Early Modern Women Poets (1520-1700) PDF Download
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Author: Jane Stevenson
Publisher: Oxford University Press, USA
ISBN: 9780199242573
Category : Literary Criticism
Languages : en
Pages : 644
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Book Description
This anthology represents a re-examination of its field, based on extensive archival research. Each woman's work is accompanied by a headnote which combines biographic information with some guidance as to the context, intended audience and genre.
Author: Jane Stevenson
Publisher: Oxford University Press, USA
ISBN: 9780199242573
Category : Literary Criticism
Languages : en
Pages : 644
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Book Description
This anthology represents a re-examination of its field, based on extensive archival research. Each woman's work is accompanied by a headnote which combines biographic information with some guidance as to the context, intended audience and genre.
Author: Ursula Appelt
Publisher: Routledge
ISBN: 1351870882
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Although the field of early modern women's studies has blossomed in recent years, little attention has been paid to women poets of the period. This new collection is specifically designed to fill the gap, applying new critical methodologies and theories to this group of early modern writers. Write or Be Written also contributes to ongoing debates about canonicity, periodicity, disciplinarity, and the construction of knowledge. The essays in this volume reflect today's sophisticated critical thinking, and represent a broad range of approaches and methodologies. Topics covered include contextualizing the self; female discursive strategies; religious discourses and gender; writing a female space; negotiating power and desire; female writing and the marketplace/publishing; and revisions of male-dominated poetic conventions and traditions.
Author: Lynnette McGrath
Publisher: Routledge
ISBN: 1351726811
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This title was first published in 2002: Combining the approaches of historic scholarship and post-structural, feminist psychoanalytic theory to late 16th- and early 17th-century poetry by women, this book aims to make a unique contribution to the field of the study of early modern women's writings. One of the first to concentrate exclusively on early modern women's poetry, the full-length critical study to applies post-Lacanian French psychoanalytic theory to the genre. The strength of this study is that it merges analysis of socio-political constructions affecting early modern women poets writing in England with the psychoanalytic insights, specific to women as subjects, of post-Lacanian theorists Luce Irigaray, Helen Cixous, Julia Kristeva, and Rosi Braidotti.
Author: Patricia Phillippy
Publisher: Cambridge University Press
ISBN: 1108642276
Category : Literary Criticism
Languages : en
Pages : 463
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Book Description
A History of Early Modern Women's Writing is essential reading for students and scholars working in the field of early modern British literature and history. This collaborative book of twenty-two chapters offers an expansive, multifaceted narrative of British women's literary and textual production in the period stretching from the English Reformation to the Restoration. Chapters work together to trace the contours of a diverse body of early modern women's writing, aligning women's texts with the major literary, political, and cultural currents with which they engage. Contributors examine and take account of developments in critical theory, feminism, and gender studies that have influenced the reception, reading, and interpretation of early modern women's writing. This book explicates and interrogates significant methodological and critical developments in the past four decades, guiding and testing scholarship in this period of intense activity in the recovery, dissemination, and interpretation of women's writing.
Author: Susan Wiseman
Publisher: Manchester University Press
ISBN: 9780719090721
Category : Literary Collections
Languages : en
Pages : 272
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Book Description
Viewing the poem as a social agent and product in women's lives, the essays in this collection examine factors influencing the relationships between writers and readers of poetry in seventeenth-century England and Scotland. The archival and theoretical research on literary authorship, textual transmission and socio-literary networks invites a re-examination of the production and reception of poetry, and alters our understanding of the way poetry participated in social, literary and political life. The volume takes account of the expansion and changes to the canon of women's poetry and emerging research on key aspects of literary production and reception. It builds on and responds to both recent critical emphasis on literary form and on archival scholarship in women's writing, understanding the two emphases to be mutually informative. This book explores the way women understood the poem, examines how the poem was shared, circulated and rewritten, and traces its path through wider social relations. It will appeal to any scholar of literature and gender working in the Renaissance and seventeenth century.
Author: Patrick Cheney
Publisher: Oxford University Press, USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
This text features 28 essays written by important international scholars on the major poems of the English Renaissance. It offers scholarship on subjects ranging from the invention of English verse, Petrarchism, pastoral, elegy, and satire, to women's religious verse, the place of homoeroticism and Cavalier poetry.
Author: Paul Salzman
Publisher: Cambridge Scholars Publishing
ISBN: 1443823627
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
This exciting collection of original essays on early modern women’s writing offers a range of approaches to a growing field. As a whole, the volume introduces readers to a number of writers, such as Mirabai and Liu Rushi, who are virtually invisible in Anglophone scholarship, and to writers who remain little known, such as Elizabeth Melville, Elizabeth Hatton, and Jane Sharpe. The volume also represents critical strategies designed to open up the emergent canon of early modern women’s writing to new approaches, especially those that have consolidated the integration of literary and intellectual history, with an emphasis on religion, legal issues, and questions of genre. The authors expand the methodological possibilities available to approach early modern women who wrote in a diverse number of genres, from letters to poetry, autobiography and prose fiction. The sixteen essays are a major contribution to an area that has attracted the interest of a number of fields, including literary studies, history, cultural studies, and women’s studies.
Author: Hilary Brown
Publisher: Oxford University Press
ISBN: 0192844342
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Women and Early Modern Cultures of Translation: Beyond the Female Tradition is a major new intervention in research on early modern translation and will be an essential point of reference for anyone interested in the history of women translators. Research on women translators has often focused on early modern England; the example of early modern England has been taken as the norm for the rest of the continent and has shaped research on gender and translation more generally. This book brings a new European perspective to the field by introducing the case of Germany. It draws attention to forty women who can be identified as translators in sixteenth- and seventeenth-century Germany and shows how their work does not fit easily into traditional narratives about marginalization and subversiveness. The study uses the example of Germany to argue against reading the work of translating women primarily through the lens of gender and to challenge claims about the existence of a female translation tradition which transcends the boundaries of time and place. Broadening our perspective to include Germany provides a more nuanced and informed account of the position of women within European translation cultures and forces us to rethink gender as a category of analysis in translation history. The book makes the case for a new 'woman-interrogated' approach to translation history (to borrow a concept from Carol Maier) and as such it will provide a blueprint for future work in the area.
Author: Paul Salzman
Publisher: Oxford Paperbacks
ISBN: 0191605425
Category : Literary Collections
Languages : en
Pages : 496
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Book Description
In a famous passage in A Room of One's Own, Virginia Woolf asked 'why women did not write poetry in the Elizabethan age'. She went on to speculate about an imaginary Judith Shakespeare who might have been destined for a career as illustrious as that of her brother William, except that she had none of his chances. The truth is that many women wrote during the sixteenth and seventeenth centuries and this collection will serve to introduce modern readers to the full variety of women's writing in this period - from poems, prose and fiction to prophecies, letters, tracts and philosophy. Here are examples of the work of twelve women writers, from aristocrats such as Mary Wroth, Anne Clifford and Margaret Cavendish to women of obscure background caught up in the religious ferment of the mid seventeenth century like Hester Biddle, Pricscilla Cotton and Mary Cole. The collection includes three plays, and a generous selection of poetry, letters, diary, prose fiction, religious polemic, prophecy and science. - ;In a famous passage in A Room of One's Own, Virginia Woolf asked 'why women did not write poetry in the Elizabethan age'. She went on to speculate about an imaginary Judith Shakespeare who might have been destined for a career as illustrious as that of her brother William, except that she had none of his chances. The truth is that many women wrote during the sixteenth and seventeenth centuries and this collection will serve to introduce modern readers to the full variety of women's writing in this period from poems, prose and fiction to prophecies, letters, tracts and philosophy. The collection begins with the poetry of Isabella Whitney, who worked in a gentlewoman's household in London in the late 1560s, and ends with Aphra Behn who was employed as a spy in Amsterdam by Charles II. Here are examples of the work of twelve women writers, allowing the reader to sample the diverse and lively output of all classes and opinions, from artistcrats such as Mary Wroth, Anne Clifford and Margaret Cavendish to women of obscure background caught up in the religious ferment of the mid seventeenth century like Hester Biddle, Pricscilla Cotton and Mary Cole. The collection includes three plays, and a generous selection of poetry, letters, diary, prose fiction, religious polemic, prohecy and scienticficic speculation, offering the reader the possibilility of tracing patterns through the works collected and some sense of historical shifts and changes. All the extracts are edited afresh from original sources and the anthology includes comprehensive notes, both explanatory and textual. -
Author: Sarah C. E. Ross
Publisher: Springer Nature
ISBN: 3030429466
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
This collection examines early modern women’s contribution to the culturally central mode of complaint. Complaint has largely been understood as male-authored, yet, as this collection shows, early modern women used complaint across a surprising variety of forms from the early-Tudor period to the late-seventeenth century. They were some of the mode’s first writers, most influential patrons, and most innovative contributors. Together, these new essays illuminate early modern women’s participation in one of the most powerful rhetorical modes in the English Renaissance, one which gave voice to political, religious and erotic protest and loss across a diverse range of texts. This volume interrogates new texts (closet drama, song, manuscript-based religious and political lyrics), new authors (Dorothy Shirley, Scots satirical writers, Hester Pulter, Mary Rowlandson), and new versions of complaint (biblical, satirical, legal, and vernacular). Its essays pay specific attention to politics, form, and transmission from complaint’s first circulation up to recent digital representations of its texts. Bringing together an international group of experts in early modern women’s writing and in complaint literature more broadly, this collection explores women’s role in the formation of the mode and in doing so reconfigures our understanding of complaint in Renaissance culture and thought.
