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Author: Mary Farquhar
Publisher: Routledge
ISBN: 1136993479
Category : Art
Languages : en
Pages : 264
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Book Description
This volume of original essays fills a significant research gap in Chinese film studies by offering an interdisciplinary, comparative examination of ethnic Chinese film stars from the silent period to the era of globalization. Whereas studies of stars and stardom have developed considerably in the West over the past two decades, there is no single book in English that critically addresses issues related to stars and stardom in Chinese culture. Chinese Film Stars offers exemplary readings of historically, geographically and aesthetically multifaceted star phenomena. An international line up of contributors test a variety of approaches in making sense of discourses of stars and stardom in China and the US, explore historical contexts in which Chinese film stars are constructed and transformed in relation to changing sociopolitical conditions, and consider issues of performance and identity specific to individual stars through chapter-by-chapter case studies. The essays explore a wide range of topics such as star performance, character type, media construction, political propaganda, online discourses, autobiographic narration, as well as issues of gender, genre, memory and identity. Including fifteen case studies of individual Chinese stars and illustrated with film stills throughout, this book is an essential read for students of Chinese film, media and cultural studies.
Author: Mary Farquhar
Publisher: Routledge
ISBN: 1136993479
Category : Art
Languages : en
Pages : 264
Get Book
Book Description
This volume of original essays fills a significant research gap in Chinese film studies by offering an interdisciplinary, comparative examination of ethnic Chinese film stars from the silent period to the era of globalization. Whereas studies of stars and stardom have developed considerably in the West over the past two decades, there is no single book in English that critically addresses issues related to stars and stardom in Chinese culture. Chinese Film Stars offers exemplary readings of historically, geographically and aesthetically multifaceted star phenomena. An international line up of contributors test a variety of approaches in making sense of discourses of stars and stardom in China and the US, explore historical contexts in which Chinese film stars are constructed and transformed in relation to changing sociopolitical conditions, and consider issues of performance and identity specific to individual stars through chapter-by-chapter case studies. The essays explore a wide range of topics such as star performance, character type, media construction, political propaganda, online discourses, autobiographic narration, as well as issues of gender, genre, memory and identity. Including fifteen case studies of individual Chinese stars and illustrated with film stills throughout, this book is an essential read for students of Chinese film, media and cultural studies.
Author: Quinn Grey
Publisher: 'The Rosen Publishing Group, Inc'
ISBN: 1499471254
Category : Juvenile Nonfiction
Languages : en
Pages : 50
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Book Description
China is home to a thriving film and television industry. Today, the most popular movies and television series in China are homegrown blockbusters with the highest production values, dazzling special effects, and top-notch storytelling. A dynamic group of young actors have emerged to meet the demands of audiences for Chinese productions. They are phenomenally talented all-around performers who are able to sing and dance as well as they act. They also somehow find time to model, produce films, make music videos, become social media stars, endorse luxury brands, and support important causes and charities. This is your VIP pass to meet and greet these young superstars and gain a privileged glimpse into their fascinating and fast-paced lives.
Author: Lisa Funnell
Publisher: State University of New York Press
ISBN: 1438452500
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Considers the significance of female Chinese action stars in national and transnational contexts. Bronze Medalist, 2015 Independent Publisher Book Awards in the Women Issues Category Warrior Women considers the significance of Chinese female action stars in martial arts films produced across a range of national and transnational contexts. Lisa Funnell examines the impact of the 1997 transfer of Hong Kong from British to Chinese rule on the representation of Chinese identities—Hong Kong Chinese, mainland Chinese, Chinese American, Chinese Canadian—in action films produced domestically in Hong Kong and, increasingly, in cooperation with mainland China and Hollywood. Hong Kong cinema has offered space for the development of transnational Chinese screen identities that challenge the racial stereotypes historically associated with the Asian female body in the West. The ethnic/national differentiation of transnational Chinese female stars—such as Pei Pei Cheng, Charlene Choi, Gong Li, Lucy Liu, Shu Qi, Michelle Yeoh, and Zhang Ziyi—is considered part of the ongoing negotiation of social, cultural, and geopolitical identities in the Chinese-speaking world. Lisa Funnell is Assistant Professor in the Women’s and Gender Studies Program at the University of Oklahoma, where she is also an affiliated faculty member of the Film and Media Studies Program and the Center for Social Justice. She is the coeditor (with Philippa Gates) of Transnational Asian Identities in Pan-Pacific Cinemas: The Reel Asian Exchange.
Author: Yingjin Zhang
Publisher: John Wiley & Sons
ISBN: 144435597X
Category : Performing Arts
Languages : en
Pages : 705
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Book Description
A Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China’s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications
Author: Ding Yaping
Publisher: Routledge
ISBN: 1000434877
Category : Art
Languages : en
Pages : 206
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Book Description
Since 1949, Chinese film has been greatly influenced by a variety of historical, cultural, and political events in the history of the People’s Republic of China. This volume explores the development of Chinese film from 1949 to 1976. This volume restores Chinese film to its original historical form and assesses its complex relationship with society, politics, culture, and art in the Maoist period. The 17-year films, Cultural Revolution-era films, the influence of model operas, and the documentary newsreels of Xinwen Jianbao are discussed. Combining a macro-perspective with a micro-perspective, the author analyzes the special characteristics of Chinese film in this period and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded the People’s Republic of China. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies, and media studies, helping readers develop a comprehensive understanding of Chinese film.
Author: Shenshen Cai
Publisher: Bloomsbury Publishing
ISBN: 1350409448
Category : History
Languages : en
Pages : 169
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Book Description
Whether willingly or unwillingly, public celebrities are often the focus of discussion of moral matters and political causes, but how does this sort of celebrity culture function in a country such as China with a powerful central state? Contemporary Chinese Celebrities explores how in today's China, celebrity figures embody, conflict with and engage with social, civil, moral and economic issues. Shenshen Cai examines the state's governance of celebrity activism and the interplay between the propaganda machine and the stars. Analyzing examples of scandalous celebrities who act as activists in a moral domain which is tightly governed by the state, Cai also studies several sports stars who have emerged in recent years as political activists in China, and their open defiance of the Chinese political system that poses unprecedented challenge to the Party's rule.
Author: Jason McGrath
Publisher: U of Minnesota Press
ISBN: 1452968586
Category : Performing Arts
Languages : en
Pages : 398
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Book Description
A tour de force chronicling the development of realism in Chinese cinema The history of Chinese cinema is as long and complicated as the tumultuous history of China itself. Be it the silent, the Communist, or the contemporary, each Chinese cinematic era has necessitated its own form in conversation with broader trends in politics and culture. In Chinese Film, Jason McGrath tells this fascinating story by tracing the varied claims to cinematic realism made by Chinese filmmakers, officials, critics, and scholars. Understanding realism as a historical dynamic that is both enabled and mitigated by aesthetic conventions of the day, he analyzes it across six different types of claims: ontological, perceptual, fictional, social, prescriptive, and apophatic. Through this method, McGrath makes major claims not just about Chinese cinema but also about realism as an aesthetic form that negotiates between cultural conventions and the ever-evolving real. He comes to envision it as more than just a cinematic question, showing how the struggle for realism is central to the Chinese struggle for modernity itself.
Author: Ding Yaping
Publisher: Routledge
ISBN: 1000434850
Category : Art
Languages : en
Pages : 329
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Book Description
The early years of the history of Chinese film have lately been the subject of resurgent interest and a growing body of scholarship has come to recognise and identify an extraordinarily diverse and complex period. This volume explores the development of Chinese film from 1896 to 1949. The volume covers the screening of foreign films in Shanghai, Hong Kong and other coastal cities in China, the technological and industrial development of Chinese national cinema, key filmmakers and actors of early Chinese cinema, changing modes of representation and narration, as well as the social and cultural contexts within which early Chinese films were produced and circulated. The relationship between the War of Resistance against Japan and the Chinese civil war and Chinese film is also explored. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers develop a comprehensive understanding of Chinese film.
Author: Lau Dorothy Wai Sim Lau
Publisher: Edinburgh University Press
ISBN: 1474430368
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
As Chinese performers have become more visible on global screens, their professional images - once the preserve of studios and agents - have been increasingly relayed and reworked by film fans. Web technology has made searching, poaching, editing, posting and sharing texts significantly easier, and by using a variety of seamless and innovative methods a new mode of personality construction has been developed. With case studies of high-profile stars like Jet Li, Jackie Chan and Donnie Yen, this ground-breaking book examines transnational Chinese stardom as a Web-based phenomenon, and as an outcome of the participatory practices of cyber fans.
Author: Jessica Ka Yee Chan
Publisher: Bloomsbury Publishing
ISBN: 1786734346
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture.
