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Author: Charisse L'Pree Corsbie-Massay
Publisher: John Wiley & Sons
ISBN: 1119651964
Category : Social Science
Languages : en
Pages : 230
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Book Description
The first textbook to explore diversity by demonstrating how satirical content can advance the discussion and change attitudes Engaging in diversity and promoting inclusion means working to remove institutional inequities and actively assist those who have suffered from these inequities. In our changing media and cultural environment, satire has emerged as an increasingly popular approach for promoting diversity and inclusion. Effective satire highlights the absurdity of marginalization processes, but misinterpretation can potentially reinforce historical power dynamics and perpetuate marginalization. Diversity and Satire examines how satire in both traditional media and new spaces reinforces or disrupts issues of marginalization in the United States. Critically analyzing many different forms of satire, this innovative textbook helps students understand what makes effective satire, describe the value of satirical content to others, and recognize how satirical artifacts advance or hinder efforts to diversify institutions. Beginning with an introduction to satire and how it can drive conversations about diversity, the text addresses how satire can be used to address historical discriminatory practices. Each chapter features satirical artifacts that contextualize the material as well as practical advice and tips to consider when engaging with satirical content and distinguishing satire. This textbook also: Illustrates the difference between satire that disrupts discourse and content that merely reinforces stereotypes Explains the historical relevance of satire and its importance in addressing the marginalization of certain populations Describes the nature of satire in the changing media and cultural environment of the twenty-first century Features engaging case studies drawn from a wide variety of satirical sources such as The Daily Show (with Jon Stewart and Trevor Noah), The Onion, Saturday Night Live, The Hunger Games, Weird Al Yankovic, Family Guy, Rick and Morty, Sinclair Lewis, MTV, and College Humor Based on the author’s popular course at the S.I. Newhouse School of Public Communications at Syracuse University, Diversity and Satire: Laughing at Processes of Marginalization is an important resource for students, instructors, and general readers looking to explore disparities related to Class, Gender, Sexuality, and Race through the lens of satire.
Author: Charisse L'Pree Corsbie-Massay
Publisher: John Wiley & Sons
ISBN: 1119651964
Category : Social Science
Languages : en
Pages : 230
Get Book
Book Description
The first textbook to explore diversity by demonstrating how satirical content can advance the discussion and change attitudes Engaging in diversity and promoting inclusion means working to remove institutional inequities and actively assist those who have suffered from these inequities. In our changing media and cultural environment, satire has emerged as an increasingly popular approach for promoting diversity and inclusion. Effective satire highlights the absurdity of marginalization processes, but misinterpretation can potentially reinforce historical power dynamics and perpetuate marginalization. Diversity and Satire examines how satire in both traditional media and new spaces reinforces or disrupts issues of marginalization in the United States. Critically analyzing many different forms of satire, this innovative textbook helps students understand what makes effective satire, describe the value of satirical content to others, and recognize how satirical artifacts advance or hinder efforts to diversify institutions. Beginning with an introduction to satire and how it can drive conversations about diversity, the text addresses how satire can be used to address historical discriminatory practices. Each chapter features satirical artifacts that contextualize the material as well as practical advice and tips to consider when engaging with satirical content and distinguishing satire. This textbook also: Illustrates the difference between satire that disrupts discourse and content that merely reinforces stereotypes Explains the historical relevance of satire and its importance in addressing the marginalization of certain populations Describes the nature of satire in the changing media and cultural environment of the twenty-first century Features engaging case studies drawn from a wide variety of satirical sources such as The Daily Show (with Jon Stewart and Trevor Noah), The Onion, Saturday Night Live, The Hunger Games, Weird Al Yankovic, Family Guy, Rick and Morty, Sinclair Lewis, MTV, and College Humor Based on the author’s popular course at the S.I. Newhouse School of Public Communications at Syracuse University, Diversity and Satire: Laughing at Processes of Marginalization is an important resource for students, instructors, and general readers looking to explore disparities related to Class, Gender, Sexuality, and Race through the lens of satire.
Author: Matt Fotis
Publisher: Routledge
ISBN: 0429807309
Category : Humor
Languages : en
Pages : 290
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Book Description
Satire & The State focuses on performance-based satire, most often seen in sketch comedy, from 1960 to the present, and explores how sketch comedy has shaped the way Americans view the president and themselves. Numerous sketch comedy portrayals of presidents that have seeped into the American consciousness – Chevy Chase’s Gerald Ford, Dana Carvey’s George H.W. Bush, and Will Ferrell’s George W. Bush all worked to shape the actual politician’s public persona. The book analyzes these sketches and many others, illustrating how comedy is at the heart of the health and function of American democracy. At its best, satire aimed at the presidency can work as a populist check on executive power, becoming one of the most important weapons for everyday Americans against tyranny and political corruption. At its worst, satire can reflect and promote racism, misogyny, and homophobia in America. Written for students of Theatre, Performance, Political Science, and Media Studies courses, as well as readers with an interest in political comedy, Satire & The State offers a deeper understanding of the relationship between comedy and the presidency, and the ways in which satire becomes a window into the culture, principles, and beliefs of a country.
Author: Ashley Marshall
Publisher: JHU Press
ISBN: 1421408163
Category : Humor
Languages : en
Pages : 452
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Book Description
Rather, it is a collection of episodic little histories.
Author: Kevin Rulo
Publisher: Liverpool University Press
ISBN: 1949979903
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
In this book, Kevin Rulo reveals the crucial linkages between satire and modernism. He shows how satire enables modernist authors to evaluate modernity critically and to explore their ambivalence about the modern. Through provocative new readings of familiar texts and the introduction of largely unknown works, Satiric Modernism exposes a larger satiric mentality at work in well-known authors like T.S. Eliot, James Joyce, Wyndham Lewis, Ezra Pound, Virginia Woolf, and Ralph Ellison and in less studied figures like G.S. Street, the Sitwells, J.J. Adams, and Herbert Read, as well as in the literature of migration of Sam Selvon and John Agard, in the films of Paolo Sorrentino, and in the drama of Sarah Kane. In so doing, Rulo remaps the last hundred years as an era marked distinctively by a new kind of satiric critique of and aesthetic engagement with the temporal fissures, logics, and regimes of modernity. This ambitious, expansive study reshapes our understanding of modernist literary history and will be of interest to scholars of twentieth century and contemporary literature as well as of satire.
Author: Przemysław Uściński
Publisher: Peter Lang
ISBN: 3631681224
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Parody was a crucial technique for the satirists and novelists associated with the Scriblerus Club. The great eighteenth-century wits (Alexander Pope, John Gay, Henry Fielding, Laurence Sterne) often explored the limits of the ugly, the droll, the grotesque and the insane by mocking, distorting and deconstructing multiple discourses, genres, modes and methods of representation. This book traces the continuity and difference in parodic textuality from Pope to Sterne. It focuses on polyphony, intertextuality and deconstruction in parodic genres and examines the uses of parody in such texts as «The Beggar’s Opera», «The Dunciad», «Joseph Andrews» and «Tristram Shandy». The book demonstrates how parody helped the modern novel to emerge as a critical and artistically self-conscious form.
Author: William S. Anderson
Publisher: Princeton University Press
ISBN: 140085315X
Category : Foreign Language Study
Languages : en
Pages : 514
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Book Description
Irvine Anderson carefully reconstructs the years between 1933 and 1950 and provides a case study of the evolution of U.S. foreign oil policy and of the complex relationships between the U.S. government and the business world. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Marijke Meijer Drees
Publisher: John Benjamins Publishing Company
ISBN: 902726855X
Category : Language Arts & Disciplines
Languages : en
Pages : 277
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Book Description
Satire is clearly one of today’s most controversial socio-cultural topics. In this edited volume, The Power of Satire, it is studied for the first time as a dynamic, discursive mode of performance with the power of crossing and contesting cultural boundaries. The collected essays reflect the fundamental shift from literary satire or straightforward literary rhetoric with a relatively limited societal impact, to satire’s multi-mediality in the transnational public space where it can cause intercultural clashes and negotiations on a large scale. An appropriate set of heuristic themes – space, target, rhetoric, media, time – serves as the analytical framework for the investigations and determines the organization of the book as a whole. The contributions, written by an international group of experts with diverse disciplinary backgrounds, manifest academic standards with a balance between theoretical analyses and evaluations on the one hand, and in-depth case studies on the other.
Author: Paddy Bullard
Publisher: Oxford University Press, USA
ISBN: 0198727836
Category : Literary Criticism
Languages : en
Pages : 744
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Book Description
Eighteenth century Britain thought of itself as a polite, sentimental, enlightened place, but often its literature belied this self-image. This was an age of satire, and the century's novels, poems, plays, and prints resound with mockery and laughter, with cruelty and wit. The street-level invective of Grub Street pamphleteers is full of satire, and the same accents of raillery echo through the high scepticism of the period's philosophers and poets, many of whom were part-time pamphleteers themselves. The novel, a genre that emerged during the eighteenth century, was from the beginning shot through with satirical colours borrowed from popular romances and scandal sheets. This Handbook is a guide to the different kinds of satire written in English during the 'long' eighteenth century. It focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789. Outlier chapters extend the story back to first decade of the seventeenth century, and forward to the second decade of the nineteenth. The scope of the volume is not confined by genre, however. So prevalent was the satirical mode in writing of the age that this book serves as a broad and characteristic survey of its literature. The Oxford Handbook of Eighteenth-Century Satire reflects developments in historical criticism of eighteenth-century writing over the last two decades, and provides a forum in which the widening diversity of literary, intellectual, and socio-historical approaches to the period's texts can come together.
Author: W. B. Carnochan
Publisher: Univ of California Press
ISBN: 0520310225
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Satire, long the most neglected of literary genres, has begun to claim its share of critical attention. And no book in the satiric tradition has generated more controversy that Gulliver's Travels; since it was first published it has been the subject of an often passionate debate about its moral and esthetic value--a debate inseparable from the question of what Swift was really saying about us all, especially in Book IV. Despite the running controversy, this is the first extended study of the Travels to appear in over forty years. It places Swift's masterpiece in the perspective of its own age, but also in relation to ours. First it reviews the philosophical doubts of the Augustans about the nature of man--doubts now recognized as a major force behind Swift's satire. It examines Augustan satiric theory and its Continental background; and, coming to the Travels, treats them as one instance of a conventional form, the "satire on man." On the vexed problem of Book IV it argues that alternative views of Swift as a savage misanthrope and as a benign humanist are both inadequate, and that as in Swift's irony generally, what seem to be contradictory truths are simultaneously in force. The study is concerned throughout with the way values operate in a satiric context. What, for example are we to make of Gulliver's pious attachment to "truth"-telling? In this connection, a speculative theory is proposed which relates Swift's satiric intentions to the epistemology of John Locke. Finally, an epilogue looks ahead to some modern writers--Lewis Carroll, Joyce, Vladimir Nabokov--whose habits throw a retrospective light on Swift's. The study, broadly speaking, is not only about Gulliver's Travels but also about the psychology of the satirist and about the mind's response, whether the Augustans' or our own, at moments of intellectual crisis. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
Author: Kirk Combe
Publisher: Routledge
ISBN: 1000289834
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
Since 1980, when neoliberal and neoconservative forces began their hostile takeover of western culture, a new type of political satire has emerged that works to unmask and deter those toxic doctrines. Literary and cultural critic Kirk Combe calls this new form of satire the Rant. The Rant is grim, highly imaginative, and complex in its blending of genres. It mixes facets of satire, science fiction, and monster tale to produce widely consumed spectacles—major studio movies, popular television/streaming series, bestselling novels—designed to disturb and to provoke. The Rant targets what Combe calls the Regime. Simply put, the Regime is the sum of the dangerous social, economic, and political orthodoxies spurred on by neoliberal and neoconservative polity. Such practices include free-market capitalism, corporatism, militarism, religiosity, imperialism, racism, patriarchy, and so on. In the Rant, then, we have a unique and wholly contemporary genre of political expression and protest: speculative satire.
