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Author: Peter Jackson Rova
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110460602
Category : Religion
Languages : en
Pages : 218
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Book Description
How have humans sought to prevent viable assumptions about themselves and their world from being in force, how does this propensity manifest itself, and in what terms has it been theorized and criticized throughout the ages? Through a diversity of discrete case-studies spanning a vast time-scale (including topics such as paleolithic personal ornaments, pre-ancient ritual economy, ancient philosophy, and modern artful science), this study explores the means by which humans voluntarily suspend habitual patterns of judgement and disbelief in order to perceive the world differently. In recognizing how such modes of suspension can be variously traced back to religious comportments and institutions, a new sense of religious participation is identified beyond the credulous subjunction to artifice and its critical dismissal. The relevant outcome of this long-term comparative approach is that sincere devotion to a (practical or theoretical, scientific or spiritual) cause and the temporary affirmation of artifice are not mutually exclusive comportments, but rather genealogically akin to the discretely sacred (alchemical, ataraxic, epistemological, spectacular, thaumaturgic, etc.) concerns of a pre-modern world.
Author: Peter Jackson Rova
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110460602
Category : Religion
Languages : en
Pages : 218
Get Book
Book Description
How have humans sought to prevent viable assumptions about themselves and their world from being in force, how does this propensity manifest itself, and in what terms has it been theorized and criticized throughout the ages? Through a diversity of discrete case-studies spanning a vast time-scale (including topics such as paleolithic personal ornaments, pre-ancient ritual economy, ancient philosophy, and modern artful science), this study explores the means by which humans voluntarily suspend habitual patterns of judgement and disbelief in order to perceive the world differently. In recognizing how such modes of suspension can be variously traced back to religious comportments and institutions, a new sense of religious participation is identified beyond the credulous subjunction to artifice and its critical dismissal. The relevant outcome of this long-term comparative approach is that sincere devotion to a (practical or theoretical, scientific or spiritual) cause and the temporary affirmation of artifice are not mutually exclusive comportments, but rather genealogically akin to the discretely sacred (alchemical, ataraxic, epistemological, spectacular, thaumaturgic, etc.) concerns of a pre-modern world.
Author: Martin Lockerd
Publisher: Bloomsbury Publishing
ISBN: 1350137677
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
Tracing the movement of literary decadence from the writers of the fin de siècle - Oscar Wilde, Aubrey Beardsley, Ernest Dowson, and Lionel Johnson - to the modernist writers of the following generation, this book charts the legacy of decadent Catholicism in the fiction and poetry of British and Irish modernists. Linking the later writers with their literary predecessors, Martin Lockerd examines the shifts in representation of Catholic decadence in the works of W. B. Yeats through Ezra Pound to T.S. Eliot; the adoption and transformation of anti-Catholicism in Irish writers George Moore and James Joyce; the Catholic literary revival as portrayed in Evelyn Waugh's Brideshead Revisited; and the attraction to decadent Catholicism still felt by postmodernist writers D.B.C. Pierre and Alan Hollinghurst. Drawing on new archival research, this study revisits some of the central works of modernist literature and undermines existing myths of modernist newness and secularism to supplant them with a record of spiritual turmoil, metaphysical uncertainty, and a project of cultural subversion that paradoxically relied upon the institutional bulwark of European Christianity. Lockerd explores the aesthetic, sexual, and political implications of the relationship between decadent art and Catholicism as it found a new voice in the works of iconoclastic modernist writers.
Author: Jennifer A. Lorden
Publisher: Cambridge University Press
ISBN: 1009390317
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Firmly establishes the importance of early affective devotion in the hybrid poetics of the earliest English poetry.
Author: Shalini Kakar
Publisher: Rowman & Littlefield
ISBN: 1793646287
Category : Art
Languages : en
Pages : 299
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Book Description
Devotional Fanscapes examines the practices and materiality of fans who worship film stars as divine figures. This book is an analysis of visual culture and star temples that bring cinema, fandom, religion, and politics into undocumented negotiations in national and transnational contexts.
Author: Joseph Lathrop
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
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Book Description
Author: Debra Higgs Strickland
Publisher: BRILL
ISBN: 9004160531
Category : History
Languages : en
Pages : 313
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Book Description
This volume's essays together provide a rich investigation of the idea of sanctity and its many medieval manifestations across time (fifth through fifteenth centuries) and in different geographical locations (England, Scotland, France, Italy, the Low Countries) from multiple disciplinary perspectives.
Author: John Donne
Publisher: Indiana University Press
ISBN: 0253050413
Category : Literary Collections
Languages : en
Pages : 782
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Book Description
Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1046
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Book Description
Author: Frank Hill Perrycoste
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 286
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Book Description
Author: Andrew R. Casper
Publisher: Penn State Press
ISBN: 0271091088
Category : Art
Languages : en
Pages : 217
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Book Description
Winner of the 2022 Roland H. Bainton Book Prize from the Sixteenth Century Society & Conference In 1578, a fourteen-foot linen sheet bearing the faint bloodstained imprint of a human corpse was presented to tens of thousands of worshippers in Turin, Italy, as one of the original shrouds used to prepare Jesus Christ’s body for entombment. From that year into the next century, the Shroud of Turin emerged as Christianity’s preeminent religious artifact. In an unprecedented new look, Andrew R. Casper sheds new light on one of the world’s most famous and controversial religious objects. Since the early twentieth century, scores of scientists and forensic investigators have attributed the Shroud’s mysterious images to painterly, natural, or even supernatural forces. Casper, however, shows that this modern opposition of artifice and authenticity does not align with the cloth’s historical conception as an object of religious devotion. Examining the period of the Shroud’s most enthusiastic following, from the late 1500s through the 1600s, he reveals how it came to be considered an artful relic—a divine painting attributed to God’s artistry that contains traces of Christ’s body. Through probing analyses of materials created to perpetuate the Shroud’s cult following—including devotional, historical, and theological treatises as well as printed and painted reproductions—Casper uncovers historicized connections to late Renaissance and Baroque artistic cultures that frame an understanding of the Shroud’s bloodied corporeal impressions as an alloy of material authenticity and divine artifice. This groundbreaking book introduces rich, new material about the Shroud’s emergence as a sacred artifact. It will appeal to art historians specializing in religious and material studies, historians of religion, and to general readers interested in the Shroud of Turin.
