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Author: L. Andrew Cooper
Publisher: University of Illinois Press
ISBN: 0252094387
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror, as well as his influence on modern horror and slasher movies. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970's suspense thriller The Bird with the Crystal Plumage to 2009's Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. While considerations of Argento's films often describe them as irrational nightmares, L. Andrew Cooper uses controversies and theories about the films' reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento's oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock. Analyzing individual images and sequences as well as larger narrative structures, he reveals how the director's stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema's visual, narrative, and political norms.
Author: L. Andrew Cooper
Publisher: University of Illinois Press
ISBN: 0252094387
Category : Performing Arts
Languages : en
Pages : 203
Get Book
Book Description
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror, as well as his influence on modern horror and slasher movies. In his four decades of filmmaking, Argento has displayed a commitment to innovation, from his directorial debut with 1970's suspense thriller The Bird with the Crystal Plumage to 2009's Giallo. His films, like the lurid yellow-covered murder-mystery novels they are inspired by, follow the suspense tradition of hard-boiled American detective fiction while incorporating baroque scenes of violence and excess. While considerations of Argento's films often describe them as irrational nightmares, L. Andrew Cooper uses controversies and theories about the films' reflections on sadism, gender, sexuality, psychoanalysis, aestheticism, and genre to declare the anti-rational logic of Argento's oeuvre. Approaching the films as rhetorical statements made through extremes of sound and vision, Cooper places Argento in a tradition of aestheticized horror that includes De Sade, De Quincey, Poe, and Hitchcock. Analyzing individual images and sequences as well as larger narrative structures, he reveals how the director's stylistic excesses, often condemned for glorifying misogyny and other forms of violence, offer productive resistance to the cinema's visual, narrative, and political norms.
Author: James Gracey
Publisher: Oldcastle Books
ISBN: 1842433970
Category : Performing Arts
Languages : en
Pages : 236
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Book Description
The stylistic and bloody excesses of the films of Dario Argento are instantly recognisable. Vivid, baroque and nightmarish, his films lock violent deaths in a twisted embrace with an almost sexual beauty. Narrative and logic are often lost in a constant bombardment of atmosphere, technical mastery and provocative imagery. It's a body of work which deals explicitly with death and violence, all the while revelling in perversely alluring stylistics and shot through with an unflinching intensity. Setting the tone with earlier gialli films such as The Animal Trilogy and Deep Red, Argento has steadily pushed the boundaries; through his elaborately gothic fairytales Suspiria and Inferno, right up to his more recent contributions to TV's Masters of Horror compendium and the conclusion of his Three Mothers trilogy, Mother of Tears: The Third Mother. Along the way, his prowling camera work, pounding scores and stylistic bloodshed have only gained in intensity and opulence. This Kamera Book examines his entire output. Hailed as one of horror cinemas most significant pioneers and the twentieth century's major masters of the macabre, Argento continues to create inimitable and feverishly violent films with a level of artistry rarely seen in horror films. His high profile and mastery of the genre is confirmed with his role as producer on celebrated classics such as George A. Romero's Dawn of the Dead and Lamberto Bava's Demons. His work has influenced the likes of Quentin Tarantino, John Carpenter and Martin Scorsese, to name but a few.
Author: Dario Argento
Publisher:
ISBN: 9781913051051
Category : Motion picture producers and directors
Languages : en
Pages : 0
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Book Description
To his legion of admirers Dario Argento is a horror legend of the greatest magnitude. And to his genre filmmaking contemporaries he's an inspiration and an icon. Now the maverick auteur, lauded as the Italian Hitchcock and the horror Fellini, has written his autobiography, revealing all about his fascinating life, his dark obsessions, his talented family, his perverse dreams and his star-crossed work. With candour and honesty, 'Fear' lifts the lid on the trials and tribulations of Argento's glittering career during the sensational golden era of cinecitta.
Author: Chris Gallant
Publisher: FAB Press
ISBN:
Category : Horror films
Languages : en
Pages : 318
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Book Description
Dario Argento is the undisputed master of Italian horror cinema. His films disrupt what is often perceived as an inflexible divide between the artistic and the commercial, high art and exploitation, forging a surprising, exciting, inimitable signature style.
Author: Luigi Cozzi
Publisher:
ISBN: 9788895294513
Category : Performing Arts
Languages : en
Pages : 188
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Book Description
Author: Jack Hunter
Publisher: Cult Movie Files
ISBN: 9781902588230
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Dario Argento is the visionary Italian giallo director whose films such as Bird With The Crystal Plumage, Four Flies On Grey Velvet, Deep Red, Suspiria, and Inferno have shocked and disturbed audiences since the 1970s. Argento's films assault the eye with incredible colour schemes, transgressive twists, and bloody human carnage -- but that is merely the surface. In-depth analysis of Argento's narratives reveals an occult undercurrent seething with abjection, compulsion, paranoia, schizophrenia and sexual psychosis; Ae ^COMPLEXe ^OFe ^CARNAGE reveals and explores this buried syndrome of manias in four separate essays, and is illustrated with over 80 illuminating photographic images, including 40 in stunning full colour.
Author: Derek Botelho
Publisher:
ISBN: 9781593935672
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
A retrospective of Italian auteur Dario Argento's films; The Argento Syndrome is an examination of a career marked by such genre classics as Suspiria, Deep Red, Tenebrae, The Bird with the Crystal Plumage and Opera. The Argento Syndrome is part academic study, with essays on every film, and part personal memoir, detailing the author's time in Italy on a trip to visit the set of Sleepless. Also included are several full-length interviews with such personalities as John Carpenter, Tony Musante, Luciano Tovoli, Leigh McCloskey and Asia Argento. Derek Botelho holds a B.A. in Cinema from Columbia College, and is a regular contributor to dailydead.com and has had work published with Dark Discoveries, Little Shoppe of Horrors, Moviement, and Fangoria.
Author: Troy Howarth
Publisher:
ISBN: 9781644301166
Category : Performing Arts
Languages : en
Pages : 432
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Book Description
An in-depth look at the films of Dario Argento, Italy's acknowledged master of horror and suspense, has made a career out of exploring the macabre poetry of images of violent death. He did not, however, set out to be a filmmaker. He established himself early on as a progressive voice in film criticism-lavishing praise on directors like Sergio Leone, who had yet to receive their due from the Italian critical establishment. His efforts attracted the attention of Leone himself, who invited the young critic to help develop the story for his next feature. The end result, Once Upon a Time in the West, is often cited as a masterpiece-and from there, Argento went on to enjoy success as a screenwriter before making the all-important switch to directing. His directorial debut, The Bird with the Crystal Plumage, became a major hit and helped to popularize the floundering genre of Italian thrillers, also known as gialli. In the years since, Argento has established a high profile as one of Italian cinema's most commercially successful artists, earning a level of celebrity which is almost unheard of among film directors. His filmography includes such beloved gems as Deep Red, Suspiria, Inferno, and Phenomena, as well as more hotly-debated titles like The Stendhal Syndrome, The Phantom of the Opera, Sleepless, and Mother of Tears. Murder by Design: The Unsane Cinema of Dario Argento explores the full scope of his work as a writer, a producer, and a director. Lavishly illustrated and with newly conducted interviews with Dario Argento, as well as such colleagues as actress (and daughter) Fiore Argento, actress Sally Kirkland, actress Irene Miracle, composer Claudio Simonetti, and cinematographer Luciano Tovoli, the book provides a comprehensive overview of Argento's life, career, and rich cinematic legacy.
Author: Stefano Baschiera
Publisher: Edinburgh University Press
ISBN: 074869353X
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
This collection brings together for the first time a range of contributions aimed at a new understanding of the Italian horror cinema genre.
Author: Gino C Mongelli
Publisher:
ISBN:
Category :
Languages : en
Pages : 420
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Book Description
The Two Truths: Of Dario Argento's Opera and Satoshi Kon's Perfect Blue is a wide-ranging exploration of the remarkable connections between the film-works of two seemingly disparate directors through discussions of psychology, philosophy East (from which this book takes its title) and West (including integral theory), physics, film theory and other systems related to reality, thought and consciousness. Art-horror director Dario Argento and animated fantasy film director Satoshi Kon receive treatment of comprehensive scale and astounding breadth and depth in this whirlwind analysis of their filmographies (and many other directors' works including Frank Capra, Alfred Hitchcock and David Lynch).Fans of Dario Argento will enjoy the meticulous investigation of Opera and its connections to other Argento films, including Tenebrae, Phenomena and The Stendhal Syndrome. The book starts out with an elucidation of some of the major themes in Argento's often-overlooked Trauma to set the stage for drawing out further connections to the films of other directors, starting with Magnetic Rose written by Satoshi Kon.For fans of Satoshi Kon, The Two Truths marks a first, including not only analyses of Kon's films at the high level of resolution they warrant but also in-depth summaries of both the Japanese source novel, Perfect Blue: Complete Metamorphosis, and the Japanese-only companion audio drama Double Bind -The Looking Glass of Perfect Blue-.Author Gino C. Mongelli brings together diverse concepts and systems to present an important work in terms of both analysis of Argento's and Kon's filmographies and attending to our human abilities to think, self-reflect and grow.Themes specific to The Two Truths were heavily researched over three years, including poring over academic, filmic and other sources in five languages (especially English and Japanese). There are over 200 references cited including, among many others, Joseph Campbell, Freeman Dyson, Mircea Eliade, Richard P. Feynman, Sigmund Freud, Douglas Hofstadter, William James, Carl Jung, Hayao Kawai, R.D. Laing, Marshall McLuhan, Friedrich Nietzsche, P.D. Ouspensky, Jordan B. Peterson, Chögyam Trungpa, Ken Wilber and Slavoj Zizek.The Two Truths is an augmented spin-off of the previously released The Delicate War: Knowing in oneself the angel from the beast through the films of Dario Argento. In that volume, discussion of Argento's Opera received one chapter. Here, that chapter and many other elements are remixed and expanded by over five times in length to bring out the similarly fractal qualities of Kon's Perfect Blue and to use those two films as a foundational hologram through which to explore most of the other films in these two directors' brilliant oeuvres.
