Eugene O’Neill’s One-Act Plays PDF Download
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Author: M. Bennett
Publisher: Springer
ISBN: 1137043938
Category : Social Science
Languages : en
Pages : 208
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Book Description
Eugene O'Neill, Nobel Laureate in Literature and Pulitzer Prize winner, is widely known for his full length plays. However, his one-act plays are the foundation of his work - both thematically and stylistically, they telescope his later plays. This collection aims to fill the gap by examining these texts, during what can be considered O'Neill's formative writing years, and the foundational period of American drama. A wide-ranging investigation into O'Neill's one-acts, the contributors shed light on a less-explored part of his career and assist scholars in understanding O'Neill's entire oeuvre.
Author: M. Bennett
Publisher: Springer
ISBN: 1137043938
Category : Social Science
Languages : en
Pages : 208
Get Book
Book Description
Eugene O'Neill, Nobel Laureate in Literature and Pulitzer Prize winner, is widely known for his full length plays. However, his one-act plays are the foundation of his work - both thematically and stylistically, they telescope his later plays. This collection aims to fill the gap by examining these texts, during what can be considered O'Neill's formative writing years, and the foundational period of American drama. A wide-ranging investigation into O'Neill's one-acts, the contributors shed light on a less-explored part of his career and assist scholars in understanding O'Neill's entire oeuvre.
Author: Eugene O'Neill
Publisher: Createspace Independent Publishing Platform
ISBN: 9781494809935
Category : Performing Arts
Languages : en
Pages : 38
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Book Description
This one act play is made available to all. It may be used freely to perform in any environment. No Royalties owed. You do not have to buy multiple copies to perform, copy this book. You may change lines and scenes. Please give credit to the original author as inspiration of the work.The elder Dumas, who wrote many successful plays, as well as the famous romances, said that all he needed for constructing a drama was "four boards, two actors, and a passion." What he meant by passion has been defined by a later French writer, Ferdinand Brunetière, as a conflict of wills. When two strong desires conflict and we wonder which is coming out ahead, we say that the situation is dramatic. This clash is clearly defined in any effective play, from the crude melodrama in which the forces are hero and villain with pistols, to such subtle conflicts, based on a man's misunderstanding of even his own motives and purposes.In comedy, and even in farce, struggle is clearly present. Here our sympathy is with people who engage in a not impossible combat—against rather obvious villains who can be unmasked, or against such public opinion or popular conventions as can be overset. The hold of an absurd bit of gossip upon stupid people is firm enough in "Spreading the News"; but fortunately it must yield to facts at last. The Queen and the Knave of Hearts are sufficiently clever, with the aid of the superb cookery of the Knave's wife, to do away with an ancient and solemnly reverenced law of Pompdebile's court.Again, in comedies as in mathematics, the problem is often solved by substitution. The soldier in Mr. Galsworthy's "The Sun" is able to find a satisfactory and apparently happy ending without achieving what he originally set out to gain. Or the play which does not end as the chief character wishes may still prove not too serious because, as in "Fame and the Poet," the situation is merely inconvenient and absurd rather than tragic. Now and then it is next to impossible to tell whether the ending is tragic or not. It is natural for us to desire a happy ending in stories, as we desire satisfying solutions of the problems in our own lives. And whenever the forces at work are such as make it true and possible, naturally this is the best ending for a story or a play. Where powerful and terrible influences have to be combated, only a poor dramatist will make use of mere chance, or compel his characters to do what such people really would not do, to bring about a factitious "happy ending." One of the best ways to understand these as real stage plays is through some sort of dramatization. This does not mean, however, that they need be produced with elaborate scenery and costumes, memorizing, and rehearsal; often the best understanding may be secured by quite informal reading in the class, with perhaps a hat and cloak and a lath sword or two for properties. With simply a clear space in the classroom for a stage, you and your imaginations can give all the performance necessary for realizing these plays very well indeed. Of course, you must clearly understand the lines and the play as a whole before you try to take a part, so that you can read simply and naturally, as you think the people in the story probably spoke. Some questions for discussion in the appendix may help you in talking the plays over in class or in reading them for yourself before you try to take a part. You will find it sometimes helps, also, to make a diagram or a colored sketch of the scene as the author describes it, or even a small model of the stage for a "dramatic museum" for your school. If you have not tried this, you do not know how much it helps in seeing plays of other times, like Shakespeare's or Molière's; and it is useful also for modern dramas. Such small stages can be used for puppet theatres as well. "The Knave of Hearts" is intended as a marionette play, and other dramas—Maeterlinck's and even Shakespeare's—have been given in this way with very interesting effects.
Author: Eugene O'Neill
Publisher: Dramatists Play Service Inc
ISBN: 9780822205432
Category : Drama
Languages : en
Pages : 36
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Book Description
THE STORY: Originally produced on Broadway, revived to sellout houses in 1996 starring Al Pacino, HUGHIE was one of O'Neill's last works. It was originally intended as part of a series of short plays, but it became the lone survivor when O'Neill de
Author: Eugene O'Neill
Publisher:
ISBN:
Category : One-act plays
Languages : en
Pages : 182
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Book Description
For contents, see Author Catalog.
Author: Eugene O'Neill
Publisher: Yale University Press
ISBN: 0300181310
Category : Drama
Languages : en
Pages : 114
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Book Description
Shortly after the debut of Exorcism in 1920, Eugene O'Neill suddenly canceled production and ordered all extant copies of the drama destroyed. For over ninety years, it was believed that the play was irrevocably lost, until it was recently discovered that O'Neill's second wife had in fact retained a copy, which she later gave to the prolific screenwriter and producer Philip Yordan. In early 2011, Yordan's widow discovered the typescript of Exorcism—complete with edits in O'Neill's own hand—in her late husband's vast trove of papers. The discovery and publication of Exorcism, a relatively early play in the O'Neill corpus, furthers our knowledge of O'Neill's dramatic development and reveals a pivotal point in the career of this great American playwright. Revolving around a suicide attempt, Exorcism draws on a dark incident in O'Neill's own life. This defining event led to his first serious efforts to write. Exorcism displays early examples of O'Neill's unparalleled skills of capturing deeply personal human drama, and it explores major themes—mourning and melancholia, addiction and sobriety, tensions between fathers and sons—that would permeate his later work. According to Yale University's Beinecke Rare Book and Manuscript Library curator Louise Bernard, who acquired the play from a New York bookseller, “Exorcism might be read as a preparatory sketch that resonates powerfully with Long Day's Journey into Night, one that brings the O'Neill family drama full circle in ways at once intimate and grandly conceived.”
Author: Eugene O'Neill
Publisher: Broadway Play Publishing
ISBN: 9780881451818
Category : Drama
Languages : en
Pages : 183
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Book Description
This collection contains Eugene O'Neill's first three full-length plays: BEYOND THE HORIZON, THE EMPEROR JONES, and ANNA CHRISTIE. BEYOND THE HORIZON: Winner of the 1920 Pulitzer Prize for Drama "...an absorbing, significant, and memorable tragedy... ...a playwright of real power and imagination... ...the play has greatness in it and marks O'Neill as one of our foremost playwrights...." Alexander Woolcott, Times "Only once or twice in the course of the dramatic season does a playof such terrific force and such simple directness award the patient theatrical chroniclers..." Robert Gilbert Welsh, Evening Telegram "...this season's most notable play of a serious theme and purpose by an American author...." World THE EMPEROR JONES: "...for strength and originality [O'Neill] has no rivals among the American writers for the stage." Alexander Woolcott, Times "An odd and extraordinary play, written with imaginative genius..." Kenneth Macgowan, Globe "...the most interesting play which has yet come from the most promising playwright in America..." Heywood Broun, Tribune ANNA CHRISTIE: Winner of the 1922 Pulitzer Prize for Drama "...a rich and salty play that grips the attention with the rise of the first curtain and holds it fiercely to the end.... A play written with that abundant imagination, that fresh and venturesome mind and that sure instinct for the theatre which set this young author apart...." Alexander Woollcott, Times
Author: Travis Bogard
Publisher: Oxford University Press, USA
ISBN: 0195053419
Category : Dramatists, American
Languages : en
Pages : 530
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Book Description
This study attempts to trace Eugene O'Neill's theatrical contour from its origin to its end, by discussing each of his works in the approximate chronological order of composition. The book is thus a form of biography, although it pays no heed to those events of O'Neill's life that did not have direct bearing on his professional career. By virtue of O'Neill's central position in the drama of the modern world, this study also has become, within the limits its subject sets for it, a form of theatrical history. An appendix contains a complete factual record of important productions of O'Neill's plays. ISBN 0-19-504548-3 (pbk.): $12.95.
Author: Robert M. Dowling
Publisher: Yale University Press
ISBN: 0300210590
Category : Biography & Autobiography
Languages : en
Pages : 566
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Book Description
An “absorbing” biography of the playwright and Nobel laureate that “unflinchingly explores the darkness that dominated O’Neill’s life” (Publishers Weekly). This extraordinary biography fully captures the intimacies of Eugene O’Neill’s tumultuous life and the profound impact of his work on American drama, innovatively highlighting how the stories he told for the stage interweave with his actual life stories as well as the culture and history of his time. Much is new in this extensively researched book: connections between O’Neill’s plays and his political and philosophical worldview; insights into his Irish American upbringing and lifelong torment over losing faith in God; his vital role in African American cultural history; unpublished photographs, including a unique offstage picture of him with his lover Louise Bryant; new evidence of O’Neill’s desire to become a novelist and what this reveals about his unique dramatic voice; and a startling revelation about the release of Long Day’s Journey Into Night in defiance of his explicit instructions. This biography is also the first to discuss O’Neill’s lost play Exorcism (a single copy of which was only recently recovered), a dramatization of his own suicide attempt. Written with both a lively informality and a scholar’s strict accuracy, Eugene O’Neill: A Life in Four Acts is a biography worthy of America’s foremost playwright. “Fast-paced, highly readable . . . building to a devastating last act.” —Irish Times
Author: Eugene O'Neill
Publisher: Penguin Classics
ISBN: 9780141186702
Category : Drama
Languages : en
Pages : 395
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Book Description
This volume brings to readers a selection of Eugene O'Neill's early work, written between 1914 and 1921 and produced for the stage between 1916 and 1922. Included here are: seven one-act plays, The Moon of the Caribbees, Bound East for Cardiff, In the Zone, The Long Voyage Home, Ile, Where the Cross Is Made, and The Rope; and five full-length plays, Beyond the Horizon, The Straw, Anna Christie, and the classics The Emperor Jones and The Hairy Ape. The majority of the plays are heavily influenced by German expressionism-Freud, Nietzsche, Strindberg, and the radical leftist politics in which O'Neill was involved during his youth. Included in this unique collection is the little known and highly autobiographical play, The Straw, which draws on O'Neill's confinement in the Gaylord Farm Sanatorium.
Author: Eugene O'Neill
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1180
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Book Description
A wire for Live, the Web, thirst, recklessness, warnings, fog, bread and butter, Bound East for Cardiff, aAbortion, the movie man, servitude, the sniper, the personal eqauation, before breakfast, now I ask you, in the zone, ile, the long voyage home, the moon of the caribbees, the robe, beyond the horizon, shell shock, the dreamy kid, where the cross is made, the straw, Chris Christophersen, gold, anna Christie, and the Emperor Jones.
