Classical Chinese Furniture in the Minneapolis Institute of Arts

Classical Chinese Furniture in the Minneapolis Institute of Arts PDF Author: Robert D. Jacobsen
Publisher: Art Media Resources
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 258

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Book Description
"Produced in conjunction with the symposium Classical Chinese furniture and the built environment, The Minneapolis Institute of Arts, Minneapolis, Minnesota June 10-12, 1999"--T.p. verso.

Classical Chinese Furniture in the Minneapolis Institute of Arts

Classical Chinese Furniture in the Minneapolis Institute of Arts PDF Author: Robert D. Jacobsen
Publisher: Art Media Resources
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 258

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Book Description
"Produced in conjunction with the symposium Classical Chinese furniture and the built environment, The Minneapolis Institute of Arts, Minneapolis, Minnesota June 10-12, 1999"--T.p. verso.

Austere Luminosity of Chinese Classical Furniture

Austere Luminosity of Chinese Classical Furniture PDF Author: Sarah Handler
Publisher: Univ of California Press
ISBN: 0520214846
Category : Art
Languages : en
Pages : 410

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Book Description
"Sarah Handler has written a true cultural history of Chinese furniture. Her book is a highly erudite blend of art history and social history, yet with a structure as transparent and elegant as that of a fine piece of Ming-style furniture."—Klaas Ruitenbeek, Louise Hawley Stone Chair of Far Eastern Art, Royal Ontario Museum, Toronto, and author of Carpentry and Building in Late Imperial China: A Study of the Fifteenth-Century Carpenter's Manual Lu Ban jing

Masterpieces from the Museum of Classical Chinese Furniture

Masterpieces from the Museum of Classical Chinese Furniture PDF Author: Museum of Classical Chinese Furniture
Publisher: Chinese Arts Foundation
ISBN:
Category : Furniture
Languages : en
Pages : 268

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Book Description


Austere Luminosity of Chinese Classical Furniture

Austere Luminosity of Chinese Classical Furniture PDF Author: Sarah Handler
Publisher: Univ of California Press
ISBN: 0520353331
Category : Art
Languages : en
Pages : 727

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Book Description
Chinese classical furniture is esteemed throughout the world for its beauty, functionalism, and influence on contemporary design aesthetics. Sarah Handler's stunningly illustrated volume traces Chinese hardwood furniture from its earliest origins in the Shang dynasty (c. 1500 to c. 1050 B.C.) to the present. She offers a fascinating and poetic view of Chinese furniture as functional sculpture, a fine art alongside the other Chinese arts of calligraphy, architecture, painting, and literature. Handler, a widely respected scholar of Chinese furniture, uses her knowledge of Chinese social, political, and economic history to provide a backdrop for understanding the many nuances of this art form. Drawing on literary and visual evidence from excavated materials, written texts, paintings, prints, and engravings, she discusses how people lived, their notions of hierarchy, and their perceptions of space. Her descriptions of historical developments, such as the shift from mats to chairs, evoke the psychological and sociological ramifications. The invention of a distinctive way to support and contain people and things within the household is one of China's singular contributions, says Handler. With more than three hundred exquisite illustrations, many in color, Handler's comprehensive study reveals "the magical totality of Chinese classical furniture, from its rich surfaces and shrewd proportions down to the austere soul of art that resides in the hardwood interiors." Austere Luminosity recognizes Chinese classical furniture as one of China's premier arts, unique in the furniture traditions of the world.

Zitan Furniture from the Ming and Qing Dynasties

Zitan Furniture from the Ming and Qing Dynasties PDF Author: Grace Wu Bruce
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 76

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Book Description
This volume illustrates 18 superb examples of classical Chinese furniture in Zitan wood, including several very rare items such as Ming Zitan tables, a pair of square corner cabinets, and a pair of begonia-shaped low back armchairs.

Classical Chinese Wood Furniture

Classical Chinese Wood Furniture PDF Author: Sandra Lok Fu Chin
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 52

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Book Description
Illustrating many fine examples, this catalog presents a treasury of classical Chinese furniture from five American private collections exhibited at the Craft & Folk Art Museum of San Francisco.

Classical Chinese Huanghuali Furniture from the Haven Collection

Classical Chinese Huanghuali Furniture from the Haven Collection PDF Author: Chu-Pak Lau
Publisher: Hku Museum and Art Gallery
ISBN: 9789881902382
Category : Furniture
Languages : en
Pages : 0

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Book Description
The University Museum and Art Gallery at the University of Hong Kong presents Classical Chinese Huanghuali Furniture from the Haven Collection and publishes this informative edition in conjunction with the exhibition. Chinese huanghuali furniture is world-famous and, for the longest time, has been collected in both East and West. The fine selection displayed here shows both domestic furniture and scholars' items, such as brush pots and chests. In Ming dynasty China, traditional wood architecture and Buddhist thrones inspired Chinese furniture makers and, as trade expanded, so did the amount of hardwood furniture in the form of sophisticated movable pieces and built-in interiors. Ming furniture is known for its elegant lines and carved details. During the reign of Emperor Longqing (1567-1572) China opened its borders, previously implemented import bans were lifted and a greater variety of building materials became available. Consequently, during the Ming and Qing dynasties (1368-1911) the most celebrated types of domestic furniture were made from huanghuali and zitan woods. The elegant dark hardwood with natural shine is remarkable for the fact that Chinese furniture is typically made from solid timber, not an invisible subconstruction covered by a decorative veneer, as is so often the case in the West. The strength of each individual element of a piece of furniture and the consistent color matter, as every detail is exposed and the precision of the joints and the size and position of the dowels are all visual elements of an often simple and graceful design. In some pieces the joints are detectible and accessible, sometimes demountable, or else expertly hidden in the more sophisticated pieces. Applied surface finishes were generally only a layer of wax; no stains or clear lacquer seals were added to the dense and inherently decorative woods.

Classical Chinese Furniture

Classical Chinese Furniture PDF Author: MD Flacks, Ltd
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages :

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Book Description


Chinese Style

Chinese Style PDF Author: Sunamita Lim
Publisher: Gibbs Smith
ISBN: 9781423600213
Category : Interior decoration
Languages : en
Pages : 172

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Book Description
Take the popular decorating concept of Feng Shui to a whole new level with authentic information on how to create a Chinese aesthetic. Learn how to alleviate clutter and increase the flow of chi, the universal life force; discover ways of integrating Chinese furniture and decorative arts to decorating styles; and stroll through a rich collection of images from homes, museums, and galleries.

Nordic Private Collections of Chinese Objects

Nordic Private Collections of Chinese Objects PDF Author: Minna Törmä
Publisher: Routledge
ISBN: 0429786808
Category : Art
Languages : en
Pages : 189

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Book Description
This book explores the ways in which Nordic private collectors displayed their collections of Chinese objects in their homes. This leads to a reconsideration of how to define collecting and display by analysing the difference between objects serving as decorative or collectible items, while tracing collecting and display trends of the twentieth century. Minna Törmä examines four Scandinavian collections as case studies: Kustaa Hiekka, Sophus Black, Osvald Sirén and Marie-Louise and Gunnar Didrichsen, all of whom had professional backgrounds (a jeweler, two businessmen and a scholar) and for whom collecting became a passion and an educational endeavour. This book will be of interest to scholars in art history, museum studies, Chinese studies and design history.