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Author: Anton Seder
Publisher: Courier Dover Publications
ISBN: 0486824780
Category : Art
Languages : en
Pages : 96
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Book Description
Fanciful creatures slither, swim, and soar through this full-color adaptation of a rare 19th-century German portfolio. The colorful images include exotic birds and fishes, dramatic reptiles and amphibians, and scores of ferocious dragons.
Author: Anton Seder
Publisher: Courier Dover Publications
ISBN: 0486824780
Category : Art
Languages : en
Pages : 96
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Book Description
Fanciful creatures slither, swim, and soar through this full-color adaptation of a rare 19th-century German portfolio. The colorful images include exotic birds and fishes, dramatic reptiles and amphibians, and scores of ferocious dragons.
Author: Jason Marc Harris
Publisher: Routledge
ISBN: 1317134656
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
Author: Sophie Bønding
Publisher: Aarhus Universitetsforlag
ISBN: 8772194642
Category : History
Languages : en
Pages : 328
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Book Description
Stories of gods, heroes and monsters permeated discourses of national selfhood in the nineteenth century. During this tumultuous time, Europe’s modern nations arose from the misty waters of long-forgotten national pasts – or so was the perception at the time. Each embedded in their particular national and political contexts, towering cultural figures – N.F.S. Grundtvig, Jacob Grimm, Jonás Halgrímsson, William Morris, Adam Oehlenschläger and many more – were catalysts for the formation of national discourses of belonging, built upon the mythological story-worlds of Europe’s non-classical vernacular pasts. This interdisciplinary book offers new perspectives on the uses of pre-Christian mythologies in the formation of national communities in nineteenth-century Northern and Western Europe. Through theoretical articles and case studies, it puts forth new understandings of how cultural thinkers across Europe utilized pre-Christian mythologies as symbolic resources in the forging of national communities. Perceptions of national identity were thus shaped, many of which are still at play today.
Author: Anton Seder
Publisher: Courier Dover Publications
ISBN: 0486804704
Category : Art
Languages : en
Pages : 64
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Book Description
A revolutionary reaction to the eclectic historical styles of nineteenth-century art, the turn-of-the-century Art Nouveau movement drew much of its inspiration from nature. Applying its sinuous, curvilinear motifs to the decorative arts, graphics, architecture, sculpture, and painting, artists and crafters attempted to create a style suitable for a "modern" age. This treasury of rare Art Nouveau decorative ornaments offers an unusual selection of the genre's most strikingly imaginative graphics. Originally published in Paris in 1899 and sold by subscription, the collection features fifty full-page plates depicting a rich profusion of everyday items rendered in the distinctive Art Nouveau style. Intricate patterns of flowers, vines, faces, and other designs decorate scores of objects made of metal, ceramic, and glass: pitchers and vases, cutlery, walking sticks, jewelry, and other objects and artifacts. A source of authentic Art Nouveau graphics, this compilation will serve as an inspiration for artists, illustrators, and designers.
Author: Anon E. Mouse
Publisher: Abela Publishing Ltd
ISBN: 8829566829
Category : Fiction
Languages : en
Pages : 226
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Book Description
It is rather poignant that this collection of Folk and Fairy Tales from the Flanders region of Belgium was published in 1918, for in the closing stage of the Great War I don’t think there were many, soldiers and civilians living in Flanders, who in 1918 had the fantasy world of folk and fairy tales foremost in mind. Herein are 24 well illustrated tales from the Flanders region of Belgium illustrated by Jean De Bosschère. Also included are 12 full page colour plates plus 106 pen and ink illustrations. To make the volume even more sumptuous, each story has an individually illustrated drop capital. Some of the stories in this superb volume are: Ups And Downs The Three Monkeys How The Goldfinch Got His Colours The Cock And The Fox Sponsken And The Giant The Choristers Of St. Gudule The Magic Cap Sugar-Candy House Poor Peter The Peasant And His Ass The Reward Of The World and many more. So we invite you to download this volume, settle back with a steaming hot toddy, and be prepared to be entertained by this most enjoyable volume from yesteryear. 10% of the net profit will be donated to charities. REVIEWS from 1918: “This handsome and well-illustrated book is one of the most attractive we have seen this season. It gives us renderings of the popular fables and legends current in Flanders and Brabant which have a colour and quaintness of their own, yet combines adventures with an unobtrusive and so more effective moral.”—Saturday Review. “There are delightful stories; even more attractive than the letterpress are M. de Bosschère’s illustrations. Conceived with inexhaustible fancy, full of quaint detail, and set down with a fascinating naïveté they embody the characters and scenes of the tales with a fullness of particularism that should provide endless entertainment to youthful readers. They are the best and most complete series of designs yet produced by the artist.”—Connoisseur. “The illustrations by Jean de Bosschère are of a droll fancy. The artist has a notable power of the grotesque, and both in colour and black and white he uses it.”—Daily Telegraph.
Author: Elizabeth Emery
Publisher: McFarland
ISBN: 9780786417698
Category : History
Languages : en
Pages : 262
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Book Description
Legends, tales, and mysteries featuring saints captivated the French at the end of the nineteenth century. As Jean Lorrain pointed out in an 1891 article for the popular weekly Le Courrier Francais, the seemingly simple language of the saints' lives, their noble battles between good and evil and the atmosphere of religious mysticism appealed to many, especially those involved in the visual and performing arts. Ironically The Third Republic (1870-1940), a regime that claimed to reinforce and institute the secular ideas of the French Revolution, was witness to this great popular interest in the saints and religious imagery. The eight essays in this work explore the popularity of the saints from the 1850s to the 1920s. The essays evaluate the role they played in literature, art, music, science, history and politics, examine portrayals of the saints' lives in both low and high culture (from children's literature, shadow plays and the popular press to literature, opera and theological studies), and reveal the prevalence of the saints in fin-de-siecle France.
Author: Dermot Power
Publisher: HarperCollins
ISBN: 0062684787
Category : Performing Arts
Languages : en
Pages : 530
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Book Description
Step inside the world of the talented art departments who, led by Academy Award®-winning production designer Stuart Craig, were responsible for the creation of the unforgettable characters, locations and beasts from the eagerly anticipated new adventure in J.K. Rowling’s Wizarding World. The Art of Fantastic Beasts and Where to Find Them, edited by Dermot Power, concept artist on the film, takes you on a magical journey through a design process every bit as wonderful as that encountered by Newt Scamander in the wizarding world: from the earliest gatherings of the artists, designers and filmmakers to the magical time of the film’s production itself at Leavesden Studios. Bursting with hundreds of production paintings, concept sketches, storyboards, blueprints and matte paintings, and filled with unique insights about the filmmaking journey from Stuart Craig and the artists themselves, this superb book – officially licensed by Warner Bros. Consumer Products – presents a visual feast for readers, and will welcome fans of Harry Potter films into the world of Fantastic Beasts and Where to Find Them.
Author: Joseph Andriano
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Imaginary beasts have figured prominently in literary works ever since the ancient world, when these myths were first formulated. But the nineteenth century witnessed the rise of science, the discovery of geological findings that challenged the biblical myth of creation, and the birth of Darwin's theory of evolution. Since then, monsters have evolved from supernatural creatures to natural ones endowed with exceptional size, strength, or intelligence. This book explores both literary and cinematic texts that are especially explicit in their Darwinian portrayal of monstrous beasts, though these creatures retain an archaic mythological quality. The myth of Leviathan and Behemoth, for instance, is as central to Jaws as it is to Moby-Dick; indeed, Jaws inherits the myth directly from Moby-Dick, as does King Kong. These and other monster tales, such as The Creature from the Black Lagoon and Grendel, keep the ancient myth alive and relevant by recasting it in the context of biological and cultural evolution. There is a pattern of alternating bestialization and anthropomorphism in many monster tales, suggesting that these images are being displayed in repeated attempts to define who we are in relation to animals. Thus the more beastly the monster, the more insistently we erect the old paradigm of the Ladder of Being, placing ourselves on a higher and separate rung; but the more human-like the creature, the more readily we shift to the paradigm of the Tree of Life, in which all creatures are more closely related. Since the matter of distinctions between species also involves questions of race, the monster myth is often conscripted to serve racist agendas. But more often than not, the myth has an anti-racist subtext that undercuts the hierarchy. The closing chapters of the volume consider the notion of artificial evolution in works such as The Island of Dr. Moreau, and human-machine interaction in Gravity's Rainbow. As fables of identity, monster tales dramatize our anxieties and fears about our own animal nature and provide a means of coming to terms with our evolution.
Author: Emil Hannover
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 310
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Book Description
Author: Emil Hannover
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 310
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Book Description
