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Author: Dorothee Richter
Publisher: Createspace Independent Publishing Platform
ISBN: 9781517453367
Category :
Languages : en
Pages : 110
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Book Description
On-Curating Issue 26 dis one of three publications on the Curating Degree Zero Archive.The Curating Degree Zero Archive (CDZA) documents the work of over 100 contemporary art curators who are known internationally for their critical and experimental positions. This collection of exhibition documentation, gifted to the archivists by the curators themselves, contains, among other materials, catalogues, DVDs, magazines and ephemera. In this way the archive presents a representative cross-section of the critical curatorial discourse at the beginning of the twenty-first century.The project began with the three-day symposium "Curating Degree Zero", organized in Bremen in 1998 by Dorothee Richter and Barnaby Drabble. Between 2003 and 2008, the two curators worked together again on the archive, which grew in size as it travelled to eighteen venues around the world as an exhibition and a program of live events and discussions. In 2011, the resulting collection was gifted to the Media and Information Centre (MIZ) at the Z�rich University of the Arts (ZHdK). Since the opening of the university's new premises in the Toni-Areal in 2014, the archive is accessible as a permanent reference collection on public display.https://www.zhdk.ch/miz_curatingInitiated by Barnaby Drabble and Dorothee Richter, the archive was developed in partnership with the following venues, collectives and institutions:Plug-in (Basel), Centre d'Art Contemporain Geneva, K�nstlerhaus Bremen, O.K Centrum f�r Gegenwartskunst (Linz), Spike Island Art Space (Bristol), Halle f�r Kunst (L�neburg), International Project Space (Bournville), Northern Gallery for Contemporary Art (Sunderland), Artlab at Imperial College (London), Sparwasser HQ (Berlin), Edinburgh College of Art, Nuova Accademia di Belle Arti (Milan), Festival der K�nste & Museum f�r Gestaltung (Z�rich), INSA Art Space (Seoul), Association Drash & Point �ph�m�re (Paris), Rakett (Bergen), West Cork Arts Centre (Skibbereen) and Galerija Miroslav Kraljevic,Zagreb.
Author: Dorothee Richter
Publisher: Createspace Independent Publishing Platform
ISBN: 9781517453367
Category :
Languages : en
Pages : 110
Get Book
Book Description
On-Curating Issue 26 dis one of three publications on the Curating Degree Zero Archive.The Curating Degree Zero Archive (CDZA) documents the work of over 100 contemporary art curators who are known internationally for their critical and experimental positions. This collection of exhibition documentation, gifted to the archivists by the curators themselves, contains, among other materials, catalogues, DVDs, magazines and ephemera. In this way the archive presents a representative cross-section of the critical curatorial discourse at the beginning of the twenty-first century.The project began with the three-day symposium "Curating Degree Zero", organized in Bremen in 1998 by Dorothee Richter and Barnaby Drabble. Between 2003 and 2008, the two curators worked together again on the archive, which grew in size as it travelled to eighteen venues around the world as an exhibition and a program of live events and discussions. In 2011, the resulting collection was gifted to the Media and Information Centre (MIZ) at the Z�rich University of the Arts (ZHdK). Since the opening of the university's new premises in the Toni-Areal in 2014, the archive is accessible as a permanent reference collection on public display.https://www.zhdk.ch/miz_curatingInitiated by Barnaby Drabble and Dorothee Richter, the archive was developed in partnership with the following venues, collectives and institutions:Plug-in (Basel), Centre d'Art Contemporain Geneva, K�nstlerhaus Bremen, O.K Centrum f�r Gegenwartskunst (Linz), Spike Island Art Space (Bristol), Halle f�r Kunst (L�neburg), International Project Space (Bournville), Northern Gallery for Contemporary Art (Sunderland), Artlab at Imperial College (London), Sparwasser HQ (Berlin), Edinburgh College of Art, Nuova Accademia di Belle Arti (Milan), Festival der K�nste & Museum f�r Gestaltung (Z�rich), INSA Art Space (Seoul), Association Drash & Point �ph�m�re (Paris), Rakett (Bergen), West Cork Arts Centre (Skibbereen) and Galerija Miroslav Kraljevic,Zagreb.
Author:
Publisher:
ISBN:
Category : Art
Languages : de
Pages : 129
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Book Description
Author: Han'guk Munhwa Yesul Wiwŏnhoe
Publisher:
ISBN: 9788995781050
Category :
Languages : en
Pages : 719
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Book Description
Author: Paul O'Neill
Publisher: MIT Press
ISBN: 0262529742
Category : Art
Languages : en
Pages : 195
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Book Description
How curating has changed art and how art has changed curating: an examination of the emergence contemporary curatorship. Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O'Neill describes how, by the 1980s, curated group exhibitions—large-scale, temporary projects with artworks cast as illustrative fragments—came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O'Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated—and authorized—the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O'Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
Author: Sara Callahan
Publisher: Manchester University Press
ISBN: 1526156849
Category : Art
Languages : en
Pages : 277
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Book Description
Art + Archive provides an in-depth analysis of the connection between art and the archive at the turn of the twenty-first century. The book examines how the archive emerged in art writing in the mid-1990s and how its subsequent ubiquity can be understood in light of wider social, technological, philosophical and art-historical conditions and concerns. Deftly combining writing on archives from different disciplines with artistic practices, the book clarifies the function and meaning of one of the most persistent artworld buzzwords of recent years, shedding light on the conceptual and historical implications of the so-called archival turn in contemporary art.
Author: Dorothee Richter
Publisher: Verlag Fur Moderne Kunst
ISBN:
Category : Art
Languages : de
Pages : 140
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Book Description
Author: Sue Spaid
Publisher: Bloomsbury Publishing
ISBN: 1350114901
Category : Philosophy
Languages : en
Pages : 297
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Book Description
This book walks us through the process of how artworks eventually get their meaning, showing us how curated exhibitions invite audience members to weave an exhibition's narrative threads, which gives artworks their contents and discursive sense. Arguing that exhibitions avail artworks as candidates for reception, whose meaning, value, and relevance reflect audience responses, it challenges the existing view that exhibitions present “already-validated” candidates for appreciation. Instead, this book stresses the collaborative nature of curatorial practices, debunking the twin myths of autonomous artists and sovereign artistic directors and treating presentation and reception as separate processes. Employing set theory to distinguish curated exhibitions from uncurated exhibitions, installation art and collections, it demonstrates how exhibitions grant spectators access to concepts that aid their capacity to grasp artifacts as artworks. To inform and illuminate current debates in curatorial practice, Spaid draws on a range of case studies from Impressionism, Dada and Surrealism to more contemporary exhibitions such as Maurizio Cattelan “All” (2011) and “Damien Hirst” (2012). In articulating the process that cycles through exploration, interpretation, presentation and reception, curating bears resemblance to artistic direction more generally.
Author: Michael Rebhahn
Publisher: Schott Music
ISBN: 3795725100
Category : Music
Languages : en
Pages : 169
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Book Description
"Defragmentation - Curating Contemporary Music" is a research project with the aim of anchoring discourses on gender and diversity, decolonization and technological change that are currently being conducted in many disciplines in new music institutions and discussing curatorial practices in this field. The volume brings together a four-day convention as part of the Darmstadt Ferienkurse 2018.
Author: Slavko Kacunko
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832538992
Category : Architecture
Languages : en
Pages : 383
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Book Description
By following and reproducing the cultural turn, the rhetoric of cultural mix and hybridism is disseminated today primarily in its crossing of trade barriers. Cultures reduced to their exchange value function as capital - an accumulative, speculative and, ultimately, financial affair. In some of its media and site-(un)specific manifestations, process art - which aims to encompass both old and new media art - seems to resist this pressure, despite, nonetheless, not being protected from regulations and incorporations. In the present collection of his recent essays, Slavko Kacunko discusses the process art by crossing the disciplines of art history and comparative media-, visual- and -cultural studies. As a first approximation, several historiographical remarks on closed-circuit video installations underline their importance as a core category of process art. In the second part, the problems of process art, seen as a threshold of art history, are further examined in another retroanalytical step, in which concepts and objects related to `mirror', `frame' and `immediacy' are analyzed as the triple delimitation of visual culture studies. In the third part, previously outlined manifestations of what is termed the `post-visual condition' are summarized and projected to the `coreless core' of the emerging art and research related to the coreless beings par excellence, the bacteria.
Author: Elke Krasny
Publisher: Taylor & Francis
ISBN: 1000842606
Category : Art
Languages : en
Pages : 308
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Book Description
This book presents over 20 authors’ reflections on ‘curating care’ – and presents a call to give curatorial attention to the primacy of care for all life and for more ‘caring curating’ that responds to the social, ecological and political analysis of curatorial caregiving. Social and ecological struggles for a different planetary culture based on care and respect for the dignity of life are reflected in contemporary curatorial practices that explore human and non-human interdependence. The prevalence of themes of care in curating is a response to a dual crisis: the crisis of social and ecological care that characterizes global politics and the professional crisis of curating under the pressures of the increasingly commercialized cultural landscape. Foregrounding that all beings depend on each other for life and survival, this book collects theoretical essays, methodological challenges and case studies from curators working in different global geographies to explore the range of ways in which curatorial labour is rendered as care. Practising curators, activists and theorists situate curatorial labour in the context of today’s general care crisis. This volume answers to the call to more fully understand how their transformative work allows for imagining the future of bodily, social and environmental care and the ethics of interdependency differently.
