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Author: Patrice Paul Larroque
Publisher: Routledge
ISBN: 1000440117
Category : Language Arts & Disciplines
Languages : en
Pages : 213
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Book Description
Patrice Larroque hypothesizes that early blues singers may have been influenced by the trochaic rhythm of English. English is stressed and timed, which means that there is a regular beat to the language, just like there is a beat in a blues song. This regular beat falls on important words in the sentence and unimportant ones do not get stressed. They are “squeezed” between the salient words to keep the rhythm. The apparent contradiction between the fundamentally trochaic rhythm of spoken English and the syncopated ternary rhythm of blues may be resolved as the stressed syllables of the trochee (a stressed-unstressed sequence) is naturally lengthened and assumes the role of one strongly and one weakly stressed syllable in a ternary rhythm. The book suggests investigating the rhythm of English and the rhythm of blues in order to show how the linguistic rhythm of a culture can be reflected in the rhythm of its music.
Author: Patrice Paul Larroque
Publisher: Routledge
ISBN: 1000440117
Category : Language Arts & Disciplines
Languages : en
Pages : 213
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Book Description
Patrice Larroque hypothesizes that early blues singers may have been influenced by the trochaic rhythm of English. English is stressed and timed, which means that there is a regular beat to the language, just like there is a beat in a blues song. This regular beat falls on important words in the sentence and unimportant ones do not get stressed. They are “squeezed” between the salient words to keep the rhythm. The apparent contradiction between the fundamentally trochaic rhythm of spoken English and the syncopated ternary rhythm of blues may be resolved as the stressed syllables of the trochee (a stressed-unstressed sequence) is naturally lengthened and assumes the role of one strongly and one weakly stressed syllable in a ternary rhythm. The book suggests investigating the rhythm of English and the rhythm of blues in order to show how the linguistic rhythm of a culture can be reflected in the rhythm of its music.
Author: Patrice Larroque
Publisher: Bénévent Editions
ISBN: 9782756319827
Category : Anglais (langue)
Languages : fr
Pages : 243
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Book Description
L’anglais est une langue accentuée et mesurée, ce qui signifie qu’elle possède un rythme, de la même manière qu’il y a un rythme dans un air de blues. Ce rythme régulier s’appuie sur les mots importants de l’énoncé, les autres, moins importants, ne sont pas accentués, ils sont pour ainsi dire « coincés » entre les mots importants, pour garder le rythme. Le blues repose sur un rythme ternaire syncopé, chaque temps est découpé en triolet de croches dont on ne marque que la première, plus accentuée et la dernière, une alternance entre temps forts et temps faibles qui rappelle celle de la langue. La structure du blues traditionnel reflète la cadence des blues primitifs qui consistait à répéter plusieurs fois le même vers, comme dans les work songs (chants de travail des esclaves noirs) qui s’articulaient sur un jeu d’appels et de réponses dont les schémas ressemblaient davantage à un discours rythmé qu’à une mélodie.
Author: Nelson George
Publisher: Penguin
ISBN: 1101160675
Category : Social Science
Languages : en
Pages : 257
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Book Description
From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down," this passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music.
Author: Roberta Freund Schwartz
Publisher: Routledge
ISBN: 1317120949
Category : Music
Languages : en
Pages : 282
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Book Description
This book explores how, and why, the blues became a central component of English popular music in the 1960s. It is commonly known that many 'British invasion' rock bands were heavily influenced by Chicago and Delta blues styles. But how, exactly, did Britain get the blues? Blues records by African American artists were released in the United States in substantial numbers between 1920 and the late 1930s, but were sold primarily to black consumers in large urban centres and the rural south. How, then, in an era before globalization, when multinational record releases were rare, did English teenagers in the early 1960s encounter the music of Robert Johnson, Blind Boy Fuller, Memphis Minnie, and Barbecue Bob? Roberta Schwartz analyses the transmission of blues records to England, from the first recordings to hit English shores to the end of the sixties. How did the blues, largely banned from the BBC until the mid 1960s, become popular enough to create a demand for re-released material by American artists? When did the British blues subculture begin, and how did it develop? Most significantly, how did the music become a part of the popular consciousness, and how did it change music and expectations? The way that the blues, and various blues styles, were received by critics is a central concern of the book, as their writings greatly affected which artists and recordings were distributed and reified, particularly in the early years of the revival. 'Hot' cultural issues such as authenticity, assimilation, appropriation, and cultural transgression were also part of the revival; these topics and more were interrogated in music periodicals by critics and fans alike, even as English musicians began incorporating elements of the blues into their common musical language. The vinyl record itself, under-represented in previous studies, plays a major part in the story of the blues in Britain. Not only did recordings shape perceptions and listening habits, but which artists were available at any given time also had an enormous impact on the British blues. Schwartz maps the influences on British blues and blues-rock performers and thereby illuminates the stylistic evolution of many genres of British popular music.
Author: John Ganapes
Publisher: Hal Leonard Corporation
ISBN: 1476857385
Category : Music
Languages : en
Pages : 136
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Book Description
(Guitar Educational). A comprehensive source designed to help guitarists develop both lead and rhythm playing. Covers: Texas, Delta, R&B, early rock and roll, gospel, blues/rock and more. Includes 21 complete solos; chord progressions and riffs; turnarounds; moveable scales and more. The audio features leads and full band backing.
Author: Richard J. Ripani
Publisher: Univ. Press of Mississippi
ISBN: 1496801288
Category : Music
Languages : en
Pages : 303
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Book Description
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.”
Author: Mitch Rosalsky
Publisher: Scarecrow Press
ISBN: 9780810845923
Category : Doo-wop (Music)
Languages : en
Pages : 740
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Book Description
Contains alphabetically arranged entries that provide information on the cities of origin, members, and music of some of the most popular rhythm and blues and doo wop groups.
Author: Big Al Pavlow
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 132
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Book Description
Author: John Broven
Publisher: Pelican Publishing Company, Inc.
ISBN: 1455619523
Category : Music
Languages : en
Pages : 360
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Book Description
A chronicle of the rise and development of a unique musical form. Inducted into the Blues Foundation's Blues Hall of Fame under its original title Walking to New Orleans, this fascinating history focuses on the music of major R&B artists and the crucial contributions of the New Orleans music industry. Newly revised for this edition, much of the material comes firsthand from those who helped create the genre, including Fats Domino, Ray Charles, and Wardell Quezergue.
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1651
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Book Description
