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Author: Charles Harrison
Publisher: MIT Press
ISBN: 9780262582414
Category : Art
Languages : en
Pages : 350
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Book Description
Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.
Author: Charles Harrison
Publisher: MIT Press
ISBN: 9780262582414
Category : Art
Languages : en
Pages : 350
Get Book
Book Description
Critical and theoretical essays by a long-time participant in the Art & Language movement. These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England—and briefly in the United States—with which Harrison has been associated for thirty years. Harrison uses the work of Art & Language as a central case study to discuss developments in art from the 1950s through the 1980s. According to Harrison, the strongest motivation for writing about art is that it brings us closer to that which is other than ourselves. In seeing how a work is done, we learn about its achieved identity: we see, for example, that a drip on a Pollock is integral to its technical character, whereas a drip on a Mondrian would not be. Throughout the book, Harrison uses specific examples to address a range of questions about the history, theory, and making of modern art—questions about the conditions of its making and the nature of its public, about the problems and priorities of criticism, and about the relations between interpretation and judgment.
Author: Alexandra Kingston-Reese
Publisher: University of Iowa Press
ISBN: 1609388119
Category : Art
Languages : en
Pages : 193
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Book Description
Art Essays is a passionate collection of the best essays on the visual arts written by contemporary novelists. With an introduction by literary critic and editor Alexandra Kingston-Reese, Art Essays is an enthralling vision of a new wave of literary essays shaping contemporary culture.
Author: Julian Barnes
Publisher: Vintage
ISBN: 1101874791
Category : Art
Languages : en
Pages : 310
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Book Description
An extraordinary collection of essays on the great masters of nineteenth- and twentieth-century art—from the Booker Prize-winning, bestselling author of The Sense of an Ending. “An engaging and empathetic volume.” —The New York Times Book Review As Julian Barnes notes: “Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting … But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.” This is the exact dynamic that informs his new book. In his 1989 novel A History of the World in 10½ Chapters, Barnes had a chapter on Géricault’s The Raft of the Medusa, and since then he has written about many great masters of art, including Delacroix, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Lucian Freud and Howard Hodgkin. The seventeen essays gathered here help trace the arc from Romanticism to Realism and into Modernism; they are adroit, insightful and, above all, a true pleasure to read.
Author: Michael Fried
Publisher: University of Chicago Press
ISBN: 9780226263199
Category : Art
Languages : en
Pages : 424
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Book Description
Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces--uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. 16 color plates. 72 halftones.
Author: John Updike
Publisher: Penguin UK
ISBN: 014192182X
Category : Art
Languages : en
Pages : 359
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Book Description
In Still Looking, John Updike has collected together his thoughts and observations on American art to produce an eye-opening follow-up to his 1989 art criticism classic Just Looking. Beginning with early American portraits and landscapes, he goes on to extol two late-nineteenth-century masters, Winslow Homer and Thomas Eakins, considers the eccentric pre-modern painter and graphic artist James McNeill Whistler, discusses the competing American Impressionists and Realists of the early twentieth century - and concludes with appreciations of the art of Edward Hopper, Jackson Pollock and Andy Warhol. The resulting collection of essays is proof that Updike is still looking and seeing what only he can describe. 'As a writer Updike can do anything he wants' Margaret Atwood 'John Updike writes with a steady brilliance about the world out there' Guardian
Author: Yves Bonnefoy
Publisher: University of Chicago Press
ISBN: 9780226064444
Category : Art
Languages : en
Pages : 270
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Book Description
Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.
Author: Linda Nochlin
Publisher: Routledge
ISBN: 0429982623
Category : Art
Languages : en
Pages : 228
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Book Description
Women, Art, and Power?seven landmark essays on women artists and women in art history?brings together the work of almost twenty years of scholarship and speculation.
Author: Octavio Paz
Publisher: Harvest Books
ISBN: 9780156000611
Category : Art
Languages : en
Pages : 303
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Book Description
Essays discuss pre-Columbian art, the influence of European art on the Mexican muralists, and the abstract art of Tamayo
Author: Eliot Deutsch
Publisher: SUNY Press
ISBN: 9780791431115
Category : Art
Languages : en
Pages : 140
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Book Description
Presents a theory of art which is at once universal in its general conception and historically-grounded in its attention to aesthetic practices in diverse cultures. Argues that art, especially today, enjoys a special kind of autonomy but that it has, nevertheless, important social and political responsibilities.
Author: Rudolf Arnheim
Publisher: Univ of California Press
ISBN: 0520266013
Category : Art
Languages : en
Pages : 378
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Book Description
Psychology.
