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Author: F. Burwick
Publisher: Springer
ISBN: 0230119972
Category : Literary Criticism
Languages : en
Pages : 417
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Book Description
From the artistic practice of improvisation to the politics of nationalism, the essays in this volume break new ground and significantly extend our understanding of the relations between British and Italian culture in its analysis of the reception of Dante and Italian literature in British Romanticism.
Author: F. Burwick
Publisher: Springer
ISBN: 0230119972
Category : Literary Criticism
Languages : en
Pages : 417
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Book Description
From the artistic practice of improvisation to the politics of nationalism, the essays in this volume break new ground and significantly extend our understanding of the relations between British and Italian culture in its analysis of the reception of Dante and Italian literature in British Romanticism.
Author: A. Braida
Publisher: Springer
ISBN: 0230508499
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
The British Romantic poets were among the first to realise the centrality of the Divine Comedy for the evolution of the European epic. This study explores the significance of Dante for Percy Bysshe Shelley, John Keats and William Blake. What was their idea of Dante? Why did they feel the need to approach his Christian epic on the afterlife? This study aims to answer these questions by focusing on the three poets' preoccupation with form and language.
Author: C. P Brand
Publisher: Cambridge University Press
ISBN: 0521247292
Category : History
Languages : en
Pages : 313
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Book Description
A fashionable and well-informed interest in Italy was a feature of English intellectual life in the first half of the 19th century. Most cultured people could read Italian and knew something of Italian literature. Young ladies learned to sing in Italian, whilst young gentlemen completed their education with a tour in Italy. Painters went there to make copies from Raphael; architects to sketch the Graeco-Roman ruins. Men of letters in particular found themselves drawn to Italy and much Romantic literature reflects this interest; many works owe their origin to Italian literature. In this book, which was originally published in 1957, Dr Brand traces the growth and decline of the social fashion which made Italy the goal of so many cultured Englishmen. He examines in particular the extent and significance of Italy's fascination for the English romantic writers, and traces the effects of the fashion in music, painting, architecture and political affairs.
Author: Joseph Luzzi
Publisher: Yale University Press
ISBN: 0300151780
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This groundbreaking study considers Italian Romanticism and the modern myth of Italy. Ranging across European and international borders, he examines the metaphors, facts, and fictions about Italy that were born in the Romantic age and continue to haunt the global literary imagination.
Author:
Publisher: BRILL
ISBN: 9401202311
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Drawing on a long-standing tradition of fictional images, British writers of the Romantic period defined and constructed Italy as a land that naturally invites inscription and description. In their works, Italy is a cultural geography so heavily overwritten with discourse that it becomes the natural recipient of further fictional transformations. If critics have frequently attended to this figurative complex and its related Italophilia, what seems to have been left relatively unexplored is the fact that these representations were paralleled and sustained by intense scholarly activities. This volume specifically addresses Romantic-period scholarship about Italian literature, history, and culture under the interconnected rubrics of ‘translating’, ‘reviewing’, and ‘rewriting’. The essays in this book consider this rich field of scholarly activity in order to redraw its contours and examine its connections with the fictional images of Italy and the general fascination with this land and its civilization that are a crucial component of British culture between the eighteenth and nineteenth centuries.
Author: Madeleine Callaghan
Publisher: Liverpool University Press
ISBN: 1800855621
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
Eternity in British Romantic Poetry explores the representation of the relationship between eternity and the mortal world in the poetry of the period. It offers an original approach to Romanticism that demonstrates, against the grain, the dominant intellectual preoccupation of the era: the relationship between the mortal and the eternal. The project's scope is two-fold: firstly, it analyses the prevalence and range of images of eternity (from apocalypse and afterlife to transcendence) in Romantic poetry; secondly, it opens up a new and more nuanced focus on how Romantic poets imagined and interacted with the idea of eternity. Every poet featured in the book seeks and finds their uniqueness in their apprehension of eternity. From Blake’s assertion of the Eternal Now to Keats’s defiance of eternity, Wordsworth’s ‘two consciousnesses’ versus Coleridge’s capacious poetry, Byron’s swithering between versions of eternity compared to Shelleyan yearning, and Hemans’s superlative account of everlasting female suffering, each poet finds new versions of eternity to explore or reject. This monograph sets out a paradigm-shifting approach to the aesthetic and philosophical power of eternity in Romantic poetry.
Author: Laura Bandiera
Publisher: Rodopi
ISBN: 9042018577
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Covers comparative literature; English literature; Italian literature in the 18th and 19th centuries.
Author: David Duff
Publisher: Oxford University Press
ISBN: 0191019712
Category : Literary Criticism
Languages : en
Pages : 800
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Book Description
The Oxford Handbook of British Romanticism offers a comprehensive guide to the literature and thought of the Romantic period, and an overview of the latest research on this topic. Written by a team of international experts, the Handbook analyses all aspects of the Romantic movement, pinpointing its different historical phases and analysing the intellectual and political currents which shaped them. It gives particular attention to devolutionary trends, exploring the English, Scottish, Welsh, and Irish strands in 'British' Romanticism and assessing the impact of the constitutional changes that brought into being the 'United Kingdom' at a time of revolutionary turbulence and international conflict. It also gives extensive coverage to the publishing and reception history of Romantic writing, highlighting the role of readers, reviewers, publishers, and institutions in shaping Romantic literary culture and transmitting its ideas and values. Divided into ten sections, each containing four or five chapters, the Handbook covers key themes and concepts in Romantic studies as well as less chartered topics such as freedom of speech, literature and drugs, Romantic oratory, and literary uses of dialect. All the major male and female Romantic authors are included along with numerous lesser-known writers, the emphasis throughout being on the diversity of Romantic writing and the complexities and internal divisions of the culture that sustained it. The volume strikes a balance between familiarity and novelty to provide an accessible guide to current thinking and a conceptual reorganization of this fast-moving field.
Author: Christoph Lehner
Publisher: Cambridge Scholars Publishing
ISBN: 1443891819
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
In the course of 750 years, Dante Alighieri has been made into a universally important icon deeply engrained in the world’s cultural memory. This book examines key stages of Dante’s appropriation in Western cultural history by exploring the intermedial relationship between Dante’s Divina Commedia, the tradition of his iconography, and selected historical, literary and artistic responses from British artists in the 19th and 20th centuries. The images and iconographies created out of Dantean appropriations almost always centre around the triad of allegory, authority and authenticity. These three important aspects of revisiting Dante are found in the Dantean image fostered in Florence in the 14th and 15th centuries and feature prominently in the works of Dante Gabriel Rossetti, T. S. Eliot and Tom Phillips. Their appropriation of Dante represents landmarks in the productive reception of the Florentine, and is invariably linked to a tradition of Dante studies established in Britain during the middle of the 19th century. For Dante Gabriel Rossetti the Florentine provides a model for Victorian Dantean self-fashioning and becomes an allegory of authenticity and morality. For T. S. Eliot, Dante represents the voice of literary authority in Modernist poetry and serves as the allegory of a visionary European author. For Tom Phillips, the engagement with Dante and his text represents an intertextual and intermedial endeavour, which provides him with a rich cultural tapestry of art, thought and ideas on the Western world. The main focus of this study, therefore, is on how Dante’s image was fixed in the first 200 years of his appropriation in Florence, how fruitfully the Dantean images and his text have been taken up and used for creative and intellectual production in Britain over the course of the past centuries, and what moral, literary, or political messages they continue to convey.
Author: Nick Havely
Publisher: OUP Oxford
ISBN: 0191034371
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.
