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Author: Michael G. Levine
Publisher: Stanford University Press
ISBN: 9780804755559
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The Belated Witness examines major works by Art Spiegelman, Cynthia Ozick, Christa Wolf, and Paul Celan, focusing specifically on the unsettling configuration of birth-as-death trauma around which these texts are organized.
Author: Michael G. Levine
Publisher: Stanford University Press
ISBN: 9780804755559
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The Belated Witness examines major works by Art Spiegelman, Cynthia Ozick, Christa Wolf, and Paul Celan, focusing specifically on the unsettling configuration of birth-as-death trauma around which these texts are organized.
Author: James Litherland
Publisher: Outpost Stories
ISBN:
Category : Fiction
Languages : en
Pages : 189
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Book Description
It’s never too late to uncover the truth. In a Seattle suburb in the summer of 1989, someone saw a woman pushed out a window and plummet to her death. Unable to identify the killer, the witness chose not to come forward. And Dorothy ‘Ace’ O’Reilly’s death was written off as an accident, the murderer never brought to justice. But when time-traveling sleuths Sam and Bailey are asked to investigate, they can change the rules and discover what really happened. And in the process put more lives at risk… This is the second Sam and Bailey mystery. The first is Uncertain Murder, but their story starts in Watchbearers Book 1: Millennium Crash. And their next adventure after Belated Witness is in Book 5: Temporal Entanglement. That’s time travel.
Author: Shoshana Felman
Publisher: Routledge
ISBN: 1135206031
Category : Literary Collections
Languages : en
Pages : 315
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Book Description
In this unique collection, Yale literary critic Shoshana Felman and psychoanalyst Dori Laub examine the nature and function of memory and the act of witnessing, both in their general relation to the acts of writing and reading, and in their particular relation to the Holocaust. Moving from the literary to the visual, from the artistic to the autobiographical, and from the psychoanalytic to the historical, the book defines for the first time the trauma of the Holocaust as a radical crisis of witnessing "the unprecedented historical occurrence of...an event eliminating its own witness." Through the alternation of a literary and clinical perspective, the authors focus on the henceforth modified relation between knowledge and event, literature and evidence, speech and survival, witnessing and ethics.
Author: Petra M. Schweitzer
Publisher: Lexington Books
ISBN: 0739190083
Category : History
Languages : en
Pages : 135
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Book Description
Gendered Testimonies of the Holocaust: Writing Life begins with the premise that writing proves virtually synonymous with survival, bearing the traces of life and of death carried within those who survived the atrocities of the Nazis. In reading specific testimonies by survivor-writers Paul Celan, Charlotte Delbo, Olga Lengyel, Gisella Perl, and Dan Pagis, this text seeks to answer the question: How was it possible for these survivors to write about human destruction, if death is such an intimate part of the survivors’ survival? This book shows how the works of these survivors arise creatively from a vigorous spark, the desire to preserve memory. Testimony for each of these writers is a form of relation to oneself but also to others. It situates each survivor’s anguish in writing as a need to write so as to affirm life. Writing as such always bears witness to the life of the one who should be dead by now and thus to the miracle of having survived. This book’s claim is that the act of writing testimony manifests itself as the most intensive form of life possible. More specifically, its exploration of writing’s affirmation of life and assertion of identity focuses on the gendered dimension of expression and language. This book does not engage in the binary structure of gender and the hierarchically constructed roles in terms of privileging the male over the female. The criteria that guide its discussion on Gendered Testimonies emerge out of Levinas’s concept of maternity.
Author: Amy Lynn Wlodarski
Publisher: Cambridge University Press
ISBN: 1107116473
Category : History
Languages : en
Pages : 255
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Book Description
The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value.
Author: Michal Givoni
Publisher: Cambridge University Press
ISBN: 1107150949
Category : History
Languages : en
Pages : 251
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Book Description
The Care of the Witness explores the historical shifts in the crises of witnessing to genocide, war, and disaster and their contribution to nongovernmental politics.
Author: Nancy Caronia
Publisher: Fordham Univ Press
ISBN: 0823262286
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Celebrating one of the most important Italian American female authors of our time, Personal Effects offers a lucid view of Louise DeSalvo as a writer who has produced a vast and provocative body of memoir writing, a scholar who has enriched our understanding of Virginia Woolf, and a teacher who has transformed countless lives. More than an anthology, Personal Effects represents an author case study and an example for modern Italian American interdisciplinary scholarship. Personal Effects examines DeSalvo’s memoirs as works that push the boundaries of the most controversial genre of the past few decades. In these works, the author fearlessly explores issues such as immigration, domesticity, war, adultery, illness, mental health, sexuality, the environment, and trauma through the lens of gender, ethnic, and working-class identity. Alongside her groundbreaking scholarship, DeSalvo’s memoirs attest to the power and influence of this feminist Italian American writer.
Author: Adam J. Goldwyn
Publisher: Springer Nature
ISBN: 3030788571
Category : History
Languages : en
Pages : 312
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Book Description
This book analyzes Byzantine examples of witness literature, a genre that focuses on eyewitness accounts written by slaves, prisoners, refugees, and other victims of historical atrocity. It focuses on such episodes in three nonfictional texts – John Kaminiates’ Capture of Thessaloniki (904), Eustathios of Thessaloniki’s Capture of Thessaloniki (1186), and Niketas Choniates’ History (ca. 1204–17) – and the three extant twelfth-century Komnenian novels to consider how the authors’ positions as both eyewitness and victim require an interpretive method that distinguishes witness literature from other kinds of writing about the past. Drawing on theoretical developments in the fields of Holocaust and Genocide Studies (such as Giorgio Agamben’s homo sacer and Michel Foucault’s biopolitics) and comparisons with modern examples (Elie Wiesel’s Night and Primo Levi’s If This is a Man), Witness Literature emphasizes the affective, subjective, and experiential in medieval Greek historical writing.
Author: Clare Hanson
Publisher: Springer
ISBN: 1137477369
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This volume reshapes our understanding of British literary culture from 1945-1975 by exploring the richness and diversity of women’s writing of this period. Essays by leading scholars reveal the range and intensity of women writers’ engagement with post-war transformations including the founding of the Welfare State, the gradual liberalization of attitudes to gender and sexuality and the reconfiguration of Britain and the empire in the context of the Cold War. Attending closely to the politics of form, the sixteen essays range across ‘literary’, ‘middlebrow’ and ‘popular’ genres, including espionage thrillers and historical fiction, children’s literature and science fiction, as well as poetry, drama and journalism. They examine issues including realism and experimentalism, education, class and politics, the emergence of ‘second-wave’ feminism, responses to the Holocaust and mass migration and diaspora. The volume offers an exciting reassessment of women’s writing at a time of radical social change and rapid cultural expansion.
Author: Ann Keniston
Publisher: University of Iowa Press
ISBN: 1609383532
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
From Sylvia Plath’s depictions of the Holocaust as a group of noncohering “bits” to AIDS elegies’ assertions that the dead posthumously persist in ghostly form and Susan Howe’s insistence that the past can be conveyed only through juxtaposed “scraps,” the condition of being too late is one that haunts post-World War II American poetry. This is a poetry saturated with temporal delay, partial recollection of the past, and the revelation that memory itself is accessible only in obstructed and manipulated ways. These postwar poems do not merely describe the condition of lateness: they enact it literally and figuratively by distorting chronology, boundary, and syntax, by referring to events indirectly, and by binding the condition of lateness to the impossibility of verifying the past. The speakers of these poems often indicate that they are too late by repetitively chronicling distorted events, refusing closure or resolution, and forging ghosts out of what once was tangible. Ghostly Figures contends that this poetics of belatedness, along with the way it is bound to questions of poetic making, is a central, if critically neglected, force in postwar American poetry. Discussing works by Sylvia Plath, Adrienne Rich, Jorie Graham, Susan Howe, and a group of poets responding to the AIDS epidemic, Ann Keniston draws on and critically assesses trauma theory and psychoanalysis, as well as earlier discussions of witness, elegy, lyric trope and figure, postmodernism, allusion, and performance, to define the ghosts that clearly dramatize poetics of belatedness throughout the diverse poetry of post–World War II America.
