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Author: Michael J. Hoffman
Publisher: Duke University Press
ISBN: 0822386593
Category : Literary Criticism
Languages : en
Pages : 521
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Book Description
What accounts for the power of stories to both entertain and illuminate? This question has long compelled the attention of storytellers and students of literature alike, and over the past several decades it has opened up broader dialogues about the nature of culture and interpretation. This third edition of the bestselling Essentials of the Theory of Fiction provides a comprehensive view of the theory of fiction from the nineteenth century through modernism and postmodernism to the present. It offers a sample of major theories of fictional technique while emphasizing recent developments in literary criticism. The essays cover a variety of topics, including voice, point of view, narration, sequencing, gender, and race. Ten new selections address issues such as oral memory in African American fiction, temporality, queer theory, magical realism, interactive narratives, and the effect of virtual technologies on literature. For students and generalists alike, Essentials of the Theory of Fiction is an invaluable resource for understanding how fiction works. Contributors. M. M. Bakhtin, John Barth, Roland Barthes, Wayne Booth, John Brenkman, Peter Brooks, Catherine Burgass, Seymour Chatman, J. Yellowlees Douglas, Rachel Blau DuPlessis, Wendy B. Faris, Barbara Foley, E. M. Forster, Joseph Frank, Joanne S. Frye, William H. Gass, Henry Louis Gates Jr., Gérard Genette, Ursula K. Heise, Michael J. Hoffman, Linda Hutcheon, Henry James, Susan S. Lanser, Helen Lock, Georg Lukács, Patrick D. Murphy, Ruth Ronen, Joseph Tabbi, Jon Thiem, Tzvetan Todorov, Virginia Woolf
Author: Michael J. Hoffman
Publisher: Duke University Press
ISBN: 0822386593
Category : Literary Criticism
Languages : en
Pages : 521
Get Book
Book Description
What accounts for the power of stories to both entertain and illuminate? This question has long compelled the attention of storytellers and students of literature alike, and over the past several decades it has opened up broader dialogues about the nature of culture and interpretation. This third edition of the bestselling Essentials of the Theory of Fiction provides a comprehensive view of the theory of fiction from the nineteenth century through modernism and postmodernism to the present. It offers a sample of major theories of fictional technique while emphasizing recent developments in literary criticism. The essays cover a variety of topics, including voice, point of view, narration, sequencing, gender, and race. Ten new selections address issues such as oral memory in African American fiction, temporality, queer theory, magical realism, interactive narratives, and the effect of virtual technologies on literature. For students and generalists alike, Essentials of the Theory of Fiction is an invaluable resource for understanding how fiction works. Contributors. M. M. Bakhtin, John Barth, Roland Barthes, Wayne Booth, John Brenkman, Peter Brooks, Catherine Burgass, Seymour Chatman, J. Yellowlees Douglas, Rachel Blau DuPlessis, Wendy B. Faris, Barbara Foley, E. M. Forster, Joseph Frank, Joanne S. Frye, William H. Gass, Henry Louis Gates Jr., Gérard Genette, Ursula K. Heise, Michael J. Hoffman, Linda Hutcheon, Henry James, Susan S. Lanser, Helen Lock, Georg Lukács, Patrick D. Murphy, Ruth Ronen, Joseph Tabbi, Jon Thiem, Tzvetan Todorov, Virginia Woolf
Author: Hans Bertens
Publisher: Routledge
ISBN: 1135052972
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
This third edition of Hans Bertens’ bestselling book is an essential guide to the often confusing and complicated world of literary theory. Exploring a broad range of topics from Marxist and feminist criticism to postmodernism and new historicism Literary Theory: The Basics covers contemporary topics including: reception theory and reader response theory the new criticism of postmodernism the ‘after theory’ debate post-humanism, biopolitics and animal studies aesthetics Literary Theory: The Basics helps readers to approach the many theories and debates in this field with confidence. Now with updated case studies and further reading this is an essential purchase for anyone who strives to understand literary theory today.
Author: David Carter
Publisher: Oldacastle Books
ISBN: 1842438131
Category : Literary Criticism
Languages : en
Pages : 112
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Book Description
Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. It sounds daunting: all those -isms, long technical words, weird French thinkers, and incomprehensible Germans. Most books providing introductions to "Literary Theory" are long-winded tomes, guiding dogged readers through the twists and turns of critical analysis and logic. This small volume goes to the heart of the key concepts of Literary Theory, explaining them in clear everyday language. It provides witty and memorable comments and quotations, and enables the student of literature to raise the most pertinent and challenging questions, which even university professors have difficulty answering.
Author: Ming Dong Gu
Publisher: SUNY Press
ISBN: 0791481484
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory that cannot be adequately accounted for by Western fiction theory grounded in mimesis and realism. Through an inquiry into the macrocosm of Chinese fiction, the art of formative works, and theoretical data in fiction commentaries and intellectual thought, Gu explores the conceptual and historical conditions of Chinese fiction in relation to European and world fiction. In the process, Gu critiques and challenges some accepted views of Chinese fiction and provides a theoretical basis for fresh approaches to fiction study in general and Chinese fiction in particular. Such masterpieces as the Jin Ping Mei (The Plum in the Golden Vase) and the Hongloumeng (The Story of the Stone) are discussed at length to advance his notion of fiction and fiction theory.
Author: Johannes Willem Bertens
Publisher: Psychology Press
ISBN: 9780415351126
Category : Criticism
Languages : en
Pages : 276
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Book Description
Providing the ideal first step in understanding the often bewildering world of literary theory, Literary Theory: The Basics is an easy to follow and clearly presented introduction to this fascinating area. Showing that theory can not only make sense, but also radically change the way in which we read, Literary Theory: The Basics: * leads readers through the major approached to literature that are signalled by the term â¬~literary theory' * places each critical movement in its historical (and often political) context * illustrates theory in practice with examples from well-known texts * suggests further reading for those especially interested in a particular critical approach. Covering all the basics and much more, this is the perfect book for anyone interested in how we read and why that matters.
Author: James Edwin Miller
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
Author: Henry James
Publisher: U of Nebraska Press
ISBN: 9780803257474
Category : Literary Criticism
Languages : en
Pages : 394
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Book Description
Comprised of more than 250 selections from Henry James's stories about writers, his critical and speculative essays, his Notebooks, Prefaces, and letters, this collection brings together for the first time, in a single, systematic volume, all the important passages in James's work which have implications for or ideas about his theory of fiction. The result is the most comprehensive, exhaustive, and innovative volume of fictional theory ever published; in many ways it is the consummation of James's contribution to letters. In a masterful introductory essay, James E. Miller Jr., presents James's theory of fiction in outline; he also contributes brief introductions to each of the seventeen chapters, summarizing the major points. Abundant guides direct the reader to subjects and sources.
Author: David R. Carter
Publisher:
ISBN: 9781280965494
Category : Criticism
Languages : en
Pages : 160
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Book Description
Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. It sounds daunting: all those -isms, long technical words, weird French thinkers, and incomprehensible Germans. Most books providing introductions to "Literary Theory" are long-winded tomes, guiding dogged readers through the twists and turns of critical analysis and logic. This small volume goes to the heart of the key concepts of Literary Theory, explaining them in clear everyday language. It provides witty and memorable comments and quotations, and enables the student of literature to raise the most pertinent and challenging questions, which even university professors have difficulty answering.
Author: Irene Rima Makaryk
Publisher: University of Toronto Press
ISBN: 9780802068606
Category : Literary Criticism
Languages : en
Pages : 676
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Book Description
The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and approaches to literature arose. The essays also discuss the uses and limitations of the various schools, and the key issues they address. Part II focuses on individual theorists. It provides a more detailed picture of the network of scholars not always easily pigeonholed into the categories of Part I. This second section analyses the individual achievements, as well as the influence, of specific scholars, and places them in a larger critical context. Part III deals with the vocabulary of literary theory. It identifies significant, complex terms, places them in context, and explains their origins and use. Accessibility is a key feature of the work. By avoiding jargon, providing mini-bibliographies, and cross-referencing throughout, Makaryk has provided an indispensable tool for literary theorists and historians and for all scholars and students of contemporary criticism and culture.
Author: A. Bell
Publisher: Springer
ISBN: 0230281281
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
Written in hypertext and read from a computer, hypertext novels exist as a collection of textual fragments, which must be pieced together by the reader. The Possible Worlds of Hypertext Fiction offers a new critical theory tailored specifically for this burgeoning genre, providing a much needed body of criticism in a key area of new media fiction.
