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Author: Ruth Webb
Publisher: Routledge
ISBN: 1317145364
Category : History
Languages : en
Pages : 252
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Book Description
This is a study of ekphrasis, the art of making listeners and readers 'see' in their imagination through words alone, as taught in ancient rhetorical schools and as used by Greek writers of the Imperial period (2nd-6th centuries CE). The author places the practice of ekphrasis within its cultural context, emphasizing the importance of the visual imagination in ancient responses to rhetoric, poetry and historiography. By linking the theoretical writings on ekphrasis with ancient theories of imagination, emotion and language, she brings out the persuasive and emotive function of vivid language in the literature of the period. This study also addresses the contrast between the ancient and the modern definitions of the term ekphrasis, underlining the different concepts of language, literature and reader response that distinguish the ancient from the modern approach. In order to explain the ancient understanding of ekphrasis and its place within the larger system of rhetorical training, the study includes a full analysis of the ancient technical sources (rhetorical handbooks, commentaries) which aims to make these accessible to non-specialists. The concluding chapter moves away from rhetorical theory to consider the problems and challenges involved in 'turning listeners into spectators' with a particular focus on the role of ekphrasis within ancient fiction. Attention is also paid to texts that lie at the intersection of the modern and ancient definitions of ekphrasis, such as Philostratos' Imagines and the many ekphraseis of buildings and monuments to be found in Late Antique literature.
Author: Ruth Webb
Publisher: Routledge
ISBN: 1317145364
Category : History
Languages : en
Pages : 252
Get Book
Book Description
This is a study of ekphrasis, the art of making listeners and readers 'see' in their imagination through words alone, as taught in ancient rhetorical schools and as used by Greek writers of the Imperial period (2nd-6th centuries CE). The author places the practice of ekphrasis within its cultural context, emphasizing the importance of the visual imagination in ancient responses to rhetoric, poetry and historiography. By linking the theoretical writings on ekphrasis with ancient theories of imagination, emotion and language, she brings out the persuasive and emotive function of vivid language in the literature of the period. This study also addresses the contrast between the ancient and the modern definitions of the term ekphrasis, underlining the different concepts of language, literature and reader response that distinguish the ancient from the modern approach. In order to explain the ancient understanding of ekphrasis and its place within the larger system of rhetorical training, the study includes a full analysis of the ancient technical sources (rhetorical handbooks, commentaries) which aims to make these accessible to non-specialists. The concluding chapter moves away from rhetorical theory to consider the problems and challenges involved in 'turning listeners into spectators' with a particular focus on the role of ekphrasis within ancient fiction. Attention is also paid to texts that lie at the intersection of the modern and ancient definitions of ekphrasis, such as Philostratos' Imagines and the many ekphraseis of buildings and monuments to be found in Late Antique literature.
Author: Meghan Henning
Publisher: Mohr Siebeck
ISBN: 9783161529634
Category : Religion
Languages : en
Pages : 328
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Book Description
Meghan Henning explores the rhetorical function of the early Christian concept of hell, drawing connections to Greek and Roman systems of education, and examining texts from the Hebrew Bible, Greek and Latin literature, the New Testament, early Christian apocalypses and patristic authors.
Author: Jagannath Sarkar, Jayjit Basu
Publisher: BoD – Books on Demand
ISBN: 383821580X
Category : Language Arts & Disciplines
Languages : en
Pages : 230
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Book Description
By sensing the fundamental ideas of earth and the earth-thought, this collection seeks to negotiate with and react to the underlying semasiological or psycho-geographical principle of geopoetics that cuts across varied and at times conflicting schools. From reading some geopoetical texts to understanding the idea of earth in Humboldt and Marx-Engels, topolitics in Tintin, reef-thinking, geopoet(h)ics and Asiabodh, the volume tries to perceive how we poetically exist with the earth. Isn’t literature, taking a cue from Hölderlin, a symptom of the way “man lives poetically on the earth”? How is our body and psyche integral parts of the earth-thought? How does literature deal with the concepts of space and place? How literature enables us to comprehend the underlying principle of geopoetics — the principle of finding art in earth? These are some of the critical questions which this volume seeks to explore. Literature exemplifies a geographical consciousness — an “intimate and subjective” experience of the earth. This book is an attempt to conceive this eclectic infusion of art and earth, so that we are able to ensure that the world of the art always remains in touch with the earth of the world. Let us, through this book, un-earth this deep-rooted spatiality and geographicality in literature. Let us imitate earth through art, as this is the only place where we can live.
Author: Meghan Henning
Publisher: Wm. B. Eerdmans Publishing
ISBN: 1467467200
Category : Religion
Languages : en
Pages : 333
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Book Description
A major scholarly collaboration exploring vivid visual rhetoric in the New Testament From Jesus’s miraculous walk on water to the graphic horrors of hell, New Testament authors make vivid and unforgettable images appear before their audience’s eyes. In the past decade, scholarship on early Christian use of ancient rhetorical techniques has flourished. One focus of rhetorical criticism of the New Testament has been the function of ekphrasis, or vivid visual description. In this landmark collection, leading New Testament scholars come together to probe the purpose and import of ekphrasis in early Christian literature. The research in this collection explores the relationship between vivid rhetoric and genre, taking into account technical features, authorial intent, and audience response. Specific topics include: • The New Testament’s rhetoric compared against Greco-Roman rhetorical handbooks • Juxtaposition between vivid and non-vivid rhetoric • The use of energeia in John’s Gospel to draw upon the reader’s multiple senses • Aesthetics and the grotesque in Revelation • The use of travelogue to create a virtual journey for the audience • Vivid rhetoric in early martyr literature Vivid Rhetoric and Visual Persuasion is a must-read for scholars of early Christianity and rhetorical criticism. Readers will find this collection indispensable in understanding a complex feature of the New Testament in its historical context. Contributors Contributors Bart B. Bruehler, Diane Fruchtman, Meghan Henning, Martina Kepper, Susanne Luther, Harry O. Maier, Gudrun Nassauer, Nils Neumann, Vernon K. Robbins, Gary S. Selby, Aldo Tagliabue, Sunny Kuan-Hui Wang, Annette Weissenrieder, Robyn J. Whitaker
Author: Elena N. Boeck
Publisher: Cambridge University Press
ISBN: 1108187064
Category : History
Languages : en
Pages : 481
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Book Description
Justinian's triumphal column was the tallest free-standing column of the pre-modern world and was crowned with arguably the largest metal equestrian sculpture created anywhere in the world before 1699. The Byzantine empire's bronze horseman towered over the heart of Constantinople, assumed new identities, spawned conflicting narratives, and acquired widespread international acclaim. Because all traces of Justinian's column were erased from the urban fabric of Istanbul in the sixteenth century, scholars have undervalued its astonishing agency and remarkable longevity. Its impact in visual and verbal culture was arguably among the most extensive of any Mediterranean monument. This book analyzes Byzantine, Islamic, Slavic, Crusader, and Renaissance historical accounts, medieval pilgrimages, geographic, apocalyptic and apocryphal narratives, vernacular poetry, Byzantine, Bulgarian, Italian, French, Latin, and Ottoman illustrated manuscripts, Florentine wedding chests, Venetian paintings, and Russian icons to provide an engrossing and pioneering biography of a contested medieval monument during the millennium of its life.
Author: Robyn J. Whitaker
Publisher: Mohr Siebeck
ISBN: 9783161539787
Category : Religion
Languages : en
Pages : 308
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Book Description
Robyn. J. Whitaker interprets the Book of Revelation within the context of ancient rhetoric and religion. She argues that the author of Revelation uses a popular rhetorical tool, ekphrasis, to paint word-pictures of God that compete with material images to both critique image-making and simultaneously make an absent God present.
Author: Laura S. Lieber
Publisher: Oxford University Press
ISBN: 019006546X
Category : History
Languages : en
Pages : 425
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Book Description
"In this volume, Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity (ca. 3rd-4th c. CE) is examined not only from within the context of religious traditions of biblical interpretation and conventions of prayer but also through the lenses of performance, entertainment, and spectacle. Recognizing that liturgical poets were as invested engaging their listeners as orators and actors were, this study analyses hymnody as a performative genre akin to oratory and theatre, the two primary modes of public performance from the wider societal context. Attention to liturgical poetry's "theatricality" draws our attention to a range of subjects, from how biblical stories were adapted to the liturgical stage, much in the way that the classical works of Greco-Roman antiquity were themselves popularized in this Late Antique period; to the adaptation of physical techniques and material structures to augment the ability of performers to engage their audiences. Specific techniques associated with both oratory and acting in antiquity will offer concrete means for elucidating the affinities of liturgical presentations and other modes of performance: indications of direct address, for example, and apostrophe, as well as the creation of character through speech (ethopoeia); and appeals to the audience's senses, including vivid descriptions (ekphrasis), a technique especially popular in antiquity. A serious consideration of performance also demands that we make the difficult leap to imagining the world beyond the page. While Late Antique hymnody has come down to the present primarily in textual form, the written word constitutes something quite remote from the actual experience these scripts reflect. We will thus attempt to consider more speculative but recognizably essential elements of these works' reception, including ways in which liturgical poetry could have borrowed from the gestures and body language of oratory, mime, and pantomime, and how poets may have used the physical spaces of performance and accelerated changes visible in the archaeological record"--
Author: Daniel Gurtner
Publisher: BRILL
ISBN: 9004300023
Category : Religion
Languages : en
Pages : 732
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Book Description
A collection of essays in honour of Prof. Michael Holmes. The volume is arranged in two parts focusing on textual criticism and the Apostolic Fathers respectively.
Author: Bonifatia Gesche
Publisher: SBL Press
ISBN: 0884144240
Category : Religion
Languages : en
Pages : 334
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Book Description
New research on Sirach for scholars and students The present volume of English and German essays includes the proceedings of an international conference held in Eichstaett, Germany, in 2017. Themes of creation, emotions, life, death, wisdom, knowledge, the individual and society, family, gender, mercy, justice, and freedom are but a few of the topics that contributors explore in this new collection. Essays explore the rich intertextual connections between Sirach and other biblical texts. Features: Attention to theological distinctions presented in the Hebrew, Greek, Syriac, and Latin versions of the book of Sirach Examination of the reception of Sirach in the New Testament and the early modern era English abstracts for German-language essays and German abstracts for English-language essays
Author: Roland Betancourt
Publisher: Cambridge University Press
ISBN: 1108667708
Category : History
Languages : en
Pages : 420
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Book Description
Considering the interrelations between sight, touch, and imagination, this book surveys classical, late antique, and medieval theories of vision to elaborate on how various spheres of the Byzantine world categorized and comprehended sensation and perception. Revisiting scholarly assumptions about the tactility of sight in the Byzantine world, it demonstrates how the haptic language associated with vision referred to the cognitive actions of the viewer as they grasped sensory data in the mind in order to comprehend and produce working imaginations of objects for thought and memory. At stake is how the affordances and limitations of the senses came to delineate and cultivate the manner in which art and rhetoric was understood as mediating the realities they wished to convey. This would similarly come to contour how Byzantine religious culture could also go about accessing the sacred, the image serving as a site of desire for the mediated representation of the Divine.
