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Author: Carol Apollonio Flath
Publisher: Northwestern University Press
ISBN: 0810125323
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
When Fyodor Dostoevsky proclaims that he is a "realist in a higher sense," it is because the facts are irrelevant to his truth. And it is in this spirit that Apollonio approaches Dostoevsky’s work, reading through the facts--the text--of his canonical novels for the deeper truth that they distort, mask, and, ultimately, disclose. This sort of reading against the grain is, Apollonio suggests, precisely what these works, with their emphasis on the hidden and the private and their narrative reliance on secrecy and slander, demand. In each work Apollonio focuses on one character or theme caught in the compromising, self-serving, or distorting narrative lens. Who, she asks, really exploits whom in Poor Folk? Does "White Nights" ever escape the dream state? What is actually lost--and what is won--in The Gambler? Is Svidrigailov, of such ill repute in Crime and Punishment, in fact an exemplar of generosity and truth? Who, in Demons, is truly demonic? Here we see how Dostoevsky has crafted his novels to help us see these distorting filters and develop the critical skills to resist their anaesthetic effect. Apollonio's readings show how Dostoevsky's paradoxes counter and usurp our comfortable assumptions about the way the world is and offer access to a deeper, immanent essence. His works gain power when we read beyond the primitive logic of external appearances and recognize the deeper life of the text.
Author: Carol Apollonio Flath
Publisher: Northwestern University Press
ISBN: 0810125323
Category : Literary Criticism
Languages : en
Pages : 238
Get Book
Book Description
When Fyodor Dostoevsky proclaims that he is a "realist in a higher sense," it is because the facts are irrelevant to his truth. And it is in this spirit that Apollonio approaches Dostoevsky’s work, reading through the facts--the text--of his canonical novels for the deeper truth that they distort, mask, and, ultimately, disclose. This sort of reading against the grain is, Apollonio suggests, precisely what these works, with their emphasis on the hidden and the private and their narrative reliance on secrecy and slander, demand. In each work Apollonio focuses on one character or theme caught in the compromising, self-serving, or distorting narrative lens. Who, she asks, really exploits whom in Poor Folk? Does "White Nights" ever escape the dream state? What is actually lost--and what is won--in The Gambler? Is Svidrigailov, of such ill repute in Crime and Punishment, in fact an exemplar of generosity and truth? Who, in Demons, is truly demonic? Here we see how Dostoevsky has crafted his novels to help us see these distorting filters and develop the critical skills to resist their anaesthetic effect. Apollonio's readings show how Dostoevsky's paradoxes counter and usurp our comfortable assumptions about the way the world is and offer access to a deeper, immanent essence. His works gain power when we read beyond the primitive logic of external appearances and recognize the deeper life of the text.
Author: Robert Guay
Publisher: Oxford University Press
ISBN: 0190464038
Category : Philosophy
Languages : en
Pages : 248
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Book Description
The gruesome double-murder upon which the novel Crime and Punishment hinges leads its culprit, Raskolnikov, into emotional trauma and obsessive, destructive self-reflection. But Raskolnikov's famous philosophical musings are just part of the full philosophical thought manifest in one of Dostoevsky's most famous novels. This volume, uniquely, brings together prominent philosophers and literary scholars to deepen our understanding of the novel's full range of philosophical thought. The seven essays treat a diversity of topics, including: language and the representation of the human mind, emotions and the susceptibility to loss, the nature of agency, freedom and the possibility of evil, the family and the failure of utopian critique, the authority of law and morality, and the dialogical self. Further, authors provide new approaches for thinking about the relationship between literary representation and philosophy, and the way that Dostoevsky labored over intricate problems of narrative form in Crime and Punishment. Together, these essays demonstrate a seminal work's full philosophical worth--a novel rich with complex themes whose questions reverberate powerfully into the 21st century.
Author: Anna Berman
Publisher: Northwestern University Press
ISBN: 0810131587
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Anna A. Berman’s book brings to light the significance of sibling relationships in the writings of Tolstoy and Dostoevsky. Relationships in their works have typically been studied through the lens of erotic love in the former, and intergenerational conflict in the latter. In close readings of their major novels, Berman shows how both writers portray sibling relationships as a stabilizing force that counters the unpredictable, often destructive elements of romantic entanglements and the hierarchical structure of generations. Power and interconnectedness are cast in a new light. Berman persuasively argues that both authors gradually come to consider siblinghood a model of all human relations, discerning a career arc in each that moves from the dynamics within families to a much broader vision of universal brotherhood.
Author: Deborah A. Martinsen
Publisher: Ohio State University Press
ISBN: 0814209211
Category : Language Arts & Disciplines
Languages : id
Pages : 292
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Book Description
Combines shame studies and literary criticism to uncover new perspectives on Dostoevsky as writer and psychologist, with his lying characters as case studies.
Author: Fyodor Dostoevsky
Publisher: Oxford University Press
ISBN: 0191019747
Category : Fiction
Languages : en
Pages : 576
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Book Description
'One death, in exchange for thousands of lives - it's simple arithmetic!' A new translation of Dostoevsky's epic masterpiece, Crime and Punishment (1866). The impoverished student Raskolnikov decides to free himself from debt by killing an old moneylender, an act he sees as elevating himself above conventional morality. Like Napoleon he will assert his will and his crime will be justified by its elimination of 'vermin' for the sake of the greater good. But Raskolnikov is torn apart by fear, guilt, and a growing conscience under the influence of his love for Sonya. Meanwhile the police detective Porfiry is on his trial. It is a powerfully psychological novel, in which the St Petersburg setting, Dostoevsky's own circumstances, and contemporary social problems all play their part.
Author: Fyodor Dostoevsky
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 26
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Book Description
"The Grand Inquisitor" is a significant and widely read chapter from Fyodor Dostoevsky's novel "The Brothers Karamazov." Dostoevsky's novel was first published in 1880. "The Grand Inquisitor" is a stand-alone section within the novel where Ivan Karamazov tells the story to his brother, Alyosha, of a Grand Inquisitor who questions and confronts Jesus Christ upon His return to Earth. In the story, the Grand Inquisitor represents the authority of the church and the state, while Jesus Christ represents spiritual and moral truth. The Grand Inquisitor's argument revolves around the idea that the church and state must control and limit individual freedom for the sake of the common people, who are not capable of handling true freedom. This section of the novel is often studied independently because it presents a thought-provoking exploration of religious, philosophical, and moral themes. Dostoevsky's work is celebrated for its deep and complex examinations of the human condition and the role of faith and morality in society. "The Grand Inquisitor" is a prime example of his ability to grapple with these profound questions.
Author: Alina Wyman
Publisher: Northwestern University Press
ISBN: 0810133385
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
This innovative study brings the early writings of Mikhail Bakhtin into conversation with Max Scheler and Fyodor Dostoevsky to explore the question of what makes emotional co-experiencing ethically and spiritually productive. In Problems of Dostoevsky's Poetics, Bakhtin's well-known concept of the dialogical partner expresses what he sees as the potential of human relationships in Dostoevsky's work. But his earlier reflections on the ethical and aesthetic uses of empathy, in part inspired by Scheler's philosophy, suggest a still more fundamental form of communication that operates as a basis for human togetherness in Dostoevsky. Applying this rich and previously neglected theoretical apparatus in a literary analysis, Wyman examines the obstacles to active empathy in Dostoevsky's fictional world, considers the limitations and excesses of empathy, addresses the problem of frustrated love in The Idiot and Notes from Underground, and provides a fresh interpretation of two of Dostoevsky's most iconic characters, Prince Myshkin and Alyosha Karamazov.
Author: Anna Schur
Publisher: Northwestern University Press
ISBN: 0810128489
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Anna Schur incorporates sources from philosophy, criminology, psychology, and history to argue that Dostoevsky's thinking was shaped not only by his Christian ethics but also by the debates on punishment theory and practice unfolding during his lifetime.
Author: Yuri I. Marmeladov
Publisher:
ISBN:
Category :
Languages : en
Pages : 146
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Book Description
Author: Katherine Bowers
Publisher: University of Toronto Press
ISBN: 1487526946
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
In Russia, gothic fiction is often seen as an aside – a literary curiosity that experienced a brief heyday and then disappeared. In fact, its legacy is much more enduring, persisting within later Russian literary movements. Writing Fear explores Russian literature’s engagement with the gothic by analysing the practices of borrowing and adaptation. Katherine Bowers shows how these practices shaped literary realism from its romantic beginnings through the big novels of the 1860s and 1870s to its transformation during the modernist period. Bowers traces the development of gothic realism with an emphasis on the affective power of fear. She then investigates the hybrid genre’s function in a series of case studies focused on literary texts that address social and political issues such as urban life, the woman question, revolutionary terrorism, and the decline of the family. By mapping the myriad ways political and cultural anxiety take shape via the gothic mode in the age of realism, Writing Fear challenges the conventional literary history of nineteenth-century Russia.
