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Author: Dan Flavin
Publisher: David Zwirner Books
ISBN: 9781941701188
Category : Art
Languages : en
Pages : 96
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Book Description
Showcasing Dan Flavin’s “corner,” “barrier,” and “corridor” works, this catalogue explores the artist’s core sculptural vocabulary and how his use of fluorescent light forged a new relationship between the art object and its surrounding architecture. This publication examines how Flavin’s light works, which he described as “situations,” function in space, occupying key positions that highlight how the rooms themselves are constructed. The exhibition is not only historically significant, as it mines early explorations in Flavin’s practice, but many of the works are reproduced for the first time in plates that accurately capture their colors. Published on the occasion of the 2015 eponymous exhibition at David Zwirner, New York, Corners, Barriers and Corridors takes as its point of departure the artist’s influential show, corners, barriers and corridors in fluorescent light from Dan Flavin, presented at the Saint Louis Art Museum in 1973. Above all, the photography reveals the unexpected and powerful interplay between the light of neighboring pieces and the space—the way the walls, floor, and various hues mingle to form unpredicted palettes that reveal what Michael Auping, following Donald Judd, calls the “exoskeleton.” These works, with their immediate relationship to architecture, not only function as color experiments but as structural explorations in light, and in his essay, Auping explores how Flavin’s investigations of corners, barriers, and corridors became an essential part of the way the artist understood space. This publication also features rarely seen photographs of Flavin installing his historic 1973 exhibition, as well as detailed notes by Alexandra Whitney about the works included in the St. Louis presentation. Designed by McCall Associates, in close collaboration with the Estate of Dan Flavin, this catalogue presents an especially significant body of work in a completely new way and offers a vital historical perspective on Flavin’s practice.
Author: Dan Flavin
Publisher: David Zwirner Books
ISBN: 9781941701188
Category : Art
Languages : en
Pages : 96
Get Book
Book Description
Showcasing Dan Flavin’s “corner,” “barrier,” and “corridor” works, this catalogue explores the artist’s core sculptural vocabulary and how his use of fluorescent light forged a new relationship between the art object and its surrounding architecture. This publication examines how Flavin’s light works, which he described as “situations,” function in space, occupying key positions that highlight how the rooms themselves are constructed. The exhibition is not only historically significant, as it mines early explorations in Flavin’s practice, but many of the works are reproduced for the first time in plates that accurately capture their colors. Published on the occasion of the 2015 eponymous exhibition at David Zwirner, New York, Corners, Barriers and Corridors takes as its point of departure the artist’s influential show, corners, barriers and corridors in fluorescent light from Dan Flavin, presented at the Saint Louis Art Museum in 1973. Above all, the photography reveals the unexpected and powerful interplay between the light of neighboring pieces and the space—the way the walls, floor, and various hues mingle to form unpredicted palettes that reveal what Michael Auping, following Donald Judd, calls the “exoskeleton.” These works, with their immediate relationship to architecture, not only function as color experiments but as structural explorations in light, and in his essay, Auping explores how Flavin’s investigations of corners, barriers, and corridors became an essential part of the way the artist understood space. This publication also features rarely seen photographs of Flavin installing his historic 1973 exhibition, as well as detailed notes by Alexandra Whitney about the works included in the St. Louis presentation. Designed by McCall Associates, in close collaboration with the Estate of Dan Flavin, this catalogue presents an especially significant body of work in a completely new way and offers a vital historical perspective on Flavin’s practice.
Author: Tiffany Bell
Publisher: Yale University Press
ISBN: 0300106335
Category : Art
Languages : en
Pages : 444
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Book Description
"New scholarship and interpretation of Flavin's work also appears in the form of three critical essays by experts and an extensive chronology, comprehensive bibliography, and exhibition history. In addition, this book includes Flavin's text, "'...in daylight or cool white.' an autobiographical sketch," originally published in Artforum in 1965, and two interviews with the artist - one from 1972 and the other from 1982."--BOOK JACKET.
Author: Dan Flavin
Publisher: Guggenheim Museum
ISBN:
Category : Flavin, Dan, 1933-
Languages : en
Pages : 120
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Book Description
"This book, published on the occasion of Dan Flavin: The Architecture of Light at the Deutsche Guggenheim Berlin, draws upon the Solomon R. Guggenheim Museum's extensive holdings of the artist's work.".
Author: Christine Macel
Publisher: Yale University Press
ISBN: 0300214820
Category : Art
Languages : en
Pages : 353
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Book Description
Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.
Author: Simon Baier
Publisher:
ISBN: 9783775736855
Category : Modernism (Art)
Languages : en
Pages : 0
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Book Description
Although the three prominent modernist artists Piet Mondrian, Barnett Newman and Dan Flavin each belong to a different generation, all of them have devoted their creativity to abstract art in groundbreaking ways. Featuring each of the three artists in chronological order, so that the sequencing gives rise to enlightening nexuses, this book presents each artists' masterpieces, while juxtaposing seldom-seen works
Author: Corinna Thierolf
Publisher: Schirmer Mosel
ISBN:
Category : Installations (Art)
Languages : en
Pages : 88
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Book Description
Dan Flavin is a key figure in 20th-century art. Leaving the classical genres of painting and sculpture behind him, from the early 1960s he focused entirely on exploring and realizing the artistic potential of light. Using commercial fluorescent light fixtures, he created installations that offered new dimensions on our perception of space. This book is dedicated to his earliest experiments with artificial light: eight wall-mounted pieces created between 1961 and 1964, which he called Icons. The Icons are wooden crates painted in one colour, onto which Flavin mounted coloured lamp bulbs or fluorescent light fixtures. Corinna Thierolf and Johannes Vogt, curators at the Pinakothek der Moderne in Munich, explore the interface the Icons that so virulently forge between the religious mysticism of light, the flickering of the brightly illuminated billboards on Broadway and the neon shrines of popular art.
Author: Donald Judd
Publisher: David Zwirner Books
ISBN: 1941701353
Category : Art
Languages : en
Pages : 1057
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Book Description
With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.
Author: Giuseppe Panza
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252
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Book Description
This collection of contemporary art, created by Giuseppe Panza di Biumo in over forty-five years of collecting is one of the most important collections of art from the last decades of the twentieth century. This fully illustrated book gives an account of the history of the collection, of loans to important museums and of exhibitions of the works from it at contemporary art museums around the world.
Author: David J. Getsy
Publisher: Yale University Press
ISBN: 030019675X
Category : Art
Languages : en
Pages : 201
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Book Description
Original and theoretically astute, Abstract Bodies is the first book to apply the interdisciplinary field of transgender studies to the discipline of art history. It recasts debates around abstraction and figuration in 1960s art through a discussion of gender’s mutability and multiplicity. In that decade, sculpture purged representation and figuration but continued to explore the human as an implicit reference. Even as the statue and the figure were left behind, artists and critics asked how the human, and particularly gender and sexuality, related to abstract sculptural objects that refused the human form. This book examines abstract sculpture in the 1960s that came to propose unconventional and open accounts of bodies, persons, and genders. Drawing on transgender and queer theory, David J. Getsy offers innovative and archivally rich new interpretations of artworks by and critical writing about four major artists—Dan Flavin (1933–1996), Nancy Grossman (b. 1940), John Chamberlain (1927–2011), and David Smith (1906–1965). Abstract Bodies makes a case for abstraction as a resource in reconsidering gender’s multiple capacities and offers an ambitious contribution to this burgeoning interdisciplinary field.
Author: Melissa Rachleff
Publisher: National Geographic Books
ISBN: 3791355589
Category : Art
Languages : en
Pages : 0
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Book Description
This enlightening and thought-provoking look at New York City’s postwar art scene focuses on the galleries and the artists that helped transform American art. While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline— have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more well- known figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klu&̈ver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
