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Author: Annika Forkert
Publisher: Cambridge University Press
ISBN: 1009337351
Category : Music
Languages : en
Pages : 261
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Book Description
Unlocks new perspectives on twentieth-century British music, charting Lutyens and Clark's influential and controversial contributions to composition, performance, appreciation, and education.
Author: Annika Forkert
Publisher: Cambridge University Press
ISBN: 1009337351
Category : Music
Languages : en
Pages : 261
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Book Description
Unlocks new perspectives on twentieth-century British music, charting Lutyens and Clark's influential and controversial contributions to composition, performance, appreciation, and education.
Author: Annika Forkert
Publisher: Cambridge University Press
ISBN: 1009337335
Category : Music
Languages : en
Pages : 261
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Book Description
Combining analyses of modernist concert and stage music by Elisabeth Lutyens with those of her audio-visual scores, and contextualising Lutyens and Edward Clark's biographies within international developments in dodecaphonic music and music-making, this book will speak to a wide audience interested in British and European twentieth-century music.
Author: Elisabeth Lutyens
Publisher: London : Cassell
ISBN:
Category : Composers
Languages : en
Pages : 354
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Book Description
Author: Meirion Harries
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 352
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Book Description
Author: James Murdoch
Publisher: Pendragon Press
ISBN: 9781576470770
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
The story of her life is an extraordinary tale of riotous fun, cruel lovers, grueling poverty, earnest endeavor, and huge success, peopled by some of the leading performers, writers, and creative artists of her time. As this highly entertaining and informative biography shows us, her love life was disastrous but her friendships were exalted."--BOOK JACKET.
Author: David Huckvale
Publisher: McFarland
ISBN: 0786451661
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
Music in film is often dismissed as having little cultural significance. While Hammer Film Productions is famous for such classic films as Dracula and The Curse of Frankenstein, few observers have noted the innovative music that Hammer distinctively incorporated into its horror films. This book tells how Hammer commissioned composers at the cutting edge of European musical modernism to write their movie scores, introducing the avant-garde into popular culture via the enormously successful venue of horror film. Each chapter addresses a specific category of the avant-garde musical movement. According to these categories, chapters elaborate upon the visionary composers who made the horror film soundtrack a melting pot of opposing musical cultures.
Author: Virgil Thomson
Publisher: Library of America
ISBN: 1598534688
Category : Music
Languages : en
Pages : 1100
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Book Description
An unprecedented collection of polemical and autobiographical writings by America’s greatest composer-critic. Following on the critically acclaimed 2014 edition of Virgil Thomson's collected newspaper music criticism, The Library of America and Pulitzer Prize–winning music critic Tim Page now present Thomson’s other literary and critical works, a body of writing that constitutes America’s musical declaration of independence from the European past. This volume opens with The State of Music (1939), the book that made Thomson’s name as a critic and won him his 14-year stint at the New York Herald Tribune. This no-holds-barred polemic, here presented in its revised edition of 1962, discusses the commissions, jobs, and other opportunities available to the American composer, a worker in a world of performance and broadcast institutions that, today as much as in Thomson’s time, are dominated by tin-eared, non-musical patrons of the arts who are shocked by the new and suspicious of native talent. Thomson’s autobiography, Virgil Thomson (1966), is more than just the story of the struggle of one such American composer, it is an intellectual, aesthetic, and personal chronicle of the twentieth century, from World War I–era Kansas City to Harvard in the age of straw boaters, from Paris in the Twenties and Thirties to Manhattan in the Forties and after. A classic American memoir, it is marked by a buoyant wit, a true gift for verbal portrait-making, and a cast of characters including Aaron Copland, Gertrude Stein, James Joyce, Paul Bowles, John Houseman, and Orson Welles. American Music Since 1910 (1971) is a series of incisive essays on the lives and works of Ives, Ruggles, Varèse, Copland, Cage, and others who helped define a national musical idiom. Music with Words (1989), Thomson’s final book, is a distillation of a subject he knew better than perhaps any other American composer: how to set English—especially American English—to music, in opera and art song. The volume is rounded out by a judicious selection of Thomson’s magazine journalism from 1957 to 1984—thirty-seven pieces, most of them previously uncollected, including many long-form review-essays written for The New York Review of Books. From the Hardcover edition.
Author: Catherine Roma
Publisher: Scarecrow Press
ISBN: 1461706505
Category : Music
Languages : en
Pages : 236
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Book Description
The book presents an in depth analysis of the choral compositions of Elisabeth Lutyens, Elizabeth Maconchy, and Thea Musgrave, complete with musical examples and texts. The introductory chapter gives historical perspective and places Lutyens, Maconchy and Musgrave in the context of twentieth-century British musical culture.
Author: Robert P Morgan
Publisher: Springer
ISBN: 1349112917
Category : Music
Languages : en
Pages : 474
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Book Description
This volume covers the development of modern music from World War I to the present. Specific musical responses can be identified from the prevailing social, economic and political circumstances. Since World War II musical languages have tended to converge, with developments in technology and communications. Robert P. Morgan is the author of Twentieth Century Music, and co-editor of Alban Berg: Historical and Analytical Perspectives.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 506
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Book Description
