Donizetti und seine Zeit in Wien

Donizetti und seine Zeit in Wien PDF Author: Michael Jahn
Publisher:
ISBN: 9783854503101
Category : Opera
Languages : de
Pages : 320

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Italian Opera in Global and Transnational Perspective

Italian Opera in Global and Transnational Perspective PDF Author: Axel Körner
Publisher: Cambridge University Press
ISBN: 1108843867
Category : Music
Languages : en
Pages : 341

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Book Description
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.

Donizetti in Wien

Donizetti in Wien PDF Author: Leopold M. Kantner
Publisher:
ISBN:
Category : Opera
Languages : de
Pages : 228

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Music, Books on Music, and Sound Recordings

Music, Books on Music, and Sound Recordings PDF Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 704

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The Harvard Biographical Dictionary of Music

The Harvard Biographical Dictionary of Music PDF Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 9780674372993
Category : Biography & Autobiography
Languages : en
Pages : 1048

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Book Description
Biographaical dictionary emphisizes classicaland art music; also gives ample attention to the classics as well as Jazz, Blues, rock and pop, and hymns and showtunes across the ages.

Signor Piatti

Signor Piatti PDF Author: Annalisa Lodetti Barzanò
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 336

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Library of Congress Catalog

Library of Congress Catalog PDF Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 858

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Book Description
A cumulative list of works represented by Library of Congress printed cards.

The National Union Catalog

The National Union Catalog PDF Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 856

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National Union Catalog

National Union Catalog PDF Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 624

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On Music, Money and Markets

On Music, Money and Markets PDF Author: Thomas Baumert
Publisher: Springer Nature
ISBN: 3031432266
Category : Business & Economics
Languages : en
Pages : 258

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Book Description
Did you know that Bach invested in mines? That Rossini improved his income by running casinos in the opera houses which on weekends performed his operas? Or that Puccini composed shorter arias to make them fit the length of gramophone disks as they reported him huge revenues? Or who was, in financial terms, the most successful classical composer in history? This book —the first of its kind— studies and compares the finances of twenty classical composers in their historical and economical context. Each chapter details and quantifies the sources of income of these musicians (wages, royalties, subsidies, percentages over the number of performances, arrangements, investments in the musical sector, etc), thus allowing to estimate the income they obtained due to their artistic — primarily compositional, but also related— activities. In addition, it also estimates the composer’s expenditures, thus drawing a relatively complete image of their personal finances. This not only allows to conclude to create a ranking of composers according to their economic success, but —more importantly— for the first time gives an accurate image of the financial situation of a broad set of composers. This allows to correct many false believes while also giving new insights on the relation between economics and music history.