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Author:
Publisher: Cambria Press
ISBN: 1621969843
Category :
Languages : en
Pages : 393
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Book Description
Author:
Publisher: Cambria Press
ISBN: 1621969843
Category :
Languages : en
Pages : 393
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Book Description
Author: Jeanette R. Malkin
Publisher: University of Michigan Press
ISBN: 9780472110377
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
Provides a new way of defining--and understanding--postmodern drama
Author: Stephen Watt
Publisher: University of Michigan Press
ISBN: 9780472108725
Category : Drama
Languages : en
Pages : 244
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Book Description
Scrutinizing the critical tendency to label texts or writers as "postmodern", scholar Stephen Watt argues that "reading post modernly" merely implies reading culture more broadly. In contemporary drama, Watt considers postmodernity less a question of genre or media than a mode of subjectivity shared by both playwright and audience. 6 illustrations.
Author:
Publisher: Cambria Press
ISBN: 162196938X
Category :
Languages : en
Pages : 394
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Book Description
Author: Mark Pizzato
Publisher: University of Michigan Press
ISBN: 9780472109142
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Investigates the reasons for postmodern theory's fascination with theater
Author: Rodney Simard
Publisher: Lanham, MD : University Press of America
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
Author: Susan Belasco
Publisher: John Wiley & Sons
ISBN: 1119653355
Category : Literary Criticism
Languages : en
Pages : 1864
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Book Description
A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.
Author: Kerstin Schmidt
Publisher: BRILL
ISBN: 9401202478
Category : Social Science
Languages : en
Pages : 230
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Book Description
The Theater of Transformation: Postmodernism in American Drama offers a fresh and innovative reading of the contemporary experimental American theater scene and navigates through the contested and contentious relationship between postmodernism and contemporary drama. This book addresses gender and class as well as racial issues in the context of a theoretical discussion of dramatic texts, textuality, and performance. Transformation is contemporary drama's answer to the questions of postmodernism and a major technique in the development of a postmodern language for the stage. In order to demonstrate the multi-faceted nature of the postmodern theater of transformation, this study draws on a wide range of plays: from early experimental plays of the 1960s by Jean-Claude van Itallie through feminist plays by Megan Terry and Rochelle Owens to more recent drama by the African-American playwright Suzan-Lori Parks. The Theater of Transformation: Postmodernism in American Drama is written for anyone interested in contemporary American drama and theater as well as in postmodernism and contemporary literary theory. It appeals even more broadly to a readership intrigued by the ubiquitous aspects of popular culture, by feminism and ethnicity, and by issues pertaining to the so-called 'society of spectacle' and the study of contemporary media.
Author: John Louis DiGaetani
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
Thirty-three leading American and British playwrights, from Robert Anderson to Paul Zindel, discuss their own work and contemporary drama and offer projections about theater for the 21st century. Proceeding from the premise that recent drama in various ways represents a reaction to the Theater of the Absurd, interviewer DiGaetani terms the diverse responses "postmodernism," or a movement away from "old-fashioned modernism." This concept, while not universally accepted by the playwrights, becomes a point of departure for lively dialogue, providing insights into the dynamics of contemporary theater.
Author: Hussein Al-Badri
Publisher: Cambridge Scholars Publishing
ISBN: 1443870331
Category : Performing Arts
Languages : en
Pages : 160
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Book Description
The book is an insightful and thorough examination of one of the most prominent political dramatists in the US today, Tony Kushner, and his theatricalization of politics. Moreover, it draws heavily on Kushner’s wide range of themes and techniques. As such, it will be beneficial for graduate students and scholars who are concerned with the realm of contemporary American drama at the threshold of the twenty-first century. In addition, the book will appeal to anyone who wants a deeper understanding of Kushner and his major influences such as Bertolt Brecht, and will also be valuable for readers with a general interest in American drama. This book is primarily concerned with exploring and analyzing political discourse as dramatized in the work of Tony Kushner. The author’s point of departure is the concept of political theatre as developed by Erwin Piscator and Bertolt Brecht. This theoretical exploration serves a double purpose: first, it is meant to provide a statement of the definitions and concepts central to this study, such as political discourse, political theatre, and postmodern theatre; second, it offers the tools of analysis by which to read and analyze Tony Kushner’s postmodern, politically-oriented texts. Through this, the book defines the major features of Kushner’s postmodern theatre and explores how he theatricalizes politics. American drama in the 1980s and the 1990s witnessed a noticeable thematic shift from the exclusively personal plays and musicals that once dominated American theatre for a long period of time to an increasing number of plays which put greater emphasis on exploring issues and questions of socio-political interest. As a result of this thematic shift, the predominantly private settings and familial character relationships of the traditional family play have been replaced by a great variety of public settings and non-familial characters. Tony Kushner’s theatre is a pioneering attempt in this respect. In Kushner’s theatre, there is no room for the traditional family plays which dominated the American stage in the 1960s and 1970s. Kushner has found that there is not enough political discourse in contemporary American Theatre. For this reason, he writes his plays to shed special light on the politics of American society in the 1980s, the 1990s, and in the beginnings of the 21st century.
