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Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837177
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837177
Category : Literary Criticism
Languages : en
Pages : 216
Get Book
Book Description
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Author: Arnold Hauser
Publisher: Routledge
ISBN: 1134637594
Category : Art
Languages : en
Pages : 332
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Book Description
First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced. This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hausers narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.
Author: Victoria D. Alexander
Publisher: Springer
ISBN: 3319645862
Category : Social Science
Languages : en
Pages : 355
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Book Description
Art and the Challenge of Markets Volumes 1 & 2 examine the politics of art and culture in light of the profound changes that have taken place in the world order since the 1980s and 1990s. The contributors explore how in these two decades, the neoliberal or market-based model of capitalism started to spread from the economic realm to other areas of society. As a result, many aspects of contemporary Western societies increasingly function in the same way as the private enterprise sector under traditional market capitalism. The first volume of this two-volume collection considers a broad range of national cultural policies from European and North American countries, and examines the strengthening of international and transnational art worlds in music, visual arts, film, and television. The chapters cover cultural policy and political culture in the United States, United Kingdom, Germany, France, Switzerland, the Nordic countries, the Balkans, and Slovenia, and address the extent to which Western nations have shifted from welfare-state to market-based ideologies. Tensions between centres and peripheries in global art worlds are considered, as well as complex interactions between nations and international and transnational art worlds, and regional variations in the audiovisual market. Both volumes provide students and scholars across a range of disciplines with an incisive, comparative overview of the politics of art and culture and national, international and transnational art worlds in contemporary capitalism.
Author: Bernadette Kaye
Publisher: Lulu.com
ISBN: 1775053423
Category :
Languages : en
Pages : 174
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Book Description
Author: Various
Publisher: Litres
ISBN: 5041430861
Category : Education
Languages : en
Pages : 137
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Book Description
Author: Aaron M. Maybin
Publisher: Lulu.com
ISBN: 0359298109
Category : Education
Languages : en
Pages : 200
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Book Description
Historically, artists have inspired the change makers of every era - Aaron Maybin is such an artist. Coming of age in a city that was preparing to erupt as he found himself as a man, as a father, and as an artist - his environment helped to help him figure out how to define himself. This is the true meaning of Art Activism and Art Activism: The Workbook- First he found his voice...then he discovered it was a journey others could take with him and still discover themselves. This collection of paintings, sketches, poems, essays, and music are the audio and visual toolbox to this era we are in now.
Author: Gordon Collier
Publisher: Rodopi
ISBN: 9401210063
Category : History
Languages : en
Pages : 572
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Book Description
During the same period in which Derek Walcott was pouring immense physical, emotional, and logistical resources into the foundation of a viable first-rate West Indian theatre company and continuing to write his inimitable poetry, he was also busy writing newspaper reviews, chiefly for the Trinidad Guardian. His prodigious reviewing activity extended far beyond those areas with which one might most readily associate his interests and convic¬tions. As Gordon Rohlehr once prescient¬ly observed, “If one wants to see a quoti¬dian workaday Walcott, one should go back to [his] well over five hundred arti¬cles, essays and reviews on painting, cinema, calypso, carnival, drama and lite¬rature,” articles which “reveal a rich, vari¬ous, witty and scrupulous intelligence in which generous humour counterpoints acerbity.” These articles capture the vital¬ity of Caribbean culture and shed addi-tional light on the aesthetic preoccupa¬tions expressed in Walcott’s essays pub¬lished in journals. The editors have exam¬ined the corpus of Walcott’s journalistic activity from its beginnings in 1950 to its peak in the early 1970s, and have made a generous selection of material from the Guardian, along with occasional pieces from such sources as Public Opinion (Kingston) and The Voice of St. Lucia (Castries). The articles in Volume 1 are organized as follows: Caribbean society, culture, and the arts generally; literature and society; periodicals; anglophone poe¬try, prose fiction, and non-fiction; African and other literatures; and the visual arts (Caribbean and beyond). The volume closes with a selection of Walcott’s mis¬cellaneous satirical essays. The volume editor Gordon Collier has written a search¬ing introductory essay on a central theme – here, a critical, comparative analysis of Walcott’s development as journalist against the historical background of press activity in the Caribbean, coupled with an illustrative discussion (drawing on Wal¬cott’s newspaper articles) of his attitudes towards prose fiction and poetry.
Author: Mrs. Jameson
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 497
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Book Description
"Sacred and legendary art, volume 1" by Mrs. Jameson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: Marylin Martin Rhie
Publisher: BRILL
ISBN: 9047430751
Category : History
Languages : en
Pages : 924
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Book Description
A comprehensive analysis of the earliest Buddhist art of China, Bactria, and the Southern Silk Road in Central Asia from ca. 1st - 4th century A.D., elucidating the inter-relationships, history, religious elements, sources, dating and chronology.
Author: Georges Chipiez, Charles Perrot
Publisher: BoD – Books on Demand
ISBN: 3734038057
Category : Fiction
Languages : en
Pages : 450
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Book Description
Reproduction of the original: A history of art in ancient Egypt by Georges Perrot, Charles Chipiez
