Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 138
Book Description
Études sur la pré-renaissance et la renaissance anglaises.
Cahiers Élisabéthains
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 138
Book Description
Études sur la pré-renaissance et la renaissance anglaises.
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 138
Book Description
Études sur la pré-renaissance et la renaissance anglaises.
Shakespeare, Text and Theater
Author: Jay L. Halio
Publisher: University of Delaware Press
ISBN: 9780874136999
Category : Drama
Languages : en
Pages : 356
Book Description
"Jay L. Halio is internationally distinguished as an editor of Shakespeare's plays and as a critic of Shakespeare in performance. This collection, with an international list of contributors, honors both those interests and explores their interconnectedness."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: University of Delaware Press
ISBN: 9780874136999
Category : Drama
Languages : en
Pages : 356
Book Description
"Jay L. Halio is internationally distinguished as an editor of Shakespeare's plays and as a critic of Shakespeare in performance. This collection, with an international list of contributors, honors both those interests and explores their interconnectedness."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Reading Shakespeare on Stage
Author: Herbert R. Coursen
Publisher: University of Delaware Press
ISBN: 9780874135381
Category : Performing Arts
Languages : en
Pages : 314
Book Description
"Reading Shakespeare on Stage offers a straightforward set of criteria whereby anyone, from the first-time playgoer to the most experienced Shakespearean scholar, may evaluate his or her response to a production of one of Shakespeare's scripts. This articulation of response is not a by-product of going to the theater, but a central part of the experience. The "invitation to response" is a function of Shakespeare's stage, which was open to the audience on three sides, and is incorporated into his scripts through soliloquies, asides, and references to Shakespeare's stage and his dramaturgy." "The concept of "script" (as opposed to "text") makes possible an approach to Shakespeare's plays as plays, a function to which their literary quality is subordinate. That fact, however, does not mean that recent critical tendencies are irrelevant to the scripts. Feminist and historicist readings of the plays are "contextualized" in and by the ongoing energy system of production. It remains true, however, that many members of the growing audience for live performances can not determine what may have been strong or weak about a given production. The size and shape of the stage and the size of the auditorium, for example, define what can occur within the given space, but few spectators take that crucial factor into account. Reading Shakespeare on Stage provides the criteria for evaluation, while at the same time admitting that the criteria themselves are subject to debate and that their application emerges from the subjective psychology of perception of individual spectators."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: University of Delaware Press
ISBN: 9780874135381
Category : Performing Arts
Languages : en
Pages : 314
Book Description
"Reading Shakespeare on Stage offers a straightforward set of criteria whereby anyone, from the first-time playgoer to the most experienced Shakespearean scholar, may evaluate his or her response to a production of one of Shakespeare's scripts. This articulation of response is not a by-product of going to the theater, but a central part of the experience. The "invitation to response" is a function of Shakespeare's stage, which was open to the audience on three sides, and is incorporated into his scripts through soliloquies, asides, and references to Shakespeare's stage and his dramaturgy." "The concept of "script" (as opposed to "text") makes possible an approach to Shakespeare's plays as plays, a function to which their literary quality is subordinate. That fact, however, does not mean that recent critical tendencies are irrelevant to the scripts. Feminist and historicist readings of the plays are "contextualized" in and by the ongoing energy system of production. It remains true, however, that many members of the growing audience for live performances can not determine what may have been strong or weak about a given production. The size and shape of the stage and the size of the auditorium, for example, define what can occur within the given space, but few spectators take that crucial factor into account. Reading Shakespeare on Stage provides the criteria for evaluation, while at the same time admitting that the criteria themselves are subject to debate and that their application emerges from the subjective psychology of perception of individual spectators."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Italian Culture in the Drama of Shakespeare & His Contemporaries
Author: Michele Marrapodi
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655046
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
Applying recent developments in new historicism and cultural materialism-along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text-the essays collected here reconsider the pervasive infl
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754655046
Category : Literary Criticism
Languages : en
Pages : 310
Book Description
Applying recent developments in new historicism and cultural materialism-along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text-the essays collected here reconsider the pervasive infl
Shakespeare's Demonology
Author: Marion Gibson
Publisher: A&C Black
ISBN: 1780936184
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance? The chapters in this book discuss crucial aspects of the issues raised by the postdramatic turn in theatre in the late twentieth and early twenty-first century: the status of the audience and modes of spectatorship in postdramatic theatre; the political claims of postdramatic theatre; postdramatic theatre's ongoing relationship with the dramatic tradition; its dialectical qualities, or its eschewing of the dialectic; questions of representation and the real in theatre; the role of bodies, perception, appearance and theatricality in postdramatic theatre; as well as subjectivity and agency in postdramatic theatre, dance and performance. Offering analyses of a wide range of international performance examples, scholars in this volume engage with Hans-Thies Lehmann's theoretical positions both affirmatively and critically, relating them to other approaches by thinkers ranging from early theorists such as Brecht, Adorno and Benjamin, to contemporary thinkers such as Fischer-Lichte, Rancière and others
Publisher: A&C Black
ISBN: 1780936184
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Is postdramatic theatre political and if so how? How does it relate to Brecht's ideas of political theatre, for example? How can we account for the relationship between aesthetics and politics in new forms of theatre, playwriting, and performance? The chapters in this book discuss crucial aspects of the issues raised by the postdramatic turn in theatre in the late twentieth and early twenty-first century: the status of the audience and modes of spectatorship in postdramatic theatre; the political claims of postdramatic theatre; postdramatic theatre's ongoing relationship with the dramatic tradition; its dialectical qualities, or its eschewing of the dialectic; questions of representation and the real in theatre; the role of bodies, perception, appearance and theatricality in postdramatic theatre; as well as subjectivity and agency in postdramatic theatre, dance and performance. Offering analyses of a wide range of international performance examples, scholars in this volume engage with Hans-Thies Lehmann's theoretical positions both affirmatively and critically, relating them to other approaches by thinkers ranging from early theorists such as Brecht, Adorno and Benjamin, to contemporary thinkers such as Fischer-Lichte, Rancière and others
Shakespeare and the Challenge of the Contemporary
Author: Francesca Clare Rayner
Publisher: Bloomsbury Publishing
ISBN: 1350182176
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Contemporary performance is a particularly stimulating area for the study of how Shakespeare is produced and received in different cultural contexts. Francesca Clare Rayner's original and thought-provoking book highlights the diversity and experimentalism of contemporary performance practices through a focus on unexplored performances in Portugal. This book references key debates within contemporary performance studies on intermediality, globalization and political participation and analyses their particular configurations within the Portuguese context. These case studies represent clear alternatives to the market-driven view of the contemporary as the continual reproduction of the new and the topical for global consumers. Instead, they recast the contemporary as a site of disempowerment, crisis and erasure in a Europe fragmented by economic austerity, political divisions around Brexit, ecological vacillation and an anxious refashioning of global relations between North and South.
Publisher: Bloomsbury Publishing
ISBN: 1350182176
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
Contemporary performance is a particularly stimulating area for the study of how Shakespeare is produced and received in different cultural contexts. Francesca Clare Rayner's original and thought-provoking book highlights the diversity and experimentalism of contemporary performance practices through a focus on unexplored performances in Portugal. This book references key debates within contemporary performance studies on intermediality, globalization and political participation and analyses their particular configurations within the Portuguese context. These case studies represent clear alternatives to the market-driven view of the contemporary as the continual reproduction of the new and the topical for global consumers. Instead, they recast the contemporary as a site of disempowerment, crisis and erasure in a Europe fragmented by economic austerity, political divisions around Brexit, ecological vacillation and an anxious refashioning of global relations between North and South.
Women Beware Women
Author: Andrew Hiscock
Publisher: A&C Black
ISBN: 144117771X
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
A comprehensive introduction to Thomas Middleton's Women Beware Women - introducing its critical history, performance history, the current critical landscape and new directions in research.
Publisher: A&C Black
ISBN: 144117771X
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
A comprehensive introduction to Thomas Middleton's Women Beware Women - introducing its critical history, performance history, the current critical landscape and new directions in research.
Shakespeare's Festive World
Author: Frangois Laroque
Publisher: Cambridge University Press
ISBN: 9780521457866
Category : Drama
Languages : en
Pages : 444
Book Description
This book offers an exciting new perspective on Shakespeare's relation to popular culture.
Publisher: Cambridge University Press
ISBN: 9780521457866
Category : Drama
Languages : en
Pages : 444
Book Description
This book offers an exciting new perspective on Shakespeare's relation to popular culture.
Shakespeare
Author: J. Hart
Publisher: Springer
ISBN: 0230103987
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
In this stunning reinterpretation of Shakespeare s works, Jonathan Hart explores key topics such as love, lust, time, culture, and history to unlock the Bard s brilliant fictional worlds. From an in-depth look at the private and public myths of love in the narrative poems, through an examination of time in the sonnets, to a discussion of gender in the major history plays, this book offers close readings and new perspectives. Delving into the text and context of a wide range of poems and plays, Hart brings his wealth of experience to bear on Shakespeare s representation of history.
Publisher: Springer
ISBN: 0230103987
Category : Literary Criticism
Languages : en
Pages : 268
Book Description
In this stunning reinterpretation of Shakespeare s works, Jonathan Hart explores key topics such as love, lust, time, culture, and history to unlock the Bard s brilliant fictional worlds. From an in-depth look at the private and public myths of love in the narrative poems, through an examination of time in the sonnets, to a discussion of gender in the major history plays, this book offers close readings and new perspectives. Delving into the text and context of a wide range of poems and plays, Hart brings his wealth of experience to bear on Shakespeare s representation of history.
The Sacred and Profane in English Renaissance Literature
Author: Mary Arshagouni Papazian
Publisher: Associated University Presse
ISBN: 9780874130256
Category : History
Languages : en
Pages : 392
Book Description
This collection of 13 original essays addresses how properly to define the intersection between the sacred and profane in early modern English literature. These essays cover a variety of works published in 16th and 17th century England, as well as a variety of genres.
Publisher: Associated University Presse
ISBN: 9780874130256
Category : History
Languages : en
Pages : 392
Book Description
This collection of 13 original essays addresses how properly to define the intersection between the sacred and profane in early modern English literature. These essays cover a variety of works published in 16th and 17th century England, as well as a variety of genres.