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Author: Alex Murray
Publisher: Oxford University Press
ISBN: 0192673963
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
British Decadent literature was a radical attack on conventional morality and middle-class taste, its insistence on the autonomy of art and its exploration of sexuality, dissipation, and depravity at odds with the literary and social establishment. Yet this counter-cultural narrative has obscured the often reactionary and elitist tendencies of Decadent writers and artists of the fin de siècle. Decadent Conservatism offers the first in-depth examination of the intersection of Decadence and conservatism, arguing that underpinning both was the desire to find alternatives to liberal modernity. Both Decadents and conservatives turned to the past to uncover values and models of social organisation that could offer stability in a chaotic world. From well-known figures such as Oscar Wilde and W.B. Yeats, through to the forgotten editors of short-lived periodicals, important female aesthetes such as Michael Field, and politicians such as Arthur Balfour, Decadent Conservatism challenges conventional understandings of the relationship between aesthetics, politics, and the past in late-Victorian Britain. Through a series of thematic chapters exploring the alternative communities created by little magazines, the politics of Individualism, investments in monarchy and religion, Folk Decadence, and jingoistic and nationalist responses to the Second Anglo-Boer war, this study offers a new, and much messier, picture of fin-de-siècle literary politics. It will be of interest to those working on Victorian literature and modernism, as well as social, political, and cultural history of the period 1880-1920.
Author: Alex Murray
Publisher: Oxford University Press
ISBN: 0192673963
Category : Literary Criticism
Languages : en
Pages : 299
Get Book
Book Description
British Decadent literature was a radical attack on conventional morality and middle-class taste, its insistence on the autonomy of art and its exploration of sexuality, dissipation, and depravity at odds with the literary and social establishment. Yet this counter-cultural narrative has obscured the often reactionary and elitist tendencies of Decadent writers and artists of the fin de siècle. Decadent Conservatism offers the first in-depth examination of the intersection of Decadence and conservatism, arguing that underpinning both was the desire to find alternatives to liberal modernity. Both Decadents and conservatives turned to the past to uncover values and models of social organisation that could offer stability in a chaotic world. From well-known figures such as Oscar Wilde and W.B. Yeats, through to the forgotten editors of short-lived periodicals, important female aesthetes such as Michael Field, and politicians such as Arthur Balfour, Decadent Conservatism challenges conventional understandings of the relationship between aesthetics, politics, and the past in late-Victorian Britain. Through a series of thematic chapters exploring the alternative communities created by little magazines, the politics of Individualism, investments in monarchy and religion, Folk Decadence, and jingoistic and nationalist responses to the Second Anglo-Boer war, this study offers a new, and much messier, picture of fin-de-siècle literary politics. It will be of interest to those working on Victorian literature and modernism, as well as social, political, and cultural history of the period 1880-1920.
Author: Alex Murray
Publisher: Oxford University Press
ISBN: 0192858203
Category : History
Languages : en
Pages : 299
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Book Description
British Decadent literature was a radical attack on conventional morality and middle-class taste, its insistence on the autonomy of the art and its exploration of sexuality, dissipation, and depravity at odds with the literary and social establishment. Yet this counter-cultural narrative has obscured the often reactionary and elitist tendencies of Decadent writers and artists of the fin de siècle. Decadent Conservatism offers the first in-depth examination of the intersection of Decadence and conservatism, arguing that underpinning both was the desire to find alternatives to liberal modernity. Both Decadents and conservatism turned to the past to uncover values and models of social organisation that could offer stability in a chaotic world. From well-known figures such as Oscar Wilde and W.B. Yeats, through to the forgotten editors of short-lived periodicals, important female aesthetes such as Michael Field, and politicians such as Arthur Balfour, Decadent Conservatism challenges conventional understandings of the relationship between aesthetics, politics, and the past in late-Victorian Britain. Through a series of thematic chapters exploring the alternative communities created by little magazines, the politics of Individualism, investments in monarchy and religion, Folk Decadence, and jingoistic and nationalist responses to the Second Anglo-Boer war, this study offers a new, and much messier, picture of fin-de-siècle literary politics. It will be of interest to those working on Victorian literature and modernism, as well as social, political, and cultural history of the period 1880-1920.
Author: Katharina Herold-Zanker
Publisher: Oxford University Press
ISBN: 0198881002
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
Decadence and Orientalism in England and Germany, 1880-1920 examines the Orientalist portrayal of Middle Eastern cultures in Decadent Literatures in England and Germany at the turn of the century. This book argues that the role of Orientalism in literary Decadence uniquely exposes its paradoxical engagement with other cultures. In bringing together two fin-de-siècle European literatures, this comparative study makes a case for the transnational, if not imperial, nature of Decadence. The East emerges as an 'indispensable' mediator between various versions of European Decadence. The book examines the role of the East with specific reference to selected English and German authors: starting from Oscar Wilde's Victorian vision of Egypt and Arthur Symons's and Violet Fane's image of Constantinople, it moves to Paul Scheerbart's and Else Lasker-Schüler's Decadent Babylon and Assyria and concludes by turning to Stefan George's exclusion of the East from his poetic practice. The geographical reach of the East focuses on regions of the Eastern Mediterranean and Northern Africa. The cultural translation of specifically the Middle East into different European national contexts gains new—sometimes oppositional—meanings, avoiding a one-sided representation of both the East and the two national literatures that absorbed it. In arguing for a Decadent cosmopolitanism as a model of heterogeneous inclusivity that reaches beyond the binaries established by Edward Said's Orientalism, the present book brings twenty-first century theories of cosmopolitanism into dialogue with art history and literature to uncover striking synergies and interdependences between the different manifestations of Decadence in England and Germany.
Author: Sam Tanenhaus
Publisher: Random House Trade Paperbacks
ISBN: 0812981030
Category : Political Science
Languages : en
Pages : 162
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Book Description
Sam Tanenhaus’s essay “Conservatism Is Dead” prompted intense discussion and debate when it was published in The New Republic in the first days of Barack Obama’s presidency. Now Tanenhaus, a leading authority on modern politics, has expanded his argument into a sweeping history of the American conservative movement. For seventy-five years, he argues, the Right has been split between two factions: consensus-driven “realists” who believe in the virtue of government and its power to adjust to changing conditions, and movement “revanchists” who distrust government and society–and often find themselves at war with America itself. Eventually, Tanenhaus writes, the revanchists prevailed, and the result is the decadent “movement conservatism” of today, a defunct ideology that is “profoundly and defiantly unconservative–in its arguments and ideas, its tactics and strategies, above all in its vision.” But there is hope for conservatism. It resides in the examples of pragmatic leaders like Dwight Eisenhower and Ronald Reagan and thinkers like Whittaker Chambers and William F. Buckley, Jr. Each came to understand that the true role of conservatism is not to advance a narrow ideological agenda but to engage in a serious dialogue with liberalism and join with it in upholding “the politics of stability.” Conservatives today need to rediscover the roots of this honorable tradition. It is their only route back to the center of American politics. At once succinct and detailed, penetrating and nuanced, The Death of Conservatism is a must-read for Americans of any political persuasion.
Author: P. Addison Devis
Publisher:
ISBN:
Category : Methodism
Languages : en
Pages : 320
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Author: Benjamin Disraeli
Publisher:
ISBN:
Category :
Languages : en
Pages : 510
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Author:
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Category : Electronic journals
Languages : en
Pages : 626
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Author:
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ISBN:
Category : Electronic journals
Languages : en
Pages : 670
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Author: William Schofield
Publisher:
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Category :
Languages : en
Pages : 88
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Author:
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 626
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