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Author: Andrew Dell'Antonio
Publisher: Univ of California Press
ISBN: 9780520237605
Category : Music
Languages : en
Pages : 350
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Book Description
Rose Subotnik criticized 'structural listening' as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume take up her challenge, writing on repertoires ranging from Beethoven to MTV.
Author: Andrew Dell'Antonio
Publisher: Univ of California Press
ISBN: 9780520237605
Category : Music
Languages : en
Pages : 350
Get Book
Book Description
Rose Subotnik criticized 'structural listening' as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume take up her challenge, writing on repertoires ranging from Beethoven to MTV.
Author: Andrew Dell'Antonio
Publisher: Univ of California Press
ISBN: 0520237579
Category : Music
Languages : en
Pages : 346
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Book Description
Rose Subotnik criticized 'structural listening' as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume take up her challenge, writing on repertoires ranging from Beethoven to MTV.
Author: Austin Clarkson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 404
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Book Description
Author: Andrew Dell'Antonio
Publisher: Univ of California Press
ISBN: 0520269292
Category : Music
Languages : en
Pages : 232
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Book Description
In this volume the author looks at the rise of a cultivated audience whose skill involved listening rather than playing or singing, in the early 17th century.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 358
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Book Description
Author: Peter Szendy
Publisher: Fordham Univ Press
ISBN: 9780823228010
Category : Music
Languages : en
Pages : 178
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Book Description
An enlightening exploration of the concept of listening and the evolving role of the listener from Beethoven to Charlie Parker to contemporary remixing. In this intimate meditation on listening, Peter Szendy examines what the role of the listener is, and has been, through the centuries. The roles of the composer and the musician are clear, but where exactly does the listener stand in relation to music? What is the responsibility of the listener? Does a listener have any rights, as the author and composer have copyright? Is it possible to convey to others how we ourselves listen to music? Though personal memory and intellectual history, Szendy takes readers on a fascinating and ear-opening journey to answer these questions. Along the way, he examines the evolution of copyright laws as applied to musical works and takes us into the courtroom to examine different debates on what we are and aren’t allowed to listen to, and to witness the fine line between musical borrowing and outright plagiarism. Finally, he examines the recent phenomenon of DJs and digital compilations, and wonders how technology has affected our listening habits.
Author: Mary F. Scudder
Publisher: Oxford University Press, USA
ISBN: 0197535453
Category : Political Science
Languages : en
Pages : 229
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Book Description
Beyond Empathy and Inclusion examines how to achieve democratic rule in large pluralistic societies where citizens are deeply divided. Scudder argues that listening is key; in a democracy, citizens do not have to agree with their political opponents, but they do have to listen to them. Being heard is what ensures we have a say in the laws to which we are held. While listening is admittedly difficult, this book investigates how to motivate citizens to listenseriously, attentively, and humbly, even to those with whom they disagree.
Author: Nicholas Cook
Publisher: Oxford University Press
ISBN: 0199357404
Category : Music
Languages : en
Pages : 482
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Book Description
In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars-including musicologists, music theorists, and music cognition scholars-everywhere.
