Decadent Ecology in British Literature and Art, 1860–1910 PDF Download
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Author: Dennis Denisoff
Publisher: Cambridge University Press
ISBN: 1108845975
Category : Art
Languages : en
Pages : 279
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Book Description
Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
Author: Dennis Denisoff
Publisher: Cambridge University Press
ISBN: 1108845975
Category : Art
Languages : en
Pages : 279
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Book Description
Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
Author: Alex Murray
Publisher: Oxford University Press
ISBN: 0192673963
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
British Decadent literature was a radical attack on conventional morality and middle-class taste, its insistence on the autonomy of art and its exploration of sexuality, dissipation, and depravity at odds with the literary and social establishment. Yet this counter-cultural narrative has obscured the often reactionary and elitist tendencies of Decadent writers and artists of the fin de siècle. Decadent Conservatism offers the first in-depth examination of the intersection of Decadence and conservatism, arguing that underpinning both was the desire to find alternatives to liberal modernity. Both Decadents and conservatives turned to the past to uncover values and models of social organisation that could offer stability in a chaotic world. From well-known figures such as Oscar Wilde and W.B. Yeats, through to the forgotten editors of short-lived periodicals, important female aesthetes such as Michael Field, and politicians such as Arthur Balfour, Decadent Conservatism challenges conventional understandings of the relationship between aesthetics, politics, and the past in late-Victorian Britain. Through a series of thematic chapters exploring the alternative communities created by little magazines, the politics of Individualism, investments in monarchy and religion, Folk Decadence, and jingoistic and nationalist responses to the Second Anglo-Boer war, this study offers a new, and much messier, picture of fin-de-siècle literary politics. It will be of interest to those working on Victorian literature and modernism, as well as social, political, and cultural history of the period 1880-1920.
Author: Dustin Friedman
Publisher: Cambridge University Press
ISBN: 1009081632
Category : Literary Criticism
Languages : en
Pages : 676
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Book Description
The 1890s were once seen as marginal within the larger field of Victorian studies, which tended to privilege the realist novel and the authors of the mid-century. In recent decades, the fin de siècle has come to be viewed as one of the most dynamic decades of the Victorian era. Viewed by writers and artists of the period as a moment of opportunity, transition, and urgency, the 1890s are pivotal for understanding the parameters of the field of Victorian studies itself. This volume makes a case for why the decade continues to be an area of perennial fascination, focusing on transnational connections, gender and sexuality, ecological concerns, technological innovations, and other current critical trends. This collection both calls attention to the diverse range of literature and art being produced during this period and foregrounds the relevance of the Victorian era's final years to issues and crises that face us today.
Author: Matthew Rowlinson
Publisher: Cambridge University Press
ISBN: 1009409956
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Centring on Darwin and on literature throughout the nineteenth century, this book documents a general crisis in the species concept.
Author: Charles Martindale
Publisher: Cambridge University Press
ISBN: 1108835899
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
The first collected study of Pater's significance to criticism, revealing his pivotal role in establishing principles of the literary essay.
Author: Sarah Green
Publisher: Cambridge University Press
ISBN: 1108831516
Category : Juvenile Nonfiction
Languages : en
Pages : 283
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Book Description
Sarah Green shows how late Victorian Decadent literature paradoxically treats sexual restraint as healthy and aesthetically productive.
Author: Aaron Rosenberg
Publisher:
ISBN: 1009271822
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
At the turn of the twentieth century, novelists faced an unprecedented crisis of scale. While exponential increases in industrial production, resource extraction, and technological complexity accelerated daily life, growing concerns about deep time, evolution, globalization, and extinction destabilised scale's value as a measure of reality. Here, Aaron Rosenberg examines how four novelists moved radically beyond novelistic realism, repurposing the genres-romance, melodrama, gothic, and epic-it had ostensibly superseded. He demonstrates how H. G. Wells, Thomas Hardy, Joseph Conrad, and Virginia Woolf engaged with climatic and ecological crises that persist today, requiring us to navigate multiple temporal and spatial scales simultaneously. The volume shows that problems of scale constrain our responses to crisis by shaping the linguistic, aesthetic, and narrative structures through which we imagine it. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Rosalind Parry
Publisher: Cambridge University Press
ISBN: 1009272012
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.
Author: Lauren Gillingham
Publisher: Cambridge University Press
ISBN: 1009296574
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
Revealing how a modern notion of fashion helped to transform the novel and its representation of social change and individual and collective life in nineteenth-century Britain, Lauren Gillingham offers a revisionist history of the novel. With particular attention to the fiction of the 1820s through 1840s, this study focuses on novels that use fashion's idiom of currency and obsolescence to link narrative form to a heightened sense of the present and the visibility of public life. It contends that novelists steeped their fiction in date-stamped matters of dress, manners, and media sensations to articulate a sense of history as unfolding not in epochal change, but in transient issues and interests capturing the public's imagination. Reading fiction by Mary Shelley, Letitia Landon, Edward Bulwer-Lytton, W. H. Ainsworth, Charles Dickens, Mary Elizabeth Braddon, and others, Fashionable Fictions tells the story of a nineteenth-century genre commitment to contemporaneity that restyles the novel itself.
Author: Francesca Mackenney
Publisher: Cambridge University Press
ISBN: 1009084089
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
In the long nineteenth century, scientists discovered striking similarities between how birds learn to sing and how children learn to speak. Tracing the 'science of birdsong' as it developed from the 'ingenious' experiments of Daines Barrington to the evolutionary arguments of Charles Darwin, Francesca Mackenney reveals a legacy of thought which informs, and consequently affords fresh insights into, a canonical group of poems about birdsong in the Romantic and Victorian periods. With a particular focus on the writings of Samuel Taylor Coleridge, the Wordsworth siblings, John Clare and Thomas Hardy, her book explores how poets responded to an analogy which challenged definitions of language and therefore of what it means to be human. Drawing together responses to birdsong in science, music and poetry, her distinctive interdisciplinary approach challenges many of the long-standing cultural assumptions which have shaped (and continue to shape) how we respond to other creatures in the Anthropocene.
