Staging Loss PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Staging Loss PDF full book. Access full book title Staging Loss by Michael Pinchbeck. Download full books in PDF and EPUB format.
Author: Michael Pinchbeck
Publisher: Springer
ISBN: 3319979701
Category : Performing Arts
Languages : en
Pages : 265
Get Book
Book Description
This book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs.
Author: Michael Pinchbeck
Publisher: Springer
ISBN: 3319979701
Category : Performing Arts
Languages : en
Pages : 265
Get Book
Book Description
This book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs.
Author: David Gobel
Publisher: University of Virginia Press
ISBN: 0813934338
Category : Architecture
Languages : en
Pages : 356
Get Book
Book Description
Commemoration lies at the poetic, historiographic, and social heart of human community. It is how societies define themselves and is central to the institution of the city. Addressing the complex ways that monuments in the United States have been imagined, created, and perceived from the colonial period to the present, Commemoration in America is a wide-ranging volume that focuses on the role of remembrance and memorialization in American urban life. The volume’s contributors are drawn from a spectrum of disciplines—social and urban history, urban planning, architecture, art history, preservation, and architectural history—and take a broad view of commemoration. In addition to the making of traditional monuments, the essays explore such commemorative acts as building preservation, biography, portraiture, ritual performance, street naming, and the planting of trees. Providing an overview of American memorialization and the impulses behind it, Commemoration in America emphasizes a universal tendency for individuals and groups to use monuments to define their contemporary social identity and to construct historical narratives. The volume shows that while commemorative acts and objects affect the community in fundamental ways, their meaning is always multivalent and conflicted, attesting to both triumphs and tragedies. Constituting a vital part of both individual and national identity, commemoration’s contradictions strike at the core of American identity and speak to the importance of remembrance in the construction of our diverse national cultural landscape. Contributors: Jhennifer A. Amundson, Judson University * Catherine W. Bishir, North Carolina State University Libraries * Thomas J. Campanella, University of North Carolina at Chapel Hill * Glenn T. Eskew, Georgia State University * Glenn Forley, Parsons / The New School for Design * Sally Greene, University of North Carolina at Chapel Hill * Alison K. Hoagland, Michigan Technological University * Lynne Horiuchi, University of California, Berkeley * Ellen M. Litwicki, SUNY Fredonia * David Lowenthal, University College London * Mark A. Peterson, University of California, Berkeley * Richard M. Sommer, University of Toronto * Dell Upton, University of California, Los Angeles
Author: Jane Morlet Hardie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 126
Get Book
Book Description
Author: Claire Schrader
Publisher: Jessica Kingsley Publishers
ISBN: 1849051380
Category : Psychology
Languages : en
Pages : 338
Get Book
Book Description
This book considers the relevance of ritual theatre in contemporary life and describes how it is being used as a highly cathartic therapeutic process. With contributions from leading experts in the field of dramatherapy, the book brings together a broad spectrum of approaches to ritual theatre as a healing system.
Author: Christina Geisen
Publisher: Yale Egyptology
ISBN: 1950343030
Category : History
Languages : en
Pages : 409
Get Book
Book Description
A Commemoration Ritual for Senwosret I, better known under the term Ramesseum Dramatic Papyrus, is a document that was found in a late Middle Kingdom tomb in the Ramesseum necropolis, together with other manuscripts and artifacts, all primarily magico-medical in function. The present study discusses the occupation of the tomb owner based on an analysis of this exceptional find in its entirety. The main core of the book is dedicated, however, to the Ramesseum Dramatic Papyrus. It examines the fabrication of the manuscript and its present condition. An updated translation and a grammatical analysis of the text are provided and a discussion of the relationship of myth and ritual as well as of the dramatic aspect of the ritual is included. Based on the analysis of the content, the participants in the ritual, the representation of the king in the vignettes, and relying on the comparison between the rites occurring in this document and those included in other royal and statue rituals attested from ancient Egypt, it can be shown that the text features a ritual that was held in commemoration of the deceased king Senwosret I. The book also includes photographs of the manuscript as well as digital drawings of the papyrus.
Author: Christina Geisen
Publisher: Yale Egyptology
ISBN: 1950343138
Category : History
Languages : en
Pages : 225
Get Book
Book Description
Ritual Landscape and Performance contains the peer-reviewed Egyptological contributions from the homonymous conference held at the Department of Near and Middle Eastern Civilizations of Yale University on September 23-24, 2016. The various articles discuss the use of ritual landscape from the Old to the New Kingdom of Ancient Egypt, by focusing on landscape archaeology of specific sites such as Saqqara, el-Bersheh, Abydos, Thebes, as well as Aniba in Nubia. Further contributions elucidate the interaction of desert and the Nile Valley through rock art, the depictions of watery environments in the delta and their association to rituals, as well as the habitation of landscapes using the example of southern Middle Egypt.
Author: Barry Stephenson
Publisher: Oxford University Press
ISBN: 0199943591
Category : Religion
Languages : en
Pages : 160
Get Book
Book Description
Ritual is part of what it means to be human. Like sports, music, and drama, ritual defines and enriches culture, putting those who practice it in touch with sources of value and meaning larger than themselves. Ritual is unavoidable, yet it holds a place in modern life that is decidedly ambiguous. What is ritual? What does it do? Is it useful? What are the various kinds of ritual? Is ritual tradition bound and conservative or innovative and transformational? Alongside description of a number of specific rites, this Very Short Introduction explores ritual from both theoretical and historical perspectives. Barry Stephenson focuses on the places where ritual touches everyday life: in politics and power; moments of transformation in the life cycle; as performance and embodiment. He also discusses the boundaries of ritual, and how and why certain behaviors have been studied as ritual while others have not. Stephenson shows how ritual is an important vehicle for group and identity formation; how it generates and transmits beliefs and values; how it can be used to exploit and oppress; and how it has served as a touchstone for thinking about cultural origins and historical change. Encompassing the breadth and depth of modern ritual studies, Barry Stephenson's Very Short Introduction also develops a narrative of ritual's place in social and cultural life. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Jack Santino
Publisher: University Press of Colorado
ISBN: 1607326353
Category : Social Science
Languages : en
Pages : 312
Get Book
Book Description
Public Performances offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—this volume provides rich and comprehensive insight into public performance as an assertion of political power. Contributors consider how public genres of performance express not only celebration but also dissent, grief, and remembrance; examine the permeability of the boundaries between genres; and analyze the approval or regulation of such events by municipalities and other institutions. Where the particular use of public space is not sanctioned or where that use meets with hostility from institutions or represents a critique of them, performers are effectively reclaiming public space to make public statements on their own terms—an act of popular sovereignty. Through these concepts, Public Performances distinguishes the sometimes overlapping dimensions of public symbolic display. Carnival, and thus the carnivalesque, is understood to possess tacit social permission for unconventional or even deviant performance, on the grounds that normal social order will resume when the performance concludes. Ritual, and the ritualesque, leverages a deeper symbolic sensibility, one believed—or at least intended—by the participants to effect transformative, longer-term change. Contributors: Roger D. Abrahams, John Borgonovo, Laurent Sébastien Fournier, Lisa Gilman, Barbara Graham, David Harnish, Samuel Kinser, Scott Magelssen, Elena Martinez, Pamela Moro, Beverly J. Stoeltje, Daniel Wojcik, Dorothy L. Zinn
Author: Miriam Haughton
Publisher: Bloomsbury Publishing
ISBN: 1350306789
Category : Performing Arts
Languages : en
Pages : 201
Get Book
Book Description
How does the act of performance speak to the concept of commemoration? How and why does commemorative theatre operate as a conceptual, historical and political site from which to interrogate ideas of nationalism and nationhood? This volume explores how theatre and performance create a stage for acts of commemoration, considering crises of hate, nationalism and migration, as well as political, racial and religious bigotry. It features case studies drawn from across Europe, the Middle East, Asia, Africa and Latin America. The book's four parts each explore commemoration through a different theoretical lens and present a new set of dramaturgies for research and study. While Section 1 offers a critical survey of 20th- and 21st-century discourses, Section 2 uncovers the commemorative practices underpinning contemporary dramaturgy and applies these practices to plays and performance pieces. These include works by Martin Lynch, Frank McGuinness, Sanja Mitrovic, Theater RAST, Les SlovaKs Dance Collective, Estela Golovchenko, Wajdi Mouawad, Áine Stapleton, CoisCéim, ANU Productions, Aubrey Sekhabi, and Indian and African dance practices. The final sections investigate how individual and collective memory and performances of commemoration can become tools for propaganda and political agendas.
Author: Annegret Fauser
Publisher: University of Michigan Press
ISBN: 047205466X
Category : Music
Languages : en
Pages : 309
Get Book
Book Description
Public commemorations of various kinds are an important part of how groups large and small acknowledge and process injustices and tragic events. Performing Commemoration: Musical Reenactment and the Politics of Trauma looks at the roles music can play in public commemorations of traumatic events that range from the Armenian genocide and World War I to contemporary violence in the Democratic Republic of the Congo and the #sayhername protests. Whose version of a traumatic historical event gets told is always a complicated question, and music adds further layers to this complexity, particularly music without words. The three sections of this collection look at different facets of musical commemorations and reenactments, focusing on how music can mediate, but also intensify responses to social injustice; how reenactments and their use of music are shifting (and not always toward greater social effectiveness); and how claims for musical authenticity are politicized in various ways. By engaging with critical theory around memory studies and performance studies, the contributors to this volume explore social justice, in, and through music.
