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Author: A. S. Berman
Publisher:
ISBN: 9781593931438
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
"Eric Idle, John Inman, Penelope Keith, Stephanie Cole, Clive Swift, Lenny Henry, Gordon Kaye, Craig Charles, Robert Llewellyn, Blythe Duff, Geraldine Somerville, John Mortimer, Beryl & Sue Vertue"--Cover.
Author: A. S. Berman
Publisher:
ISBN: 9781593931438
Category : Biography & Autobiography
Languages : en
Pages : 0
Get Book
Book Description
"Eric Idle, John Inman, Penelope Keith, Stephanie Cole, Clive Swift, Lenny Henry, Gordon Kaye, Craig Charles, Robert Llewellyn, Blythe Duff, Geraldine Somerville, John Mortimer, Beryl & Sue Vertue"--Cover.
Author: Sarah Statz Cords
Publisher:
ISBN: 9780960048700
Category : Historical television programs
Languages : en
Pages : 288
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Book Description
"Isn't Downton Abbey better when you watch it with a friend? This book is every Anglophile's companion guide to the best British television to watch right now. No more wandering through your streaming services and guessing about which UK series you'd like best. In this guide you'll find information on more than 100 of your soon-to-be-favorite programs, including: how long it will take you to bingewatch each one, your favorite Brit actors and creators and their noteworthy performances, commentary on related shows that you might also enjoy, [and] must-know trivia. You'll also find insights from across the pond as co-authors Sarah Cords (the Yank) and Jackie Bailey (the Brit), chat over subjects of vital importance, like why British series are so much shorter than their American counterparts, what kind of sports are shown on British TV, and why there seem to be fewer guns in British programs (among many other topics). British TV is the best TV--and it's even better when you watch it with friends. Join us, won't you?"--
Author: Carlen Lavigne
Publisher: Lexington Books
ISBN: 0739146742
Category : Social Science
Languages : en
Pages : 260
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Book Description
Ever since Norman Lear remade the BBC series Till Death Us Do Part into All in the Family, American remakes of British television shows have become part of the American cultural fabric. Indeed, some of the programs currently said to exemplify American tastes and attitudes, from reality programs like American Idol and What Not to Wear to the mock-documentary approach of The Office, are adaptations of successful British shows. Carlen Lavigne and Heather Marcovitch's American Remakes of British Television: Transformations and Mistranslations is a multidisciplinary collection of essays that focuses on questions raised when a foreign show is adapted for the American market. What does it mean to remake a television program? What does the process of 'Americanization' entail? What might the success or failure of a remade series tell us about the differences between American and British producers and audiences? This volume examines British-to-American television remakes from 1971 to the present. The American remakes in this volume do not share a common genre, format, or even level of critical or popular acclaim. What these programs do have in common, however, is the sense that something in the original has been significantly changed in order to make the program appealing or accessible to American audiences. The contributors display a multitude of perspectives in their essays. British-to-American television remakes as a whole are explained in terms of the market forces and international trade that make these productions financially desirable. Sanford and Son is examined in terms of race and class issues. Essays on Life on Mars and Doctor Who stress television's role in shaping collective cultural memories. An essay on Queer as Folk explores the romance genre and also talks about differences in national sexual politics. An examination of The Office discusses how the American remake actually endorses the bureaucracy that the British original satirizes; alternatively, another approach breaks down The Office's bumbling boss figures in terms of contemporary psychological theory. An essay on What Not to Wear discusses how a reality show about everyday fashion conceals the construction of an ideal national subject; a second essay explains the show in terms of each country's discourses surrounding femininity. The success of American Idol is explained by analyzing the role of amateur music in American culture. The issue of translation itself is interrogated by examining specific episodes of Cracker, and also by asking why a successful series in the U.K., Blackpool, was a dismal failure as an American remake. This collection provides a rich and multifaceted overview of approaches to international television studies.
Author: Paul Cornell
Publisher:
ISBN:
Category : Television broadcasting
Languages : en
Pages : 456
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Book Description
Author: R. W. Burns
Publisher: IET
ISBN: 9780863410796
Category : Business & Economics
Languages : en
Pages : 514
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Book Description
This book is concerned with the history of British television for home reception from 1922/23 to 1939, when the London Station closed down for the war years. Great care has been taken to ensure that an unbiased, accurate history has been written and the work is based predominantly on written primary source material.
Author: Ruth McElroy
Publisher: Springer
ISBN: 1137578750
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability. Television drama production has become an increasingly lucrative global export business as drama as a form enjoys increased prestige. However, this book argues that the growing emphasis on international markets and global players such as Netflix and Amazon Prime neglects the realities of commissioning and making television drama in specific national and regional contexts. Drawing on extensive empirical research, Producing British Television Drama demonstrates the centrality of public service broadcasters in serving audiences and sustaining the commercial independent sector in a digital age. It attends closely to three elements—the role of place in the production of content; the experiences of those working in the sector; and the interventions from cultural intermediaries in articulating and ascribing value to television drama. With chapters examining the evolution of British TV drama, as well as what might be in store in its future, this book offers invaluable insights into the UK as a major supplier of and market for television drama.
Author: Alexander Hall
Publisher: Springer Nature
ISBN: 3030830438
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
This book charts the history of how biological evolution has been depicted on British television and radio, from the first radio broadcast on evolution in 1925 through to the 150th anniversary of Charles Darwin’s Origin of the Species in 2009. Going beyond science documentaries, the chapters deal with a broad range of broadcasting content to explore evolutionary themes in radio dramas, educational content, and science fiction shows like Doctor Who. The book makes the case that the dominant use in science broadcasting of the ‘evolutionary epic’, a narrative based on a progressive vision of scientific endeavour, is part of the wider development of a standardised way of speaking about science in society during the 20th century. In covering the diverse range of approaches to depicting evolution used in British productions, the book demonstrates how their success had a global influence on the genres and formats of science broadcasting used today.
Author: J. Bignell
Publisher: Palgrave Macmillan
ISBN: 9781137327574
Category : Social Science
Languages : en
Pages : 0
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Book Description
Featuring leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future.
Author: Jeffrey S. Miller
Publisher: U of Minnesota Press
ISBN: 9780816632411
Category : Fiction
Languages : en
Pages : 276
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Book Description
Between Emma Peel and tire Ministry of Silly Walks British television had a significant impact on American popular culture in the 1960s and 1970s. In Something Completely Different, Jeffrey Miller offers the first comprehensive study of British programming on American television, discussing why the American networks imported such series as The Avengers and Monty Python's Flying Circus; how American audiences received these uniquely British shows; and how the shows' success reshaped American television. Miller's lively analysis covers three genres: spy shows, costume dramas, and sketch comedies. In addition to his close readings of the series themselves, Miller considers the networks' packaging of the programs for American viewers and the influences that led to their acceptance, including the American television industry's search for new advertising revenue and the creation of PBS.
Author: Su Holmes
Publisher: Intellect (UK)
ISBN:
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
This book focuses on the emerging historical relations between British television and film culture in the 1950s. Drawing upon archival research, it does this by exploring the development of the early cinema programme on television - principally Current Release (BBC, 1952-3), Picture Parade (BBC, 1956) and Film Fanfare (ABC, 1956-7) - and argues that it was these texts which played the central role in the developing relations between the media. Particularly when it comes to Britain, the early co-existence of television and cinema has been seen as hostile and antagonistic, but in situating these programmes within the contexts of their institutional production, aesthetic construction and reception, the book aims to 'reconstruct' television's coverage of the cinema as crucial to the fabric of British film and television culture at the time. It demonstrates how the roles of cinema and television - as media industries and cultural forms, but crucially as sites of screen entertainment - effectively came together at this time in such a way that is unique to this decade.
