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Author: Jonas Kellermann
Publisher: Routledge
ISBN: 1000437825
Category : Drama
Languages : en
Pages : 320
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Book Description
Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of "unspeakable" love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the "woes that no words can sound" of Shakespeare’s iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology, and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare’s early modern tragedy, French composer Hector Berlioz’s dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz’s symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007). Chapters 1 and 4 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Jonas Kellermann
Publisher: Routledge
ISBN: 1000437825
Category : Drama
Languages : en
Pages : 320
Get Book
Book Description
Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of "unspeakable" love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the "woes that no words can sound" of Shakespeare’s iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology, and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare’s early modern tragedy, French composer Hector Berlioz’s dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz’s symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007). Chapters 1 and 4 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 147
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Book Description
A tragedy written early in the career of playwright William Shakespeare about two young 'star-crossed lovers' whose deaths ultimately unite their feuding families. It was among Shakespeare's most popular plays during his lifetime and is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers. She is only fourteen, he is only a few years older. Their families are bitter enemies, sworn to hatred. Yet Romeo and Juliet meet and fall passionately in love. Defying their parents' wishes, they are secretly married, but their brief happiness is shattered by fate.
Author: Aaron Pinnix
Publisher: transcript Verlag
ISBN: 383946983X
Category : Social Science
Languages : en
Pages : 277
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Book Description
Infrastructure comprises a combination of sociotechnical, political, and cultural arrangements that provide resources and services. The contributors to this volume show, in their respective fields, how infrastructures are both generative forces and the materialized products of quotidian practices that affect and guide people's lives. Organized via shared conceptual foci, this volume demonstrates infrastructuralist perspectives as an important transdisciplinary approach within the humanities.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
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Book Description
Author: William Shakespeare
Publisher: CreateSpace
ISBN: 9781456490447
Category :
Languages : en
Pages : 0
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Book Description
Romeo and Juliet is one of William Shakespeare's classic romantic tragedies. This version is a reprint of the original play.
Author: Shakespeare
Publisher:
ISBN: 9789354866289
Category :
Languages : en
Pages : 0
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Book Description
Romeo and Juliet is a play by William Shakespeare and written about 1594-96. In literature, music, dance, and theatre, the characters of Romeo and Juliet have been widely depicted as young hero and heroine whose families are unforgiving enemies. Even today, in the popular imagination, they are the representative type of star-crossed lovers. Principal source for the plot of this drama was a long narrative poem by the English poet Arthur Brooke. Scenes are set in Verona, Italy. Juliet and Romeo meet and fall instantly in love and they profess their love when Romeo, unwilling to leave, climbs the wall into the orchard garden of her family's house and fi nds her alone at her window. As their families are enemies, the two are married secretly. But their rivalry aff ects the relationship of their children. Due to their families' ongoing confl ict, they cannot be together, so they kill themselves because they cannot cope with being separated from one another. Thus, Romeo and Juliet is a tragic love story.
Author: William Shakespeare
Publisher: Yale University Press
ISBN: 0300104537
Category : Drama
Languages : en
Pages : 258
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Book Description
Presents the text of Shakespeare's play of unrequited love and contains extensive annotations that provide context, pronunciation, and alternative readings and phrasings.
Author: William Shakespeare
Publisher:
ISBN:
Category : Juliet (Fictitious character)
Languages : en
Pages : 260
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Book Description
Author: Valerie M. Fazel
Publisher: Routledge
ISBN: 1000463575
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
The Shakespeare Multiverse: Fandom as Literary Praxis argues that fandom offers new models for a twenty-first century reading practice that embraces affective pleasure and subjective self-positioning as a means of understanding a text. Part critical study, part source book, The Shakespeare Multiverse suggests that fannish contributions to the ongoing expansion of the object that we call Shakespeare is best imagined as a multiverse, encompassing different worlds that consolidate the various perspectives that different fans bring to Shakespeare. Our concept of the multiverse redefines ‘Shakespeare’ not as a singular body of work, but as space where a process of inquiry and cultural memory – memories in the making, and those already made – is influenced and shaped by the technologies available to the reader. Characteristic of fandom is an intertextual reading strategy that we term cyborg reading, an approach that accommodates the varied elements of identity, politics, culture, sexuality, and race that shape the ways that Shakespeare is explored and appropriated throughout fannish reading communities. The Shakespeare Multiverse intersects literary theory, fan studies, and popular culture as it traverses Shakespeare fandom from the 1623 Folio to the age of the Internet, exploring the different textures of fan affect, from those who firmly uphold fidelity to the text to those who sit on the very edge of the fandom, threatening to cross over into Shakespearean anti-fandom. By recognizing the literary value of fandom, The Shakespeare Multiverse offers a new approach to literary criticism that challenges the limits of hegemonic authority and recognizes the value of a joyfully speculative critical praxis.
