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Author: William A. Johnston
Publisher: Forgotten Books
ISBN: 9780484222204
Category : Business & Economics
Languages : en
Pages : 668
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Book Description
Excerpt from Exhibitors' Times, Vol. 1: The Motion Picture Newspaper; May 17, 1913 In future issues of The Exhibitors' Times we shall deal in detail with some of the suggestions in this book, which are possibly open to friendly criticism and amend ment. Meanwhile, we think individual Exhibitors might profitably get a copy of the book and read it. Ten cents is the charge for it. The. Value of the advice-is considerably more than that. Inferentially the book tells the Exhibitor how best to conduct his theatre. That is what the book amounts to if it is read by the light of intelligence and judgment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: William A. Johnston
Publisher: Forgotten Books
ISBN: 9780484222204
Category : Business & Economics
Languages : en
Pages : 668
Get Book
Book Description
Excerpt from Exhibitors' Times, Vol. 1: The Motion Picture Newspaper; May 17, 1913 In future issues of The Exhibitors' Times we shall deal in detail with some of the suggestions in this book, which are possibly open to friendly criticism and amend ment. Meanwhile, we think individual Exhibitors might profitably get a copy of the book and read it. Ten cents is the charge for it. The. Value of the advice-is considerably more than that. Inferentially the book tells the Exhibitor how best to conduct his theatre. That is what the book amounts to if it is read by the light of intelligence and judgment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author:
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ISBN:
Category : Motion pictures
Languages : en
Pages : 634
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Book Description
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ISBN: 9780787670160
Category : Small business
Languages : en
Pages : 2170
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Category : Bibliography
Languages : en
Pages : 452
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Category : Bibliography
Languages : en
Pages : 264
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Category : Bibliography
Languages : en
Pages : 478
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Author: Tino Balio
Publisher: Univ of Wisconsin Press
ISBN: 9780299230036
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
United Artists was a unique motion picture company in the history of Hollywood. Founded by Charlie Chaplin, Mary Pickford, Douglas Fairbanks, and director D.W. Griffith—four of the greatest names of the silent era—United Artists functioned as a distribution company for independent producers. In this lively and detailed history of United Artists from 1919 through 1951, film scholar Tino Balio chronicles the company’s struggle for survival, its rise to prominence as the Tiffany of the industry, and its near extinction in the 1940s. This edition is updated with a new introduction by Balio that places in relief UA’s operations for those readers who may be unfamiliar with film industry practices and adds new perspective to the company’s place within Hollywood.
Author: Sarah Street
Publisher: Bloomsbury Publishing
ISBN: 147429068X
Category : Performing Arts
Languages : en
Pages : 304
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Book Description
Transatlantic Crossings is a major study of the distribution and exhibition of British films in the USA. Charting the cross-cultural reception of many British films, Sarah Street draws on a wide range of sources including studio records, film posters, press books and statistics. While the power of Hollywood made it difficult for films that crossed the Atlantic, Street's research demonstrates that some strategies were more successful than others. She considers which British films made an impact and analyzes conditions that facilitated a positive reception from critics, censors, exhibitors and audiences. Case studies include Nell Gwyn (1926), The Private Life of Henry VIII (1933), The Ghost Goes West (1935), Henry V (1946), Black Narcissus (1947), The Red Shoes (1948), Ealing comedies, The Horror of Dracula (1958), Tom Jones (1963), A Hard Day's Night (1964), Goldfinger (1964), The Remains of the Day (1993), Four Weddings and a Funeral (1994) and Trainspotting (1996). Against a background of the economic history of the British and Hollywood film industries, Transatlantic Crossings considers the many fascinating questions surrounding the history of British films in the USA, their relevance to wider issues of Anglo-American relations and to notions of "Britishness" on screen.
Author: Anthony Slide
Publisher: Scarecrow Press
ISBN: 9780810827226
Category : Drama
Languages : en
Pages : 316
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Book Description
Provides a concise history of the American motion picture industry before 1920.
Author: Oeter Morris
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773560726
Category : Performing Arts
Languages : en
Pages : 361
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Book Description
Other Canadian film producers concentrated their efforts on short productions, mostly in government or commercial companies such as Associated Screen News of Montreal. The works of Gordon Spalding, Bill Oliver, and Albert Tessier are discussed in this context. Morris concludes with the founding of the National Film Board which, under the dynamic guidance of John Grierson, was to breathe new life into a moribund industry. In a postscript Morris explores some of the reasons for the unique development of Canadian film making -- particularly its use of natural settings and documentary when virtually the rest of the world's industry was following the Hollywood pattern of studio location and fictional plots -- and examines the relationship of the early industry to later developments in Canadian film making. At a time when Canada's cultural industries are struggling to survive in the wake of the Free Trade Agreement with the United States and under the threat of Free Trade with Mexico, Embattled Shadows makes essential reading.
