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Author: Kenneth R. Morefield
Publisher: Cambridge Scholars Publishing
ISBN: 1443874981
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
Faith and Spirituality in Masters of World Cinema, Volume III continues the work presented in the first two volumes of this title, published by Cambridge Scholars Publishing in 2008 and 2011. It provides informed yet accessible articles that will provide readers with an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume III contains essays dealing with canonical directors notably absent from the first two entries of the series, such as De Sica and Hitchcock, while also including examinations of contemporary auteurs who are still actively working, like Asghar Farhadi and Apichatpong Weerasethakul. While retaining an international emphasis similar to the first two volumes, it also includes a focused look at a few American auteurs not yet considered in the series. Volume III also acts as an important contribution to canon formation, illustrating the complexity and variety in the films of those who are truly the masters of world cinema. Built solidly around close, formal readings of selective films, the essays in Volume III also demonstrate familiarity with film history and bring insight from varied disciplines. Framed by the question “What makes movies material?”, Volume III continues the series’ endeavour to have faith and spirituality provide a context for considering what makes cinema significant.
Author: Kenneth R. Morefield
Publisher: Cambridge Scholars Publishing
ISBN: 1443874981
Category : Performing Arts
Languages : en
Pages : 190
Get Book
Book Description
Faith and Spirituality in Masters of World Cinema, Volume III continues the work presented in the first two volumes of this title, published by Cambridge Scholars Publishing in 2008 and 2011. It provides informed yet accessible articles that will provide readers with an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume III contains essays dealing with canonical directors notably absent from the first two entries of the series, such as De Sica and Hitchcock, while also including examinations of contemporary auteurs who are still actively working, like Asghar Farhadi and Apichatpong Weerasethakul. While retaining an international emphasis similar to the first two volumes, it also includes a focused look at a few American auteurs not yet considered in the series. Volume III also acts as an important contribution to canon formation, illustrating the complexity and variety in the films of those who are truly the masters of world cinema. Built solidly around close, formal readings of selective films, the essays in Volume III also demonstrate familiarity with film history and bring insight from varied disciplines. Framed by the question “What makes movies material?”, Volume III continues the series’ endeavour to have faith and spirituality provide a context for considering what makes cinema significant.
Author: Kenneth Robert Morefield
Publisher: Cambridge Scholars Pub
ISBN: 9781443871167
Category : Performing Arts
Languages : en
Pages : 190
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Book Description
Faith and Spirituality in Masters of World Cinema is an introduction to spiritual aspects in the works of some of the greatest filmmakers in the world, like Bergman, Dreyer and Tarkovsky, Avant Garde director Pedro Costa and Hollywood's golden boy Guillermo del Toro. It covers directors from around the world and shows diverse manifestations of spirituality in film; everything from how camera movements can imply spirituality to specific religions, like Islam and Christianity. 'Faith and Spirituality in Masters of World Cinema is a welcome addition to a growing library on religion and film' - Thorkell Ottarson
Author: Kenneth R. Morefield
Publisher: Cambridge Scholars Publishing
ISBN: 1443832790
Category : History
Languages : en
Pages : 250
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Book Description
Faith and Spirituality in Masters of World Cinema, Volume II continues the work presented in the first volume of this title, published by Cambridge Scholars Publishing in 2008. It provides informed yet accessible articles that will give readers an introduction to masters of world cinema whose works explore the themes of human spirituality and religious faith. Volume II contains essays dealing with canonical directors notably absent from the first entry of the series (such as Godard and Kurosawa) while also including examinations of contemporary auteurs who are still actively working (for example, Andersson, and von Trier). While retaining a truly international emphasis—it includes essays about directors from the United States, Canada, Iran, Sweden, India, Denmark, Italy, Mexico, Australia, and Japan—Volume II also acts as an important contribution to canon formation, illustrating the complexity and variety in the films of those who are truly the masters of world cinema. Built solidly around close, formal readings of selective films, the essays in Volume II also demonstrate familiarity with film history and bring insight from such varied disciplines as New Testament Studies, Clinical Psychology, Art History, and Medieval History. It also seeks to broaden the understanding of ‘faith’ and ‘spirituality,’ examining how the meaning of such terms changes as the cultures that produce the art that defines them continues to evolve.
Author: Kenneth R. Morefield
Publisher: Cambridge Scholars Publishing
ISBN: 1527550850
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
What makes a film ‘spiritually significant’? These twelve essays explore the religious, political, social, and psychological importance of films on the Arts & Faith Top 100 list of spiritually significant films. The anthology features close readings and analyses of films by Dreyer, Antonioni, Pasolini, Kubrick, Scorsese, Schrader, Miyazaki, and others. It provides both important contributions to the understanding of canonical directors and a foundational introduction for those seeking to understand film as one expression of human spirituality.
Author: Laszlo Zsolnai
Publisher: Routledge
ISBN: 1315445468
Category : Psychology
Languages : en
Pages : 734
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Book Description
Increasingly, it is being recognized that spirituality, defined here as "a multiform search for a transcendent meaning of life that connects them to all living beings and brings them in touch with God or ‘Ultimate Reality,’" is an aspect of almost every sphere and aspect of social life. It appears in humanity’s dealings with nature, home and community, healing, economics and business, knowledge, and education. The Routledge International Handbook of Spirituality in Society and the Professions is a stimulating collection that summarizes the most important issues, frameworks, discussions, and problems relating to spiritually inspired activities in different fields of social life. The contributors explore how spirituality is a part of existence and present approaches and models for professionals working in diverse areas. Presented in seven parts, the book provides a full overview of current research and practice. Part II, "Facets of spirituality," explores topics including philosophy, psychology, theology, and culture. Part III, "Nature," looks at ecology, agriculture, cities, and tourism. Part IV, "Home and community," presents chapters on various life stages, disability, gender, and culture. Part V, "Healing," examines medicine, mental and physical health, and ill-health. In Part VI, "Economy, politics, and law," contributors discuss business, leadership and the workplace, peace, and policing. Part VII, "Knowledge and education," includes chapters on science, design, fashion, literature, and the arts. In the final part, "Way forward," the editors look to the future with a chapter on inter-spirituality and the renewal of social practices. Driven by contemporary research and new developments, this Handbook is an innovative and interdisciplinary collection that provides an essential overview of contemporary spirituality and society from an international selection of contributors. The Routledge International Handbook of Spirituality in Society and the Professions offers accessible, diverse, and engaging international research, and its scope will appeal to academics and students of a wide range of subjects, including aging and addiction, psychology, theology, religious studies, sociology, business studies, and philosophy. It will also be an important work for professionals in medical and social services, the clergy, education, business, the arts, religious communities, and politics, and members of organizations looking at the links between spirituality, religion, and society.
Author: Robert K. Johnston
Publisher: Baker Academic
ISBN: 0801031877
Category : Performing Arts
Languages : en
Pages : 352
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Book Description
A comprehensive study of theology and film that explores how the Christian faith is portrayed in film throughout history.
Author: Joel Mayward
Publisher: Taylor & Francis
ISBN: 1000686833
Category : Religion
Languages : en
Pages : 253
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Book Description
The Dardenne Brothers’ Cinematic Parables examines the work of Belgian filmmakers Jean-Pierre and Luc Dardenne, who have been celebrated for their powerfully affecting social realist films. Though the Dardenne brothers’ films rarely mention religion or God, they have received wide recognition for their moral complexity and spiritual resonance. This book brings the Dardennes’ filmography into consideration with theological aesthetics, Christian ethics, phenomenological film theory, and continental philosophy. The author explores the brothers’ nine major films—beginning with The Promise (1996) and culminating in Young Ahmed (2019)—through the hermeneutics of philosopher Paul Ricoeur. By using Ricoeur’s description of "parable" as a "narrative-metaphor" which generates an existential limit-experience, Joel Mayward crafts an innovative Ricoeurian hermeneutic for making theological interpretations of cinema. Drawing upon resources from three disciplinary spheres—theology, philosophy, and film studies—in a dynamic interweaving approach, Mayward proposes that the Dardennes create postsecular cinematic parables which evoke theological and ethical responses in audiences’ imaginations through the brothers’ distinctive filmmaking style, what is termed "transcendent realism." The book ultimately demonstrates how the Dardenne brothers are truly doing, not merely depicting, theology and ethics through the cinematic form—it presents film as theology, what Mayward refers to as "theocinematics." This is valuable reading for scholars of theology, philosophy, and film studies, as well as film critics and cinephiles interested in the cinema of the Dardenne brothers.
Author: Zachary Thomas Settle
Publisher: Wipf and Stock Publishers
ISBN: 1498223095
Category : Religion
Languages : en
Pages : 222
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Book Description
Films are modern spiritual phenomena. They function as such in at least three profound ways: world projection, thought experiments, and catharsis (i.e., as dreams, doubt, and dread). Understanding film in this way allows for a theological account of the experience that speaks to the religious possibilities of film that far extend the portrayal of religious themes or content. Dreams, Doubt, and Dread: The Spiritual in Film aims to address films as spiritual experiences. This collection of short essays and dialogues examines films phenomenologically--through the experience of the viewer as an agent having been acted upon in the functioning of the film itself. Authors were invited to take one of the main themes and creatively consider how film, in their experiences, has provided opportunities for new modes of thinking. Contributors will then engaged one another in a dialogue about the similarities and differences in their descriptions of film as spiritual phenomena. The intended aim of this text is to shift contemporary theological film engagement away from a simple mode of analysis in which theological concepts are simply read into the film itself and begin to let films speak for themselves as profoundly spiritual experiences.
Author: Lamberti Edward Lamberti
Publisher: Edinburgh University Press
ISBN: 1474444032
Category : Motion pictures
Languages : en
Pages : 302
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Book Description
Emmanuel Levinas's ethical philosophy has had a significant influence on film theory in recent years. Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of the Dardenne Brothers, Barbet Schroeder and Paul Schrader. Discussing a range of films - including the Dardennes' Le Fils and The Kid with a Bike, Schroeder's Matresse and Reversal of Fortune and Schrader's American Gigolo and The Comfort of Strangers - Edward Lamberti demonstrates how film styles can perform a Levinasian ethics.
Author: Joshua Sikora
Publisher: Rowman & Littlefield
ISBN: 1793608636
Category : Social Science
Languages : en
Pages : 290
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Book Description
From the dust of the Montana plains to the farthest reaches of the cosmos, Terrence Malick’s films have enchanted audiences with transcendent images of nature, humanity, and grace for nearly fifty years. The contributors in this volume explore the profound implications of Malick’s stories, images, processes, and convictions as they offer comprehensive studies of the ten completed films of Terrence Malick. Each chapter takes a reflective and retrospective approach, considering new interpretations and frameworks for understanding Malick's unique creative choices. Drawing from a range of diverse academic disciplines, the collection analyzes the groundbreaking qualities of his cinematic style and the philosophical underpinnings that permeate his work. Rigorously researched and unique, the arguments presented within this volume shed new light on Malick and the cinematic medium.
