary minds of our time. “These essays and poems are death-haunted but radiant with the felt experience of what it means to be alive, even when mortally sick, especially when mortally sick.” —Financial Times “Latest Readings is a plain demonstration that Mr. James remains as learned and as funny as any critic on earth.” —The New York Times
