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Author: Justine Reeve
Publisher: Human Kinetics
ISBN: 149258388X
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
Dance Improvisations: Warm-Ups, Games and Choreographic Tasks will provide assistance with any doubts that dancers and teachers might have with improvisation. This practical book promotes creativity that can lead to innovative breakthroughs among students from middle school age through college. With Dance Improvisations: Warm-Ups, Games and Choreographic Tasks, you receive • expert instruction in planning, teaching, and assessing students’ improvisations; • 73 activities in creating movement and material for choreographing dances; • a glossary of dance and choreographic terms; and • extensions of each improv to aid further exploration and development of the improvisation skills. The activities support all portions of your class—including improvisation lessons that you can use as warm-ups, games that stimulate creativity, and choreographic tasks for creating movement material. Each activity has been tested and refined by the author, a veteran dance instructor and choreographer. You can use the improvs individually in a lesson or use them in developing entire lesson plans. The step-by-step instruction and teaching tips that you receive save you valuable preparation time—and the instructions are clear enough that more experienced students can use the book to practice on their own. With Dance Improvisations: Warm-Ups, Games and Choreographic Tasks, you will find new ways to help your dancers create original movements through both individual and group activities. Your students will hone their creative responses, and the innovation and energy in your dance classes will fill your studio or classroom. Students will blossom and gain inspiration using these improvisations as they learn how to develop movement and choreograph studies.
Author: Justine Reeve
Publisher: Human Kinetics
ISBN: 149258388X
Category : Performing Arts
Languages : en
Pages : 191
Get Book
Book Description
Dance Improvisations: Warm-Ups, Games and Choreographic Tasks will provide assistance with any doubts that dancers and teachers might have with improvisation. This practical book promotes creativity that can lead to innovative breakthroughs among students from middle school age through college. With Dance Improvisations: Warm-Ups, Games and Choreographic Tasks, you receive • expert instruction in planning, teaching, and assessing students’ improvisations; • 73 activities in creating movement and material for choreographing dances; • a glossary of dance and choreographic terms; and • extensions of each improv to aid further exploration and development of the improvisation skills. The activities support all portions of your class—including improvisation lessons that you can use as warm-ups, games that stimulate creativity, and choreographic tasks for creating movement material. Each activity has been tested and refined by the author, a veteran dance instructor and choreographer. You can use the improvs individually in a lesson or use them in developing entire lesson plans. The step-by-step instruction and teaching tips that you receive save you valuable preparation time—and the instructions are clear enough that more experienced students can use the book to practice on their own. With Dance Improvisations: Warm-Ups, Games and Choreographic Tasks, you will find new ways to help your dancers create original movements through both individual and group activities. Your students will hone their creative responses, and the innovation and energy in your dance classes will fill your studio or classroom. Students will blossom and gain inspiration using these improvisations as they learn how to develop movement and choreograph studies.
Author: Joyce Morgenroth
Publisher: University of Pittsburgh Pre
ISBN: 0822971364
Category : Performing Arts
Languages : en
Pages : 161
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Book Description
Dance Improvisations is a book for teachers of dance and acting, choreographers, directors, and dance therapists. Systematically offering a complete range of ways to explore dance, it can be used as a syllabus or as a reference for groups of all ages and all levels of experience. The first chapter in Dance Improvisations introduces ways for a group to practice working together and for the dancers to gain an effective awareness of each other. These preliminaries are followed by a body of improvisational problems, organized into three main areas: Space, Time, and Movement Invention. Each area is presented as a series of topics. Each topic progresses from individual exploration to more formally structured group improvisations, with emphasis on learning to work as a group toward common structural goals. This book is the first in its field to go beyond the pursuit of physical inventiveness to nurture the development of structural intuition. Joyce Morgenroth has succeeded in presenting improvisation in a way that is rational and methodical as well as inventive and personal - in the conviction that improvisation at its best is comprised of both form and fancy.
Author: Lynne Anne Blom
Publisher: University of Pittsburgh Pre
ISBN: 082297438X
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
Dance improvisation, the intriguing phenomenon of the creative process alive in the moving body, exists powerfully, sublimely - lending insight, solving problems, allowing moments of transcendence, diversion, and delight. Flourishing especially since the postmodern movement of the 1960s, it has come into its own in the performing arts. While there are many books containing ideas for developing improvisations, few have tackled the difficult questions: “What is dance improvisation?” “How does it work?” or “What is its body of knowledge?” The Moment of Movement goes beyond lists of improvisations and into the heart of improvising. As in their previous book, The Intimate Act of Choreography, the authors pursue both the philosophical and the practical. They begin by examining the creative process as it applies to movement and especially the kinesthetic way in which the body knows and uses movement. They answer the often unstated and pertinent questions of the novice; investigate the particular skills and traits needed by the leader; consider ways of working with specific populations; and provide challenging material for advanced movers. They discuss the use of music, and the specific situation of improvisation in performance. For leaders who want to design their own improvisations, they trace the evolution of an idea into an actual content and structure. They also address the controversial issue of the legitimacy of improvisation in an academic curriculum. A final chapter presents hundreds of improvs and improv ideas, grouped into units and cross-referenced. The Moment of Movement is not tied to any one point of view. The authors’ presentation of a broad range of material is flexible enough for use by choreographers, directors, educators, and therapists. In its perceptive investigation of the experiential and conceptual aspects of dance improvisation, this book articulates the ephemeral.
Author: Danielle Goldman
Publisher: University of Michigan Press
ISBN: 0472050842
Category : Performing Arts
Languages : en
Pages : 187
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Book Description
A conceptual framework for understanding the development of improvised dance in late 20th-century America
Author: Justine Reeve
Publisher: Human Kinetics
ISBN: 1718222424
Category : Improvisation in dance
Languages : en
Pages : 201
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Book Description
"A resource for dance educators, workshop leaders, students, dance artists, and anyone who leads dancers in creative movement responses and choreographic practice. Includes warm-up games and tasks; solo, duo, and group improvisations and creative tasks; using aural and physical settings in dance creation; and developing improvisations. Includes appendix with choreography and dance terms"--
Author: Cheryl Pallant
Publisher: McFarland
ISBN: 1476626499
Category : Performing Arts
Languages : en
Pages : 207
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Book Description
In most forms of dancing, performers carry out their steps with a distance that keeps them from colliding with each other. Dancer Steve Paxton in the 1970s considered this distance a territory for investigation. His study of intentional contact resulted in a public performance in 1972 in a Soho gallery, and the name “contact improvisation” was coined for the form of unrehearsed dance he introduced. Rather than copyrighting it, Paxton allowed it to evolve and spread. In this book the author draws upon her own experience and research to explain the art of contact improvisation, in which dance partners propel movement by physical contact. They roll, fall, spiral, leap, and slip along the contours and momentum of moving bodies. The text begins with a history, then describes the elements that define this form of dance. Subsequent chapters explore how contact improvisation relates to self and identity; how class, race, gender, culture and physiology influence dance; how dance promotes connection in a culture of isolation; and how it relates to the concept of community. The final chapter is a collection of exercises explained in the words of teachers from across the United States and abroad. Appendix A describes how to set up and maintain a weekly jam; Appendix B details recommended reading, videos and Web sites. Instructors considering this book for use in a course may request an examination copy here.
Author: Ann Cooper Albright
Publisher: Wesleyan University Press
ISBN: 9780819566485
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
First comprehensive overview of improvisation in dance.
Author: Daniel Nagrin
Publisher: University of Pittsburgh Pre
ISBN: 0822978881
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
The first in a trilogy of books by one of the leading figures in American dance, Dance and the Specific Image includes more than 100 improvisational structures that Daniel Nagrin created with his company, the Workgroup, and taught in dance classes and workshops throughout the United States. Robby Barnett of the Pilobolus Dance Theater called the book "a vivid and fascinating document of his thinking—more movement and performance and, of course, on his own extraordinary life in dance."
Author: Cynthia J. Novack
Publisher: Univ of Wisconsin Press
ISBN: 0299124444
Category : Performing Arts
Languages : en
Pages : 277
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Book Description
In Sharing the Dance, Cynthia Novack considers the development of contact improvisation within its web of historical, social, and cultural contexts. This book examines the ways contact improvisers (and their surrounding communities) encode sexuality, spontaneity, and gender roles, as well as concepts of the self and society in their dancing. While focusing on the changing practice of contact improvisation through two decades of social transformation, Novack’s work incorporates the history of rock dancing and disco, the modern and experimental dance movements of Merce Cunningham, Anna Halprin, and Judson Church, among others, and a variety of other physical activities, such as martial arts, aerobics, and wrestling.
Author: Barbara Mettler
Publisher:
ISBN:
Category : Improvisation in dance
Languages : en
Pages : 192
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Book Description
Tanz, Gruppe, Technik, Kreativität, Bewegungserfahrung, Bewegung, Modern-dance.
