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Author: Karen Patel
Publisher: Taylor & Francis
ISBN: 1040085253
Category : Business & Economics
Languages : en
Pages : 94
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Book Description
Craft is resurgent. More people are buying craft; more money is being spent on craft products than ever before. This book centres craft as a creative industry, illuminating the experiences of those working in and around craft, particularly people from marginalised groups. Shining a light on inequalities around craft work, the author examines the lived experiences of women makers of colour in the professional craft sector. Experiences of racism and microaggressions at all stages of their craft career are analysed. The author draws on innovative empirical research carried out in the UK and Australia, two countries where the resurgence in craft is apparent, yet professional craft practice is dominated by the white and relatively privileged. In interrogating hierarchies of expertise and cultural value in craft, the author employs case studies from community crafts and social enterprises. The result is a book of interest to scholars at the intersections of the creative and cultural industries, the creative economy and inequalities at work.
Author: Karen Patel
Publisher: Taylor & Francis
ISBN: 1040085253
Category : Business & Economics
Languages : en
Pages : 94
Get Book
Book Description
Craft is resurgent. More people are buying craft; more money is being spent on craft products than ever before. This book centres craft as a creative industry, illuminating the experiences of those working in and around craft, particularly people from marginalised groups. Shining a light on inequalities around craft work, the author examines the lived experiences of women makers of colour in the professional craft sector. Experiences of racism and microaggressions at all stages of their craft career are analysed. The author draws on innovative empirical research carried out in the UK and Australia, two countries where the resurgence in craft is apparent, yet professional craft practice is dominated by the white and relatively privileged. In interrogating hierarchies of expertise and cultural value in craft, the author employs case studies from community crafts and social enterprises. The result is a book of interest to scholars at the intersections of the creative and cultural industries, the creative economy and inequalities at work.
Author: S. Luckman
Publisher: Springer
ISBN: 1137399686
Category : Social Science
Languages : en
Pages : 187
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Book Description
Craft and the Creative Economy examines the place of craft and making in the contemporary cultural economy, with a distinctive focus on the ways in which this creative sector is growing exponentially as a result of online shopfronts and home-based micro-enterprise, 'mumpreneurialism' and downshifting, and renewed demand for the handmade.
Author: Susan Luckman
Publisher: Bloomsbury Publishing
ISBN: 1474259561
Category : Design
Languages : en
Pages : 249
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Book Description
Craft Economies provides a wide-ranging exploration of contemporary craft production, situating practices of amateur and professional making within a wider creative economy. Contributors address a diverse range of practices, sites and forms of making in a wide range of regional and national contexts, from floristry to ceramics and from crochet to coding. The volume considers the role of digital practices of making and the impact of the maker's movement as part of larger trends around customisation, on-demand production, and the possibilities of 3D printing and digital manufacturing.
Author: Susan Luckman
Publisher: Springer Nature
ISBN: 3030449793
Category : Political Science
Languages : en
Pages : 269
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Book Description
This open access book explores the experience of working as a craftsperson or designer maker in the contemporary creative economy. The authors utilise evidence from the only major empirical study to explore the skills required and the challenges facing contemporary makers in an increasingly crowded marketplace. Drawing upon 180 interviews with peak organisations, established and emerging makers, and four years of fieldwork across Australia, this book offers a unique insight into the motivations informing those who seek to make an income from their craft or designer maker practice, as well as the challenges and opportunities facing them as they do so at this time of renewed interest internationally in the artisanal and handmade. Offering a rich and deep collection of real-life experiences, this book is aimed both at an academic and practitioner audience.
Author: Richard E. Caves
Publisher: Harvard University Press
ISBN: 9780674001640
Category : Art
Languages : en
Pages : 472
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Book Description
"To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate."--BOOK JACKET.
Author: Annette Naudin
Publisher: Rowman & Littlefield Publishers
ISBN: 1786613751
Category : Social Science
Languages : en
Pages : 237
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Book Description
Craft practice has experienced a sharp rise in popularity since the late 2000s, partly through the ‘aura of the analogue’ and the desire for authentic, handmade products in an increasingly fast paced, digitalised world (Luckman, 2015) but also because of digital platforms such as Etsy and social media enabling ‘anyone’ to become a craft entrepreneur. This book brings together historical, policy and individual narratives to inform a broad understanding of craft entrepreneurship. Drawing on case studies from around the world, Craft Entrepreneurship considers questions of identity, community, and the digital in craft entrepreneurship. In doing so, it finds craft activities to be positioned between or across the arts, heritage, notions of a bohemian lifestyle and the challenges of micro-entrepreneurship. By engaging with the contradictions and fragility of sustaining a craft practice, the chapters in this book contribute to different perspectives for entrepreneurship studies. The contributions to this volume illustrate the craft entrepreneurs’ identity, motivation and sense of creative purpose through their craft, as these collide with the tensions brought about through entrepreneurship.
Author: Anna Mignosa
Publisher: Springer
ISBN: 3030021645
Category : Business & Economics
Languages : en
Pages : 312
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Book Description
Are we aware of the values of craft? In this edited volume, cultural economists, researchers and professionals provide an interdisciplinary discussion of the relevance and contribution of the craft sector to the economy, as well as to society at large. Mignosa and Kotipalli bring together contributors to compare the craft sector across countries, analysing the role of institutions, educational bodies, organisations and market structure in its evolution and perception. The Western approach to craft and its subordinate position to the arts is contrasted with the prestige of craftmanship in Eastern countries, while the differing ways that craft has attracted the attention of policy agencies, museums, designers and private institutions across regions is also analysed. This volume is vital reading to those interested in the economic features of craft and craftsmanship around the world, as well as for those interested in the importance of policy in bringing about effective sustainable development.
Author: Desmond Hui
Publisher: Nives Edizioni
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
Edited by Desmond Hui This book is a collection of essays on the research and pedagogy of art, design, and creative industries carried out by the academic staff of the Department of Art and Design (AAD) at the Hang Seng University of Hong Kong (HSUHK) since its founding in 2020, which was predated by the first set up of the BA in Cultural and Creative Industries (BA-CCI) programme – one of the two undergraduate programmes under the department – at the institution in 2017. The other programme of BA in Art and Design (BA-AD) was launched in the same year of 2020, and both programmes have been recognized as pioneering in Hong Kong and the region. We have chosen the name “Conceptual Practice” to describe the essays, simply because we believe the importance of both terms – concept and practice – in the creative disciplines. This rationale as an underlying philosophy in the teaching and research of art, design, and creative industries of the department has been enshrined in the course modules of the two programmes, dialectically positioned also to educate two different but equally important knowledge and skill sets in the professions – management and creativity. Most essays are authored by the colleague in charge of his or her own course modules or research projects, aiming to expose the unique theory and methodology involved, and often feature samples of work by the colleague and the students. This publication is the first volume reflecting cumulative efforts of both programmes – 5 years for BA-CCI and 3 years for BA-AD – and the intention is to continue production with subsequent volumes. We hope that by publishing the results of our work as exploration and experimentation of a unique approach to research and education, there might be feedback and exchange for improvement and further development, which we very much welcome. Tabel of Contents: City Brands and Hope: Engagement and Contemplation in the Art and Design Studio by Desmond Hui Everyday Experience and the Creation of the Environment: Three Lessons from The Little Prince by Desmond Hui Designing Augmented Reality Picture Books for Children by Rochelle Yi Hsuan Yang How Futuristic is the Future? by Mauro Arrighi The Gaze by Mauro Arrighi Why Fly? Or, Can Airborne Sculptures Think, and, if so, Who Cares? by Samuel Swope Here Comes the ‘Big Waster’! by Christine Choy Retro.HK Gaming Expo 2022 at HSUHK by Christine Choy Technology, Art and Compassion by Lo Wan Ki Doing Heritage by Mok Kin Wai Patrick The Evolution of World Heritage Management by Richard A. Engelhardt A Journey of Art History through the Eyes of the Students by Laura Cavanna The Meta-sense Garden: Redefining Sensory and Spatial Experience in the Post-COVID Era by Desmond Hui, Laura Cavanna, Mauro Arrighi, Rochelle Yang, Samson Wong Architectural Metamorphosis by Desmond Hui, Laura Cavanna, Slimane Ouahes, Wong Pak Hang Samson
Author: Brian Moeran
Publisher:
ISBN: 9781847887788
Category : Art
Languages : en
Pages :
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Book Description
Volume 1 focuses on the concept of creativity and the development of government and industry interest in creative industries. Volume 2 maps the role and function of creative industries in the economy at large. Volume 3 examines the ways in which creative institutions organize themselves. Volume 4 addresses issues of creative work, labour and careers.
Author: C. Henry
Publisher: Edward Elgar Publishing
ISBN: 184844012X
Category : Art
Languages : en
Pages : 227
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Book Description
The book is like a delicious smörgåsbord with a variety of contributions within creative industries research. David Rylander, Papers in Regional Science This book positions itself with an international approach and with a focus on entrepreneurship. My perception is that this will be read with major interest by policymakers around the world, who right now consider how to form strategies and construct policies to support their own creative industries. . . The book raises interesting aspects of creative industries in comparison to more traditional industries. . . Charlotta Mellander, International Small Business Journal This collection of papers adds some new dimensions to the current creative entrepreneurship research agenda. It highlights the valuable economic and social contribution of the sector but also encourages policymakers, educators and trainers to continue to evaluate the critical role they play in the creative enterprise development process. Culturelink . . . a delight to read. The book is novel and covers an important area of entrepreneurship that is definitely worthy of more attention. The book is useful to practitioners in the creative industries field that want to learn more about the international importance of the sector and also to academics who conduct research in the area. Vanessa Ratten, Journal of Enterprising Communities There is increasing conversation about this industry at conferences around the world. This book would be helpful in putting definitional boundaries around the topic and bringing together the latest research on the topic. It has an automatic international scope, has an interesting selection of subtopics including gender, trends, and economic contributions and is cleverly organized. Patricia G. Greene, Babson College, US The creative industries represent a vital, exciting and rapidly changing field of activity; one that is now recognised as a key growth sector in the knowledge-based economy. However, there is still a general lack of understanding of what is meant by the term creative industry , and thxe creative sector has not, to date, been the subject of concerted academic research. This book redresses the balance by providing valuable insights into the creative entrepreneurial process and platforming some of the key challenges yet to be addressed. A range of pertinent and diverse topics relating to creative entrepreneurship are dealt with, including the different quantitative and qualitative methodologies adopted by researchers in this field. In addition, the nature of creative entrepreneurship across different industry sub-sectors and in different economic and geographical contexts is examined. Illustrating the valuable economic and social contribution of the creative industries sector, Entrepreneurship in the Creative Industries aims to encourage policymakers, educators and trainers to continue to evaluate their critical role in the creative enterprise development process. Students and researchers in entrepreneurship and creative industries fields will also find the book to be an illuminating read.
