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Author: Ann Jefferson
Publisher: Oxford University Press
ISBN: 9780199270842
Category : Language Arts & Disciplines
Languages : en
Pages : 440
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Book Description
Containing critical readings of some major French authors in the light of the evolving relations between biography and literature, this book offers a history of French literature over a 300-year period, and also a discussion of biography - its forms, history, and functions
Author: Ann Jefferson
Publisher: Oxford University Press
ISBN: 9780199270842
Category : Language Arts & Disciplines
Languages : en
Pages : 440
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Book Description
Containing critical readings of some major French authors in the light of the evolving relations between biography and literature, this book offers a history of French literature over a 300-year period, and also a discussion of biography - its forms, history, and functions
Author: Wilhelm Hemecker
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110516675
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
This textbook is an anthology of significant theoretical discussions of biography as a genre and as a literary-historical practice. Covering the 18th to the 21st centuries, the reader includes programmatic texts by authors such as Herder, Carlyle, Dilthey, Proust, Freud, Kracauer, Woolf and Bourdieu. Each text is accompanied by a commentary placing its contribution in critical context. Ideal for use in undergraduate seminars, this reader may also be of interest for academic researchers in the areas of literary studies and history aiming to get an overview of historical questions in biographical theory. This revised and updated English language edition also includes new translations of texts by J. G. Herder and Stefan Zweig, as well as an introductory discussion on the possibility of a ‘theory of biography’. Note: Due to copyright reasons, the chapter "Sade, Fourier, Loyola [Extract] (1971)" (pp. 175–177) by Roland Barthes could not be included in the ebook.
Author: Hans Renders
Publisher: BRILL
ISBN: 9004274707
Category : History
Languages : en
Pages : 293
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Book Description
Theoretical Discussions of Biography: Approaches from History, Microhistory, and Life Writing offers comprehensive overviews by 14 academic scholars of the actual state of the field of Biography Studies, specifically by connecting biography with microhistory, journalism, and Life Writing.
Author: Max Saunders
Publisher: Oxford University Press
ISBN: 0199579768
Category : Biography & Autobiography
Languages : en
Pages : 576
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Book Description
Ford Madox Ford: A Dual Life Volume II: The After-War World Max Saunders --
Author: Robert Fraser
Publisher: Springer Nature
ISBN: 3030351696
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Marrying life-writing with classical reception, this book examines ancient biography and its impact on subsequent ages. Close readings of ancient texts are framed by an assessment of their influence on the age of the French Revolution and Napoleon, and on the nineteenth, twentieth, and twenty-first centuries, of responses to ancient biography of modern critics, and of its visible legacy in art and film. Crucially it asks what modern biographers can learn from their ancient predecessors. Are the challenges involved in life-writing still the same? Have working methods changed, and in what ways? What in the context of biographical writing is truth, and how are its interests best served? How is it possible, now as then, honestly to convey a life?
Author: Sam Ferguson
Publisher: Oxford University Press
ISBN: 0192545825
Category : Literary Collections
Languages : en
Pages : 256
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Book Description
This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries—a supposedly private form of writing —would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, André Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'André Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question.
Author: Sarah Roger
Publisher: Oxford University Press
ISBN: 0198746156
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Sarah Roger investigates Jorge Luis Borges's development as an author in light of Franz Kafka's influence, and in consideration of Borges's relationship with his father, Jorge Guillermo Borges (Borges pere, a failed author). Borges believed that much of Kafka's writing derived from his personal experiences, particularly his relationship with his father. This book looks at how reading Kafka helped Borges mediate and make productive use of his own relationship with his father, and it offers a thorough analysis of Borges pere's writing, which is supplemented by an appendix that reprints Borges pere's poetry for the first time. Borges and Kafka also provides extensive analysis of Kafka's presence in Borges's critical writing, his translations, and the stories that he modelled on Kafka. Particular attention is paid to the concepts that Borges identified as Kafka's obsessions: subordination, infinity, and hierarchical relationships, which Borges referred to as the "patria potestad." Roger's analysis is accompanied by an annotated bibliography documenting every mention of Kafka in Borges's writing and a list of every Kafka text Borges read. Kafka's influence is especially evident in the stories where Borges was openly imitating Kafka--"La loteria en Babilonia" (1941), "La biblioteca de Babel" (1941), and "El Congreso" (1971)--but it features throughout Ficciones. Reading Borges's writing in light of his interest in Kafka demonstrates his focus not just on the individual's subordinate place in an infinite hierarchy but also on the repercussions these circumstances had for a struggling author like Borges, who was seeking to define himself through his writing.
Author: Constanze Güthenke
Publisher: Cambridge University Press
ISBN: 1107104238
Category : Foreign Language Study
Languages : en
Pages : 243
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Book Description
Argues that German classical philology personified antiquity and imagined scholarship as an inter-personal relationship with it.
Author: Ferdinand Brunetière
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 280
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Book Description
Author: Lene Østermark-Johansen
Publisher: Oxford University Press
ISBN: 0192858750
Category :
Languages : en
Pages : 417
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Book Description
Walter Pater's European Imagination addresses Pater's literary cosmopolitanism as the first in-depth study of his fiction in dialogue with European literature. Pater's short pieces of fiction, the so-called 'imaginary portraits', trace the development of the European self over a period of some two thousand years. They include elements of travelogue and art criticism, together with discourses on myth, history, and philosophy. Examining Pater's methods of composition, use of narrative voice, and construction of character, the book draws on all of Pater's oeuvre and includes discussions of a range of his unpublished manuscripts, essays, and reviews. It engages with Pater's dialogue with the visual portrait and problematises the oscillation between type and individual, the generic and the particular, which characterises both the visual and the literary portrait. Exploring Pater's involvement with nineteenth-century historiography and collective memory, the book positions Pater's fiction solidly within such nineteenth-century genres as the historical novel and the Bildungsroman, while also discussing the portraits as specimens of biographical writing. As the 'Ur-texts' from which generations of modernist life-writing developed, Pater's 'imaginary portraits' became pivotal for such modernist writers as Virginia Woolf and Harold Nicolson. Walter Pater's European Imagination explores such twentieth-century successors, together with French contemporaries like Sainte-Beuve and followers like Marcel Schwob.
