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Author: Abigail Heiniger
Publisher: Taylor & Francis
ISBN: 1000915336
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
This collection opens with marginalized responses to the highly politicized Cinderella traditions in the Anglophone world. In the United States, Cinderella was incorporated into the gendered narrative of the American Dream and narratives of empire in the colonial world, particularly in the mid-1800s. Marginalized writers have responded to these nationalistic colonial traditions in two distinctive ways: clever Cinderellas who negotiate a broken system or passive Cinderellas who die as anti-heroes in disenchanting fairy tales. This dual tradition of marginalized Cinderellas is also apparent across the Anglophone world. Potential texts include the out-of-print works of Sinèad de Valera, excerpts from the novels of Hannah Crafts, Jessie Fauset, and Julia Kavanagh, along with dramas by Ann Devlin, and collected oral tales.
Author: Abigail Heiniger
Publisher: Taylor & Francis
ISBN: 1000915336
Category : Literary Criticism
Languages : en
Pages : 357
Get Book
Book Description
This collection opens with marginalized responses to the highly politicized Cinderella traditions in the Anglophone world. In the United States, Cinderella was incorporated into the gendered narrative of the American Dream and narratives of empire in the colonial world, particularly in the mid-1800s. Marginalized writers have responded to these nationalistic colonial traditions in two distinctive ways: clever Cinderellas who negotiate a broken system or passive Cinderellas who die as anti-heroes in disenchanting fairy tales. This dual tradition of marginalized Cinderellas is also apparent across the Anglophone world. Potential texts include the out-of-print works of Sinèad de Valera, excerpts from the novels of Hannah Crafts, Jessie Fauset, and Julia Kavanagh, along with dramas by Ann Devlin, and collected oral tales.
Author: Abigail Heiniger
Publisher: Taylor & Francis
ISBN: 1000915344
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Volume two explores the way a wide range of classic princess tales written by marginalized writers. Rapunzel and Snow White, with their pale skin or long ropes of golden hair, are particularly popular vehicles for exploring and challenging racialized constructions of beauty. Marriage is the traditional vehicle of a happy ending in Princess tales, so marginalized responses to these tales also inherently respond to the doubly colonized position of women in the Anglophone world. The institution of marriage typically exposes the institutional oppression of colonized women. Authors include Charles Chesnutt, Jessie Fauset, Julia Kavanaugh, George Edwards, some of the unpublished manuscripts of Jewish-Australian author Joseph Jacobs, and the earliest work of Sinèad de Valera, as well as fin-de-siècle illustrators such as Harry Clarke, and collected oral tales.
Author: Abigail Heiniger
Publisher: Routledge
ISBN: 9780367472672
Category :
Languages : en
Pages : 0
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Book Description
This two-volume collection includes fairy tales produced by African American, Caribbean, Irish, and other marginalized authors in the Anglophone world. These tales are a part of the expanding cartographies of the fairy-tale world during the long nineteenth-century. While new collections devoted to emerging minority writers include some new and exciting fairy tales, this collection is particularly interested in demonstrating the historic nature of this tradition. Minority writers have been creating fairy tales alongside mainstream authors since the golden age of the fairy tales. Many of these stories have been overlooked because they are embedded in a range of literary genres, including novels, dramas, poems and lyrics. This collection mines these fairy tales and makes out-of-print or otherwise relatively inaccessible marginalized fairy tales available to a new generation of scholars. Fairy Tales from the Margins is essential to moving fairy-tale studies beyond its current boundaries, which also limit the field's current theories and ideologies. While some written collections are beginning to include fairy tales by historically marginalized writers, there are no collections dedicated to the fairy tales produced by marginalized writers or people of color, particularly during the nineteenth century. And there are no online collections of these distinctive fairy tales. This collection breaks new ground in the field of fairy-tale studies and will allow scholars and researchers to engage with issues that are becoming urgent in an era of rising racial tensions. This study expands upon the long-standing connections between Scottish, Welsh, Irish, African American, and Caribbean revival movements, demonstrating the ways fairy tales are incorporated into earlier forms of ethnic protest literature. This collection is divided by tale types, to demonstrate the wide range of responses to a single tale or group of fairy tales. These divisions rely loosely on the traditional Aarne-Thompson-Uther classification system. Although these tales are primarily written by own-voice authors, a few out-of-print collections of recorded oral tales are also included to demonstrate the longevity of these tales outside mainstream traditions where print traditions are not available.
Author: Abigail Heiniger
Publisher:
ISBN: 9781003034612
Category : LITERARY CRITICISM
Languages : en
Pages : 0
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Book Description
This collection opens with marginalized responses to the highly politicized Cinderella traditions in the Anglophone world. In the United States, Cinderella was incorporated into the gendered narrative of the American Dream and narratives of empire in the colonial world, particularly in the mid-1800s. Marginalized writers have responded to these nationalistic colonial traditions in two distinctive ways: clever Cinderellas who negotiate a broken system or passive Cinderellas who die as anti-heroes in disenchanting fairy tales. This dual tradition of marginalized Cinderellas is also apparent across the Anglophone world. Potential texts include the out-of-print works of Sinad de Valera, excerpts from the novels of Hannah Crafts, Jessie Fauset, and Julia Kavanagh, along with dramas by Ann Devlin, and collected oral tales.
Author: Abigail Heiniger
Publisher: Routledge
ISBN: 9780367472771
Category :
Languages : en
Pages : 0
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Book Description
Volume two explores the way a wide range of classic princess tales written by marginalized writers. Marriage is the traditional vehicle of a happy ending in Princess tales, so marginalized responses to these tales also inherently respond to the doubly colonized position of women in the Anglophone world.
Author: Abigail Heiniger
Publisher: Routledge
ISBN: 9780367472696
Category :
Languages : en
Pages : 0
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Book Description
This collection opens with marginalized responses to the highly politicized Cinderella traditions in the Anglophone world. Texts include the out-of-print works of Sinèad de Valera, excerpts from the novels of Hannah Crafts, Jessie Fauset, and Julia Kavanagh, along with dramas by Ann Devlin, and collected oral tales.
Author: Naomi J. Wood
Publisher: Bloomsbury Publishing
ISBN: 1350287555
Category : History
Languages : en
Pages : 249
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Book Description
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? This volume explores the period when the European fairy tales conquered the world and shaped the global imagination in its own image. Examining how collectors, children's writers, poets, and artists seized the form to challenge convention and normative ideas, this book explores the fantastic imagination that belies the nineteenth century's materialist and pedestrian reputation. Looking at writers including E.T.A Hoffman, the Brothers Grim, S.T. Coleridge, Walter Scott, Oscar Wilde, Christina Rosetti, George MacDonald, and E. Nesbit, the volume shows how fairy tales touched every aspect of nineteenth century life and thought. It provides new insights into themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. With contributions from international scholars across disciplines, this volume is an essential resource for researchers, scholars and students of literature, history, and cultural studies. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
Author: Naomi J. Wood
Publisher:
ISBN: 1350095362
Category : Fairy tales
Languages : en
Pages : 0
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Book Description
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies?This volume explores the period when the European fairy tales conquered the world and shaped the global imagination in its own image. Examining how collectors, children's writers, poets, and artists seized the form to challenge convention and normative ideas, this book explores the fantastic imagination that belies the nineteenth century's materialist and pedestrian reputation. Looking at writers including E.T.A Hoffman, the Brothers Grim, S.T. Coleridge, Walter Scott, Oscar Wilde, Christina Rosetti, George MacDonald, and E. Nesbit, the volume shows how fairy tales touched every aspect of nineteenth century life and thought. It provides new insights into themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. With contributions from international scholars across disciplines, this volume is an essential resource for researchers, scholars and students of literature, history, and cultural studies.A Cultural History of Fairy Tales (6-volume set)A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
Author: Jan M. Ziolkowski
Publisher: University of Michigan Press
ISBN: 0472025228
Category : Literary Collections
Languages : en
Pages : 514
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Book Description
When did fairy tales begin? What qualifies as a fairy tale? Is a true fairy tale oral or literary? Or is a fairy tale determined not by style but by content? To answer these and other questions, Jan M. Ziolkowski not only provides a comprehensive overview of the theoretical debates about fairy tale origins but includes an extensive discussion of the relationship of the fairy tale to both the written and oral sources. Ziolkowski offers interpretations of a sampling of the tales in order to sketch the complex connections that existed in the Middle Ages between oral folktales and their written equivalents, the variety of uses to which the writers applied the stories, and the diverse relationships between the medieval texts and the expressions of the same tales in the "classic" fairy tale collections of the nineteenth century. In so doing, Ziolkowski explores stories that survive in both versions associated with, on the one hand, such standards of the nineteenth-century fairy tale as the Brothers Grimm, Hans Christian Andersen, and Carlo Collodi and, on the other, medieval Latin, demonstrating that the literary fairy tale owes a great debt to the Latin literature of the medieval period. Jan M. Ziolkowski is the Arthur Kingsley Porter Professor of Medieval Latin at Harvard University.
Author: Jennifer Schacker
Publisher: University of Pennsylvania Press
ISBN: 0812204166
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
Fairy tales and folktales have long been mainstays of children's literature, celebrated as imaginatively liberating, psychologically therapeutic, and mirrors of foreign culture. Focusing on the fairy tale in nineteenth-century England, where many collections found their largest readership, National Dreams examines influential but critically neglected early experiments in the presentation of international tale traditions to English readers. Jennifer Schacker looks at such wondrous story collections as Grimms' fairy tales and The Arabian Nights in order to trace the larger stories of cross-cultural encounter in which these books were originally embedded. Examining aspects of publishing history alongside her critical readings of tale collections' introductions, annotations, story texts, and illustrations, Schacker's National Dreams reveals the surprising ways fairy tales shaped and were shaped by their readers. Schacker shows how the folklore of foreign lands became popular reading material for a broad English audience, historicizing assumed connections between traditional narrative and children's reading. The tales imported and presented by such British writers as Edgar Taylor, T. Crofton Croker, Edward Lane, and George Webbe Dasent were intended to stimulate readers' imaginations in more ways than one. Fairy-tale collections provided flights of fancy but also opportunities for reflection on the modern self, on the transformation of popular culture, and on the nature of "Englishness." Schacker demonstrates that such critical reflections were not incidental to the popularity of foreign tales but central to their magical hold on the English imagination. Offering a theoretically sophisticated perspective on the origins of current assumptions about the significance of fairy tales, National Dreams provides a rare look at the nature and emergence of one of the most powerful and enduring genres in English literature.
